Sir Frank William Brangwyn (1867 – 1956) was an Anglo-Welsh artist, painter, water colourist, engraver, illustrator and progressive designer.
Brangwyn was an artistic jack-of-all-trades. As well as paintings and drawings, he produced designs for stained glass, furniture, ceramics, table glassware, buildings and interiors, was a lithographer and woodcutter and was a book illustrator. It has been estimated that during his lifetime Brangwyn produced over 12,000 works. His mural commissions would cover over 22,000 sq ft (2,000 m2) of canvas, he painted over 1,000 oils, over 660 mixed media works (watercolours, gouache), over 500 etchings, about 400 wood engravings and woodcuts, 280 lithographs, 40 architectural and interior designs, 230 designs for items of furniture and 20 stained glass panels and windows.
Brangwyn received some artistic training, probably from his father, and later from Arthur Heygate Mackmurdo and in the workshops of William Morris, but he was largely an autodidact without a formal artistic education. When, at the age of seventeen, one of his paintings was accepted at the Royal Academy Summer Exhibition, he was strengthened in his conviction to become an artist. Initially he painted traditional subjects about the sea and life on the seas. His 1890 canvas, Funeral At Sea won a medal of the third class at the 1891 Paris Salon. The murals for which Brangwyn was famous, and during his lifetime he was very famous indeed, were brightly coloured and crowded with details of plants and animals, although they became flatter and less flamboyant later in his life.
This is part 9 of a 13-part series on the works of Sir Frank William Brangwyn.
For earlier works see parts 1 - 8 also.
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c1924 Trawlers hand-coloured lithograph 59 x 52.9 cm Victoria & Albert Museum, London |
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1925 A Romantic Landscape etching 15.2 x 23.5 cm |
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before 1925 The Prodigal Son oil on canvas 34.3 x 43.2 cm Leeds Art Gallery, UK |
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c1925 An Italian Town inlaid intarsia panel 96.5 x 78.7 cm Yale Centre for British Art, New Haven, CT |
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1925c From my Window at Ditchling oil on board 66 x 73.6 cm Jerwood Collection, London |
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c1925 Leeds University Building Fund lithograph with hand-colouring 75.5 x 51.5 cm Victoria & Albert Museum, London |
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c1925 Notre Dame de Paris oil on hardboard 62 x 74.5 cm Museum of New Zealand, Wellington, NZ |
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c1925 The Storm etching 24 x 47 cm |
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1926 An Alpine Bridge etching 29.8 x 42.5 cm (plate) |
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before 1926 Lookout - Zambrene Trench Coats lithograph 38.1 x 24.2 cm |
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1926 Old Bridge, Pavia drypoint 35 x 56 cm |
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1926-27 Exhibition of Flemish and Belgian Art 1350-1900 lithograph 39 x 28 cm Victoria & Albert Museum, London |
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1926-28 A Tank in Action oil on canvas 365.8 x 375.9 cm National Museum Wales, Cardiff |
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before 1927 Interior of St Hilier, Poitiers lithograph 37 x 47 cm |
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1928 Interior of St. Hilaire, Poitiers reproduction of a watercolour 29.8 x 24.2 cm |
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before 1927 Blast Furnace, Hammersmith watercolour 32 x 43.4 cm |
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1927 Pont Neuf, Paris watercolour |
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1927 Sketch for St. John lithograph 19.5 x 24 cm |
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before 1928 Old Time Music oil on board 48 x 61 cm |
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1928 Ditchling Windmill watercolour 29.8 x 24.2 cm |
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before 1930 The Golden Horn, Constantinople oil on canvas 63.5 x 76.2 cm |
1925-38 Barbizon House
D. Croal Thomson and Lockett Thomson gallery, London
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1925 Barbizon House cover D. Croal Thomson and Lockett Thomson, London |
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1926 Barbizon House cover D. Croal Thomson and Lockett Thomson, London |
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1927 Barbizon House cover D. Croal Thomson and Lockett Thomson, London |
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1928 Barbizon House cover D. Croal Thomson and Lockett Thomson, London |
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1929 Barbizon House cover D. Croal Thomson and Lockett Thomson, London |
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1933 Barbizon House cover D. Croal Thomson and Lockett Thomson, London |
1926 The Bridge
published by John Lane & Dodd, Mead and Co.
24 colour plates and 22 monotone
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1926 The Bridge |
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1926 Ascoli Piceno |
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1926 Assisi |
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1926 The Bridge of Mills, Meaux |
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1926 The Bridge of the Emperor Valerian, Shuster Persia |
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Pont Neuf, Paris |
1927 Les Campagnes Hallucinées.
47 woodcuts and lithographs by Frank Brangwyn
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1927 Les Campagnes Hallucinées cover |
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1927 A Spanish Church woodcut 15.2 x 17.7 cm |
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1927 The Flight to the Town woodcut 15.2 x 17.7 cm |
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1927 Title unknown woodcut 12.7 x 5 cm |
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1927 Title unknown woodcut 12.7 x 5 cm |
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1927 Title unknown woodcut |
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1927 Title unknown woodcut |
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1927 Title unknown woodcut |
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1927 Title unknown woodcut |
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1927 Title unknown woodcut |
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1927 Title unknown woodcut |
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1927 Title unknown woodcut |
1930 Hugh Redwood books
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1930 God in the Slums: A Book of Modern Miracles by Hugh Redwood published by Hodder & Stoughton cover by Brangwyn |
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1932 God in the Shadows by Hugh Redwood published by Hodder & Stoughton cover by Brangwyn |
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1934 Kingdom Come by Hugh Redwood published by Hodder & Stoughton cover by Brangwyn |
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1936 God inthe Everyday by Hugh Redwood published by Rich & Cowan, London cover by Brangwyn |
1928-40 Royal Doulton Brangwyn Ware
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1930 Royal Doulton Brangwyn Ware vase 20 cm high |
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c1930 Royal Doulton Brangwyn Ware pitcher |
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c1930 Royal Doulton Brangwyn Ware pitcher |
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c1930 Royal Doulton Brangwyn Ware vase 17.7 cm high |
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c1930 Royal Doulton Brangwyn Ware 'Floral' Art Deco Vase 16.2 cm high |
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1928 Royal Doulton Brangwyn Ware 'Harvest' plate 16.6 cm diameter Victoria & Albert Museum, London |
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1928 Royal Doulton Brangwyn Ware 'Harvest' platter 12.6 cm Diameter Victoria & Albert Museum, London |
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1928 Royal Doulton Brangwyn Ware 'Harvest' platter 29.5 cm long |
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1928 Royal Doulton Brangwyn Ware Vase 9.5 cm high x 13.1 cm diameter |
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1928 Royal Doulton Brangwyn Ware Vase |
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Royal Doulton Brangwyn Ware vase 30.5 cm high |
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Royal Doulton Brangwyn Ware Vases 30.4 cm high (tallest vase) |