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Arthur Melville - part 2

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Unsigned portrait of Arthur Melville
watercolour 47 x 36.8 cm

Arthur Melville (1858–1904) was a Scottish painter of Orientalist subjects, among others.
He was born in Guthrie, Anngus in 1858 and brought up in East Lothian. He took up painting while working as a grocer's apprentice, and then attended the Royal Scottish AcademySchools before studying in Paris and Greece. The colour sense, which is so notable a feature of his work developed during his travels in Persia, Egypt and Turkey between 1880 and 1882,where he sometimes travelled alone on long inland journeys. To convey strong Middle Eastern light, he developed a technique of using watercolour on a base of wet paper with gouache (bodycolour) applied to it.
Melville, though comparatively little known during his lifetime, was one of the most powerful influences in the contemporary art of his day, especially in his broad decorative treatment with watercolour, which influenced the Glasgow Boys. Though his vivid impressions of colour and movement are apparently recorded with feverish haste, they are the result of careful deliberation and selection. He was at his best in his watercolours of Eastern life and his Venetian scenes, but he also painted several striking portraits in oils and a powerful composition of The Return from the Crucifixion which remained unfinished at his death in 1904. The Victoria and Albert Museum has one of his watercolours, The Little Bull-Fight Bravo, Toro! and others, like An Oriental Goatherd in the Weimar Museum are in many museums, especially in Scotland. Many of his pictures remain with private collectors.

A comprehensive memorial exhibition of Melville's works was held at the Royal Institute Galleries in London in 1906.

For a full biography and for earlier works by Arthur Melville, see part 1 also.
This is part 2 of 3 parts on the works of Arthur Melville:

1885 The Red Poppies
oil on canvas 61 x 76.2 cm
Private Collection

1885 The Sower (Souvenir de Millet)
watercolour on paper 19 x 27.3 cm
Private Collection

The above watercolour after Jean-Francois Millet's "The Sower":


1850-70 The Sower
pastel and crayon on paper 43.5 x 53.5 cm
 Walters Art Museum, Baltimore, MD

1885 The Wounded Covenanter
watercolour 78 x 55 cm
Private Collection

1886 The End Hole, Dunbar
watercolour on paper 31.8 x 48.3 cm
Private Collection

1888 Arabs Returning from a Raid
watercolour 54.5 x 76.2 cm
Private Collection

1888 Castle Lachlan
watercolour on paper 26.7 x 36.8 cm
Private Collection

1888 The Fête of the Dosseh
watercolour on paper 66 x 99.1 cm
Private Collection

1888 The Sign of the White Horse Inn
 watercolour and gouache on paper 34.3 x 41.9 cm
The Burrell Collection, Glasgow, UK

1888-89c The Little Bullfight: 'Bravo Toro'
 watercolour 56 x 77.5 cm
The Victoria and Albert Museum, London

1888c Arabs Returning from a Raid
watercolour 30 x 44.5 cm

1889 Street in Paris
watercolour 36.9 x 54.4 cm
Private Collection

1889 The Faggot Collector
oil on canvas 99 x 65 cm
Falmouth Art Gallery, UK

1889 The Lawn Tennis Party at Marcus
pencil and watercolour heightened with touches of bodycolour 45.7 x 72.5 cm
Private Collection

1890 After the Play
pastel on oatmeal paper 99 x 58.4 cm

1890 Gitana (Gypsy) Dancing Girl, Granada
oil on canvas 32.3 x 20.9 cm
Private Collection

1890 Southwold Beach, Suffolk
pastel 25.4 x 30.5 cm
Private Collection

1890 Standing Stones
watercolour 17.5 x 27.5 cm
Private Collection

1890 The Alhambra at Granada
watercolour

1890 The Canyon, Ronda (Spain)
watercolour on paper 22.9 x 15.3 cm
Private Collection

1890 The Mosque of Córdoba watercolour on paper 17.8 x 24.2 cm Private Collection

1890 The Procession of the Corpus
watercolour and gouache on paper 68.6 x 50.8 cm
 Private Collection

1891 A By-Way in Granada
watercolour 64.4 x 74 cm

1891 A Spanish Dancing Girl
watercolour on paper 94 x 72.5 cm
Private Collection

1891 A Spanish Sunday, Going to the Bullfight
 oil on canvas 82 x 98 cm
University of Dundee Fine Art Collection, Scotland, UK

1891 Waiting for the Sultan
watercolour on paper 53.3 x 75.7 cm
Scottish National Gallery, Edinburgh, UK

c1891 A Spanish Bullfight
oil on canvas
McLean Museum and Art Gallery, Greenock, Scotland, UK

c1891 Night, Spain
oil on canvas 81.2 x 96.8 cm
Kelvingrove Art Gallery and Museum, Glasgow, UK

1892 A Mediterranean Port
watercolour 50.8 x 78.7 cm
Glasgow Museums; Art Gallery & Museum. Kelvingrove, Scotland

1892 A Woman of Aragon
watercolour on paper 42 x 30.5 cm
Private Collection

1892 Boy on a Mule
oil on panel 30.4 x 39.4 cm

1892 Interior of Seville Cathedral
watercolour 50 x 78 cm

1892 José Moreno (aka A Spanish Muleterr)
oil on panel 43.2 x 32.4 cm
Private Collection

1892 Passages
oil on panel 15.3 x 22.9 cm
Private Collection

1892 Pedrola
oil on panel 30.5 x 42 cm
Private Collection

1892 The Bed of a Stream, Spain
pencil and watercolour on paper 50.7 x 76.4 cm
 Private Collection

1892 The Contrabandista
oil on canvas 100 x 81.5 cm
Private Collection

1892c Orange Market, Puerta de los Pasajes
 watercolour on paper 50.7 x 75 cm
Feling Collection, London

1893 A Highland Burn
watercolour 59.6 x 85.1 cm
Fleming Collection, London

1893 A Moorish Marriage Procession, Tangier
 watercolour on paper 59.3 x 79.8 cm
National Galleries Scotland, UK

1893 Autumn, Loch Lomond
watercolour 59 x 85 cm
Kelvingrove Art Gallery and Museum, Glasgow, UK

1893 Brig O' Turk
watercolour 60.9 x 86.3 cm
The Robertson Collection, Orkney, UK

1893 Tangiers
watercolour 86.3 x 60.9 cm
Private Collection

1893 The Orange Market, Zaragoza
watercolour on paper 51 x 68 cm
Private Collection

1893 The Valley of the Darro
pencil and watercolour 85.7 x 60.3 cm
Private Collection

1894 A Sirocco Day
watercolour 84 x 58.5 cm
Dumfriesshire Educational Trust, Scotland

1894 Sails Against the Morning Sky, Venice
pencil and watercolour 83.3 x 58.4 cm
Private Collection

1894 The Rialto, Venice
watercolour 58.4 x 83.8 cm
Private Collection

1894 The Soko, Tangiers
watercolour 59.5 x 85 cm
Private Collection

1895 The Capture of a Spy
watercolour on paper 52 x 72 cm
Kelvingrove Art Gallery and Museum, Glasgow, UK

1896 Horse Fair at Salen, Mull
watercolour on paper 21.6 x 29.2 cm
Private Collection

1896 Miss Doris Spence
oil on canvas 137 x 91.5 cm
Private Collection

1897 A Spanish Fishing Village
watercolour 51 x 61 cm

1897 The Blue Night, Venice
watercolour and gouache on board 86.4 x 61 cm
Tate, London


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