Philip William May was a caricaturist. He was born near Leeds and was the son of an engineer who died when May was nine years old. May worked in a variety of jobs before moving to London, and shortly afterward to Australia, when he was seventeen. In Australia he found work with the Sydney Bulletin, and in just three years produced over 800 drawings for the Bulletin. On his return to London in 1892 May drew for the St Stephen's Review; his studies of the London guttersnipes and coster-girls rapidly made him famous. He became a regular member of the staff of Punch in 1896, and in his later years his services were retained exclusively for Punch and The Graphic.
For full biographical notes on Phil May see part 1, and for earlier works, see parts 1 - 21 also.
This is part 22 of a 22-part series on the works of Phil May
Phil May postcards:
Raphael Tuck "Oilette" Shakespeare Illustrated series:
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"For whom this hungry war opens his vasty jaws." |
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"Heavens, how deeply you do touch me!" |
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"You cram these words into mine ear against the stomach of my sense." |
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Fairness which strikes the eye. Cymbeline, V.5 |
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How sour sweet music is when time is broke and no proportion kept! Richard !!. V.5 |
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I am thy father's Spirit; Hamlet. I.V. |
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I like your silence. Winter Tales V.3 |
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Pray thee take pains to allay with some cold drops of modesty thy skipping spirit. M. of Venice, II.I |
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She speaks yet she says nothing, what of that? Her eye discourses Romeo & Juliet II.II. |
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"She speaks yet she says nothing, what of that? Her eye discourses." |
Raphael Tuck "Oilette"Write Away series:
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I can't think how I missed you |
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I caught the train all right |
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I have nothing new |
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It seems perfectly plain |
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Perhaps you will drop in |
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Who do you think I ran across |
Davidson Bros. The Humour of Life series:
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"Important Intelligence."
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Obviously an Omission.
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Remember the Fifth of November
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Barman: 'Ere, I say, 'ow old are yer?
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Old Gent.- "What's the meaning of that badge, my dear?"
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A Sketch in Edinburgh
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Were ye there, Moriaty?
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Another Puzzle for the Post Office
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Host:
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Christmas Comes But Once a Year
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What made your brother deaf, Rob?
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Prison Barber: What are you in for?
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Employer: Like a Job my Man?
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F.&J. Smith's Cigarette CardsA set of 35 (18 found here):
Various undated sketches:
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Marbles pen and ink |
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Portrait of a Woman with Black Hat coloured crayon heightened with brush and white gouache, over graphite, on tan wove paper 30.3 x 22.8 cm Art Institute of Chicago, IL |
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Portrait of a Young Lady black and red crayon with graphite on buff wove paper 30.5 x 22.8 cm |
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Portrait of Paul Maitland, Artist pen and black ink on ivory laid paper 17.7 x 11.3 cm Art Institute of Chicago, IL |
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Ramsgate. Bank Holiday. 11am pen and ink 13.3 x 12.1 cm |
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Self-Portrait oil on canvas on cardboard 35.6 x 25.4 cm Art Gallery of New South Wales, Australia |
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Shawled London Character black crayon and graphite on grey wove paper 19.2 x 14 cm Art Institute of Chicago, IL |
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Sketches at the Association Cup Football Match pen and black ink over traces of blue pencil on ivory wove paper 19.9 x 14 cm Art Institute of Chicago, IL |
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Study of a Lady in a Riding Habit pen and ink 22.3 x 20.6 cm Metropolitan Museum of Art, New York |
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The Hoffman House Saloon pen and ink 25.2 x 31 cm The Metropolitan Museum of Art, New York |
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The Man in the Street black crayon and graphite on grey wove paper 19.1 x 14.1 cm Art Institute of Chicago, IL |
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The Modern Troubadour black crayon and graphite on grey wove paper 19.1 x 14.2 cm Art Institute of Chicago, IL |
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Three Card Trick, Epsom black crayon and graphite on grey wove paper 19.2 x 14.1 cm Art Institute of Chicago, IL |
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Untitled (To Paul Maitland from Phil May) |
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Unknown Man pen and ink 16.8 x 11.1 cm National Portrait Gallery, London |
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Untitled Figure Study black and white chalk on paper National Gallery of Victoria, Melbourne, Australia |
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Untitled pen and ink National Gallery of Victoria, Melbourne, Australia |
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Waiter and Diner pencil and ink on paper 37.4 x 27.3 cm Tate, London |