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Willem de Kooning - part 2

Willem de Kooning (1904 – 1997) was a Dutch-American abstract expressionist artist. He was born in Rotterdam and moved to the United States in 1926, becoming an American citizen in 1962. In 1943, he...

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Willem de Kooning - part 3

Willem de Kooning, Easthampton gelatin silver print Collection Albright-Knox Art Gallery, Buffalo, New YorkWillem de Kooning (1904 – 1997) was a Dutch-American abstract expressionist artist. He was...

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Willem de Kooning - part 4

Willem de Kooning in 1950Willem de Kooning (1904 – 1997) was a Dutch-American abstract expressionist artist. He was born in Rotterdam and moved to the United States in 1926, becoming an American...

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Willem de Kooning - part 5

Willem de Kooning (1904 – 1997) was a Dutch-American abstract expressionist artist. He was born in Rotterdam and moved to the United States in 1926, becoming an American citizen in 1962. In 1943, he...

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Willem de Kooning - part 6

Willem de Kooning in his studio 1951 Smithsonian Institution ArchivesWillem de Kooning (1904 – 1997) was a Dutch-American abstract expressionist artist. He was born in Rotterdam and moved to the United...

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Willem de Kooning - part 7

Willem de Kooning 1968 by Robert Mapplethorpe gelatin silver on paper 47.6 c 47.1 cm © Robert Mapplethorpe FoundationWillem de Kooning (1904 – 1997) was a Dutch-American abstract expressionist artist....

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Willem de Kooning - part 8

Willem de Kooning (1904 – 1997) was a Dutch-American abstract expressionist artist. He was born in Rotterdam and moved to the United States in 1926, becoming an American citizen in 1962. In 1943, he...

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Willem de Kooning - part 9

Willem de Kooning (1904 – 1997) was a Dutch-American abstract expressionist artist. He was born in Rotterdam and moved to the United States in 1926, becoming an American citizen in 1962. In 1943, he...

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Willem de Kooning - part 10

Willem de Kooning in his East Hampton studio, New York photograph by Kenneth Tyler National Gallery of Art, AustraliaWillem de Kooning (1904 – 1997) was a Dutch-American abstract expressionist artist....

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French Travel Posters - part 1

During the second half of the 19th century, the development of transportation enabled a strong increase in tourism in Europe. Timetables decorated with small black and white engravings were displayed...

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French Travel Posters - part 2

During the second half of the 19th century, the development of transportation enabled a strong increase in tourism in Europe. Timetables decorated with small black and white engravings were displayed...

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French Travel Posters - part 3

During the second half of the 19th century, the development of transportation enabled a strong increase in tourism in Europe. Timetables decorated with small black and white engravings were displayed...

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French Travel Posters - part 4

During the second half of the 19th century, the development of transportation enabled a strong increase in tourism in Europe. Timetables decorated with small black and white engravings were displayed...

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French Travel Posters - part 5

During the second half of the 19th century, the development of transportation enabled a strong increase in tourism in Europe. Timetables decorated with small black and white engravings were displayed...

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French Travel Posters - part 6

During the second half of the 19th century, the development of transportation enabled a strong increase in tourism in Europe. Timetables decorated with small black and white engravings were displayed...

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French Travel Posters - part 7

 During the second half of the 19th century, the development of transportation enabled a strong increase in tourism in Europe. Timetables decorated with small black and white engravings were displayed...

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Gustave Doré - part 13

Our visual image of Victorian London is largely fixated on its sordidness—cramped streets, dark alleys, desolate slums, overcrowding, and illicit dens. Two people are responsible for creating in our...

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Gustave Doré - part 14

Our visual image of Victorian London is largely fixated on its sordidness—cramped streets, dark alleys, desolate slums, overcrowding, and illicit dens. Two people are responsible for creating in our...

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Gustave Doré - part 15

 Our visual image of Victorian London is largely fixated on its sordidness—cramped streets, dark alleys, desolate slums, overcrowding, and illicit dens. Two people are responsible for creating in our...

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Gustave Doré - part 16

Our visual image of Victorian London is largely fixated on its sordidness—cramped streets, dark alleys, desolate slums, overcrowding, and illicit dens. Two people are responsible for creating in our...

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