Roy Lichtenstein ( October 27, 1923 – September 29, 1997 ) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.
For a more detailed biography see part 1, and for earlier works see parts 1 - 6 also.
This is part 7 of a 20-part series on the works of Roy Lichtenstein (works 1966-1969)
1967 Ten Landscapes:
1969 Cathedral Series:
A series of prints based on Claude Monet's famous series of paintings of Rouen Cathedral, seen in different lighting conditions and times of day:
1969 Haystacks:
Another series of prints and a painting based on a Claude Monet theme - Haystacks:
1968-70 Modular Paintings:
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| 1967 As I Opened Fire Triptych lithograph 69.9 x 52.7 cm |
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| 1967 As I Opened Fire panel 1 colour offset lithograph 63.9 x 52.9 cm de Young / Legion of Honour Fine Arts Museums of San Francisco, CA |
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| 1967 As I Opened Fire panel 2 colour offset lithograph 63.9 x 52.9 cm de Young / Legion of Honour Fine Arts Museums of San Francisco, CA |
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| 1967 As I Opened Fire panel 3 colour offset lithograph 63.9 x 52.9 cm de Young / Legion of Honour Fine Arts Museums of San Francisco, CA |
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| 1967 Aspen Winter Jazz Poster screenprint on glossy white paper 101.6 x 66 cm |
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| 1967 Aviation oil and magna on canvas 172.7 x 208.3 cm |
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| 1967 Fish and Sky screenprint, photographic print, lithograph on composition board 60.4 x 50.8 cm |
1967 Ten Landscapes:
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| 1967 Portfolio Box, Ten Landscapes |
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| 1967 Landscape I screenprint on four-ply board, tipped onto composition board 27.7 x 45.6 cm ( image ) Art Institute of Chicago, IL |
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| 1967 Landscape 2 screenprint on four-ply board with a translucent moiré Rowlux overlay, screenprinted on top, tipped onto composition board 42.2 x 54.8 cm Art Institute of Chicago, IL |
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| 1967 Landscape 3 screenprint on colour chromogenic print, laid down on four-ply board, tipped onto composition board 30.4 x 42 cm Art institute of Chicago, IL |
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| 1967 Landscape 4 screenprint on opaque white Rowlux, laid down on four-ply board, tipped onto composition board 42.2 x 54.7 cm Art Institute of Chicago, IL |
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| 1967 Landscape 5 screenprint on pink moiré Rowlux with blue moiré Rowlux, laid down on four-ply board, tipped onto composition board 42.2 x 54.5 cm Art Institute of Chicago, IL |
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| 1967 Landscape 6 screenprint on blue-green moiré Rowlux, with colour chromogenic print, laid down on four-ply board, tipped onto composition board 42.3 x 54.9 cm Art Institute of Chicago, IL |
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| 1967 Landscape 7 screenprint on four-ply board, with iridescent silver Mylar, tipped onto composition board 42.2 x 54.7 cm Art Institute of Chicago, IL |
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| 1967 Landscape 8 iridescent silver Mylar collage on opaque black Rowlux and grey moiré Rowlux, laid down on four-ply board, tipped onto composition board 42.2 x 54.5 cm Art Institute of Chicago, IL |
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| 1967 Landscape 9 screenprint with colour chromogenic photographic print, laid down on four-ply rag board, tipped down onto composition board 32.6 x 41.2 cm Art Institute of Chicago, IL |
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| 1967 Landscape 10 screenprint on colour chromogenic print and translucent moiré Rowlux, laid down on four-ply board, tipped onto composition board 42.2 x 54.5 cm Art Institute of Chicago, IL |
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| 1968 Modern Sculpture with Three Voids wood, ebonised wood and mirror 26.7 x 63.5 c 22.9 cm |
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| 1968 Modern Tapestry wool 273.1 x 367.7 cm |
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| 1968 Preparedness oil and magna on canvas 304.8 x 548.6 cm Solomon R. Guggenheim Museum, New York |
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| 1968 Stretcher Frame ( a ) oil and magna on canvas 91.4 x 91.4 cm |
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| 1968 Stretcher Frame ( b ) with Cross Bars II oil and magna on canvas 121.9 x 121.9 cm |
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| 1968 Stretcher Frame ( c ) with Cross Bars III oil and magna on canvas 121.9 x 142.2 cm |
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| 1968 Stretcher Frame ( d ) with Cross Bars IV oil and magna on canvas 142.2 x 172.7 cm |
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| 1968 Stretcher Frame ( e ) with Cross Bars V oil and magna on canvas 173.4 x 142.2 cm |
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| 1968 Time Magazine Cover "The Gun in America" offset lithograph |
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| 1968 Time Magazine Cover "Bobby Kennedy" offset lithograph |
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| 1968 Yellow Abstraction oil and magna on canvas with brass and wood 121.9 x 335.3 cm |
1969 Cathedral Series:
A series of prints based on Claude Monet's famous series of paintings of Rouen Cathedral, seen in different lighting conditions and times of day:
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| Claude Monet's Rouen Cathedral series |
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| Rouen Cathedral by Claude Monet 1894 |
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| 1969 Cathedral #1 colour lithograph and silkscreen in yellow and white 123.2 x 82.6 cm de Young / Legion of Honour Fine Arts Museums of San Francisco, CA |
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| 1969 Cathedral #2 colour lithograph in red and blue 122.7 x 82.2 de Young / Legion of Honour Fine Arts Museums of San Francisco, CA |
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| 1969 Cathedral #3 colour lithograph in blue 123.2 x 82.6 cm de Young / Legion of Honour Fine Arts Museums of San Francisco, CA |
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| 1969 Cathedral #4 colour lithograph in red and blue 122.9 x 82.2 cm de Young / Legion of Honour Fine Arts Museums of San Francisco, CA |
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| 1969 Cathedral #5 colour lithograph in yellow and black 123.5 x 82.6 cm de Young / Legion of Honour Fine Arts Museums of San Francisco, CA |
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| 1969 Cathedral #6 colour lithograph in blue and black 122.7 x 82.1 cm de Young / Legion of Honour Fine Arts Museums of San Francisco, CA |
1969 Haystacks:
Another series of prints and a painting based on a Claude Monet theme - Haystacks:
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| Claude Monet Haystacks 1890-91 oil on canvas Art Institute of Chicago, IL |
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| 1968 Haystacks oil and magna on canvas 45.7 x 61 cm |
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| 1969 Haystack screenprint on paper 48.3 x 66 cm |
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| 1969 Haystacks #1 lithograph and screenprint on paper 34 x 59.7 cm Tate, London |
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| 1969 Haystacks #2 lithograph and screenprint on paper 34 x 59.7 cm |
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| 1969 Haystacks #3 lithograph and screenprint on paper 34.2 x 60 cm Tate, Liverpool |
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| 1969 Haystacks #4 lithograph and screenprint on paper 34.2 x 59.7 cm Tate, London |
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| 1969 Haystacks #5 lithograph and screenprint on paper 34.2 x 60 cm Tate, London |
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| 1969 Haystacks #6 lithograph and screenprint on paper 34.2 x 60 cm Tate, Liverpool |
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| 1969 Haystacks #7 lithograph and screenprint on paper 34.5 x 60 cm Tate, Liverpool |
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| 1969 Red Barn I oil and magna on canvas 76.2 x 11.8 cm |
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| 1969 Red Barn II oil and magna on canvas 111.8 x 142.2 cm |
1968-70 Modular Paintings:
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| 1968 Modular Painting with Nine Panels oil and magna on canvas 320 x 320 cm |
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| 1969 Modular Painting with Four Panels #1 oil and magna on canvas 274.3 x 274.3 cm |
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| 1969 Modular Painting with Four Panels #2 oil and magna on canvas 243.8 x 243.8 cm |
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| 1969 Modular Painting with Four Panels #4 oil and magna on canvas 274.3 x 274.3 cm |
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| 1969 Modular Painting with Four Panels #5 oil and magna on canvas 274.3 x 274.3 cm |
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| 1969 Modular Painting with Four Panels #13 oil and magna on canvas 274.3 x 274.3 cm |
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| 1970 Modular Banner felt and vinyl 243.8 x 243.8 cm |
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| 1970 Modular Painting with Four Panels #6 oil and magna on canvas 274.3 x 274.3 cm |
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| 1970 Modular Painting with Four Panels #7 oil and magna on canvas 274.3 x 274.3 cm |
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| 1970 Modular Painting with Four Panels #8 oil and magna on canvas 274.3 x 365.8 cm |
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| 1970 Modular Painting with Four Panels #9 oil and magna on canvas 228.6 x 304.8 cm |