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Roy Lichtenstein - part 5

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Roy Lichtenstein ( October 27, 1923 – September 29, 1997 ) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.

For a more detailed biography see part 1, and for earlier works see parts 1 - 4 also.

This is part 5 of a 20-part series on the works of Roy Lichtenstein (works 1965-1966):



1965 Blonde
glazed ceramic 38.1 cm high

1965 Ceramic Sculpture #2
glazed ceramic 8.9 x 19.1 x 19.1 cm

1965 Ceramic Sculpture #7
painted and glazed ceramic 24.2 x 17.8 x 17.8 cm

1965 Ceramic Sculpture #9
glazed ceramic 26.7 cm high

1965 Ceramic Sculpture #13
painted and glazed ceramic 24.1 x 16.5 x 17.8 cm

1965 Ceramic Sculpture #16
painted and glazed ceramic 26 x 18.1 x 19.1 cm

1965 Girl with Hair Ribbon
oil and magna on canvas 121.9 x 121.9 cm

1965 Grrrrrrrrrrr!!
oil and magna on canvas 172.7 x 142.5 cm
Solomon R. Guggenheim Museum, New York

1965 M-Maybe
oil and magna on canvas 152.4 x 152.4 cm

1965 Reverie
screenprint on white wove paper 76.5 x 60.9 cm

1965 Sweet Dreams Baby!
screenprint on white wove paper 95.6 x 70.1 cm

1965 This Must be the Place
offset lithograph on paper 62.9 x 45.2 cm

1965 Varoom
oil and magma on canvas 91.4 x 91.4 cm

1965-66 Explosion series:


1965 Explosion
oil and magna on canvas 142.2 x 121.9 cm

1965 Explosion II
enamel on steel 223.5 x 152.4 x 11.4 cm


1965 Small Explosion ( Desk Explosion )
enamel on steel 52.1 x 40.6 x 10.2 cm

1965 Small Wall Explosion

1965 Wall Explosion I
porcelain enamel on steel 203.2 x 213.4 cm

1965 Wall Explosion II
enamel on steel 170.2 x 188 cm
 Tate, London

1965 Wall Explosion II
enamel on steel 212.7 x 194.9 cm

1965 Wall Explosion III
enamel on steel

1965-66 Explosion
lithograph on paper 56.2 x 43.5 cm
Tate, London

1966 Standing Explosion No. II ( Yellow ) 1

1966 Standing Explosion No. II ( Yellow ) 2

1965-66 Sunrise series:


1965 Sunrise
offset lithograph on lightweight, white wove paper 46.5 x 61.8 cm

1965 Sunrise
oil and magna on canvas 91.4 x 172.7 cm

1965 Sunrise
porcelain enamel on perforated steel 58.4 x 71.8 x 6.7 cm

1965 Sunrise
porcelain enamel on steel 21.6 x 27.9 cm

1965 Sunrise
porcelain enamel on steel 57.2 x 91.4 cm

1965 Sunrise
screenprint on silk 116.2 x 106 cm

1966 Untitled ( Sunrise )
Rowlux, printed paper on board 66 x 71.1 cm

1965-66 Seascape series:


1965 Untitled ( Seascape )
Rowlux and printed paper 8.9 x 12.7 cm

1965c Seascape
oil and magna on canvas
Private Collection

1966 Azure Ocean Motion
Rowlux with electric motor 47 x 57.2 cm

1966 Blue Seascape
oil and magna on canvas 61 x 91.4 cm

1966 Electric Seascape #1
Rowlux and photostat on board, and motorised lamp 57.2 x 71.1 cm

1966 Electric Seascape #2
wood, plastic, Rowlux, electric light and electric motor 57.4 x 71.6 cm

1966 Golden Sand
Rowlux, vinyl and paper on board 55.2 x 67.3 cm

1966 Kinetic Seascape 2
Rowlux, acetate and vinyl and electric motor 66.7 x 57.2 cm

1966 Kinetic Seascape 3
Rowlux and vinyl 67.3 x 57.2 cm

1966 Kinetic Seascape 4
Rowlux and printed paper on board with electric motor 67.3 x 57.2 cm

1966 Kinetic Seascape 6
Rowlux, vinyl and paper 67.3 x 57.2 cm

1966 Kinetic Seascape 7
Rowlux, vinyl, paper and electric motor 57.2 x 67.3 cm

1966 Kinetic Seascape 8
Rowlux, vinyl, paper and electric motor 67.3 x 57.2 cm

1966 Kinetic Seascape 9
Rowlux and vinyl 47 x 57.2 cm

1966 Kinetic Seascape 10
Rowlux and vinyl with electric motor 47 x 57.2 cm

1966 Ocean Motion ( Turquoise )
Rowlux on board, and motor 57.2 x 67.3 cm

1966 Ocean Motion
Rowlux, plastic and cut-and-pasted printed paper on board, electric motor 57.2 x 66.7 cm

1966 Photo Ocean Motion
photograph, paper collage and electric motor 67.3 x 57.2 cm

1966 Pink Sunset
Rowlux and paper collage 67.9 x 55.2 cm

1966 Seascape #13
Rowlux and vinyl on board, originally with motorised lamp 55.9 x 71.1 cm

1966 Seascape #15
Rowlux on board, originally with motorised lamp 55.9 x 66 cm

1966 Seascape #16
Rowlux, Mylar and cut-and-pasted printed paper on board, motorised lamp 55.9 x 61 cm

1966 Seascape #17
Rowlux and cut-and-pasted printed paper on board, motorised lamp 55.9 x 68.6 cm

1966 Seascape #18
Rowlux on board, originally with motorised lamp 55.9 x 71.1 cm

1966 Seascape #19
Rowlux and cut-and-pasted painted and printed paper on board, motorised lamp 55.9 x 71.1 cm

1966 Seascape #20
Rowlux and vinyl on board, motorised lamp 57.5 x 62.5 cm

1966 Seascape
mixed media on paper 36.8 x 33 cm

1966 Seascape
Rowlux and vinyl on board

1966 Seascape
Rowlux, mylar, paper, and electric lamp 41.3 x 60.2 cm

1966 Untitled ( Seascape )
black and white paper on mounted Rowlux 49.5 x 55.2 cm

1966 Untitled ( Seascape )
Rowlux and paper on board 48.3 x 29.2 cm





Roy Lichtenstein - part 6

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Roy Lichtenstein ( October 27, 1923 – September 29, 1997 ) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.

For a more detailed biography see part 1, and for earlier works see parts 1 - 5 also.

This is part 6 of a 20-part series on the works of Roy Lichtenstein (works 1965-1996):


1965-1996 Brushstrokes:


1965 Big Painting VI
oil and magna on canvas 234.1 x 328 cm

1965 Brushstroke
porcelain enamel on steel 66 x 106.7 cm

1965 Brushstroke
screenprint on paper 56.5 x 72.4 cm
Tate, London

1965 Brushstrokes 1
oil and magna on canvas 122.5 x 122.5 cm
( see source material below )

Strange Suspense Stories No.72 1964

1965 Brushstrokes
graphite and touche on pape 56.5 x 76.2 cm

1965 Cover of Metro 10 magazine
lithography 26.7 x 18.4 cm

1965 Little Big Painting
oil and magna on canvas 172.7 x 203.2 cm
Whitney Museum of American Art, New York

1965 Red and White Brushstrokes
oil and magna on canvas 121.9 x 172.7 cm

1965 Red Painting ( Brushstroke )
oil and magna on canvas 152.4 x 152.4 cm

1965 White Brushstoke
oil and magna on canvas 121.9 x 142.2 cm

1965 Yellow Brushstroke I
oil on canvas 173 x 142 cm
Kunsthaus Zürich, Switzerland

1965 Yellow Brushstroke II
1966 Brushstroke with Spatter
oil and magna on canvas 172.7 x 203.2 cm
Art Institute of Chicago, IL

1966 Brushstrokes
graphite and touche on paper 56.5 x 76.2 cm

1966 Brushstrokes
screenprint on off-white wove paper 58.5 x 98.8 cm

1966 Yellow and Green Brushstrokes
oil and magna on canvas 91.4 x 172.7 cm

1966 Yellow and Green Brushstrokes
oil and magna on canvas 213.4 x 457.2 cm
Museum für Moderne Kunst, Frankfurt

1967 Brushstrokes
 screenprint on wove paper 58.4 x 78.6 cm

1991 Yellow Brushstroke
cast bronze and acrylic paint 29 x 32 x 12 cm
Commissioned by the Frederick R. Weisman Art Foundation "Weisman Award"

1996 Brushstroke
maquette carved and painted wood 81.9 x 48.3 x 20.3 cm

1996 Brushstroke
maquette cut-out with gouache and India ink 30.7 x 22 x 12.5 cm


1966 Alka Seltzer
graphite and lithographic rubbing crayon pochoir, with scraping, on cream wove paper 76.3 x 56.7 cm
Art Institute of Chicago, IL
1966 Atomic Landscape
oil and magma on canvas 35.6 x 40.6 cm
1966 I…I.m Sorry!
oil and magna on canvas 152.4 x 121.9 cm
1966 Lincoln Center Poster
offset lithograph 114.3 x 75.3 cm
1966 Paris Review Poster
screenprint on glossy white paper 101.6 x 65.4 cm



1966 Seven Objects in a Box by Tanglewood Press Inc.

Wooden box with stencilled artists names and titles by seven leading lights of Pop Art: Roy Lichtenstein, Allan d’Arcangelo, Jim Dine, Claus Oldenburg, George Segal, Andy Warhol, Tom Wesselmann.



1966 Seven Objects in a Box
colour stencil on baked porcelain enamel over metal 22 x 28 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA
1966 Seven Objects in a Box

1966-67 Modern Painting:


1966 Modern Painting I
oil and magna on canvas 203.2 x 172.7 cm

1966 Modern Painting with Two Circles
oil and magna on canvas 152.4 x 121.9 cm

1967 Big Modern Painting for Expo '67
oil and magna on canvas 883.9 x 294.6 cm

1967 Blue and Green Modern Painting
oil and magna on canvas 61 x 61 cm

1967 Modern Painting
oil and magna on canvas 40.6 x 50.8 cm

1967 Modern Painting Diptych
oil and magna on canvas 121.9 x 243.8 cm

1967 Modern Painting in Porcelain
porcelain enamel on steel 87.6 x 114.3 cm

1967 Modern Painting
oil and magna on canvas 40.6 x 40.6 cm

1967 Modern Painting
oil and magna on canvas 40.6 x 61 cm

1967 Modern Painting
oil and magna on canvas 45.7 x 45.7 cm

1967 Modern Painting
oil and magna on canvas 61 x 91.4 cm

1967 Modern Painting
oil and magna on canvas 121.9 x 152.4 cm

1967 Modern Painting with Arc
oil and magna on canvas 12.9 x 121.9 cm

1967 Modern Painting with Bolt
oil and magna on canvas 172.7 x 172.7 cm

1967 Modern Painting with Classic Head
oil and magna on canvas 172.7 x 208.3 cm

1967 Modern Painting with Clef
oil and magna on canvas (3 panels) 254 x 457.2 cm overall

1967 Modern Painting with Division
oil and magna on canvas 106.7 x 213.4 cm

1967 Modern Painting with Fishes
oil and magna on canvas 91.4 x 91.4 cm

1967 Modern Painting with Ionic Column
oil and magna on canvas 157.5 x 208.3 cm

1967 Modern Painting with Moon Shape
oil and magna on canvas 61 x 45.7 cm

1967 Modern Painting With Small Bolt
oil and magna on canvas 157.5 x 208.3 cm

1967 Modern Painting with Target
oil and magna on canvas 121.9 x 121.9 cm

1967 Modern Painting with Three Circles
oil and magna on canvas 121.9 x 121.9 cm

1967 Modern Painting with Yellow Arc
oil and magna on canvas 45.7 x 61 cm

1967 Modern Painting with Yellow Interweave
oil and magna on canvas 142.2 x 121.9 cm

1967 Modern Painting with Yellow Shaft
oil and magna on canvas 40.6 x 50.8 cm

1967 Modern Painting with Zigzag
oil and magna on canvas 173 x 208.9 cm




Roy Lichtenstein - part 7

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Roy Lichtenstein ( October 27, 1923 – September 29, 1997 ) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.

For a more detailed biography see part 1, and for earlier works see parts 1 - 6 also.

This is part 7 of a 20-part series on the works of Roy Lichtenstein (works 1966-1969)



1967 As I Opened Fire Triptych
lithograph 69.9 x 52.7 cm

1967 As I Opened Fire panel 1
colour offset lithograph 63.9 x 52.9 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1967 As I Opened Fire panel 2
colour offset lithograph 63.9 x 52.9 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1967 As I Opened Fire panel 3
colour offset lithograph 63.9 x 52.9 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1967 Aspen Winter Jazz Poster
screenprint on glossy white paper 101.6 x 66 cm

1967 Aviation
oil and magna on canvas 172.7 x 208.3 cm

1967 Fish and Sky
screenprint, photographic print, lithograph on composition board 60.4 x 50.8 cm

1967 Ten Landscapes:


1967 Portfolio Box, Ten Landscapes

1967 Landscape I
screenprint on four-ply board, tipped onto composition board 27.7 x 45.6 cm ( image )
Art Institute of Chicago, IL

1967 Landscape 2
 screenprint on four-ply board with a translucent moiré Rowlux overlay, screenprinted on top, tipped onto composition board 42.2 x 54.8 cm
Art Institute of Chicago, IL

1967 Landscape 3
screenprint on colour chromogenic print, laid down on four-ply board, tipped onto composition board 30.4 x 42 cm
Art institute of Chicago, IL

1967 Landscape 4
screenprint on opaque white Rowlux, laid down on four-ply board, tipped onto composition board 42.2 x 54.7 cm
Art Institute of Chicago, IL

1967 Landscape 5
screenprint on pink moiré Rowlux with blue moiré Rowlux, laid down on four-ply board, tipped onto composition board 42.2 x 54.5 cm
Art Institute of Chicago, IL

1967 Landscape 6
screenprint on blue-green moiré Rowlux, with colour chromogenic print, laid down on four-ply board, tipped onto composition board 42.3 x 54.9 cm
Art Institute of Chicago, IL

1967 Landscape 7
screenprint on four-ply board, with iridescent silver Mylar, tipped onto composition board 42.2 x 54.7 cm
Art Institute of Chicago, IL

1967 Landscape 8
iridescent silver Mylar collage on opaque black Rowlux and grey moiré Rowlux, laid down on four-ply board, tipped onto composition board 42.2 x 54.5 cm
Art Institute of Chicago, IL

1967 Landscape 9
screenprint with colour chromogenic photographic print, laid down on four-ply rag board, tipped down onto composition board 32.6 x 41.2 cm
Art Institute of Chicago, IL

1967 Landscape 10
screenprint on colour chromogenic print and translucent moiré Rowlux, laid down on four-ply board, tipped onto composition board 42.2 x 54.5 cm
Art Institute of Chicago, IL

1968 Modern Sculpture with Three Voids
wood, ebonised wood and mirror 26.7 x 63.5 c 22.9 cm

1968 Modern Tapestry
wool 273.1 x 367.7 cm

1968 Preparedness
oil and magna on canvas 304.8 x 548.6 cm
Solomon R. Guggenheim Museum, New York

1968 Stretcher Frame ( a )
oil and magna on canvas 91.4 x 91.4 cm

1968 Stretcher Frame ( b ) with Cross Bars II
oil and magna on canvas 121.9 x 121.9 cm

1968 Stretcher Frame ( c ) with Cross Bars III
oil and magna on canvas 121.9 x 142.2 cm

1968 Stretcher Frame ( d ) with Cross Bars IV
oil and magna on canvas 142.2 x 172.7 cm

1968 Stretcher Frame ( e ) with Cross Bars V
oil and magna on canvas 173.4 x 142.2 cm

1968 Time Magazine Cover
"The Gun in America"
offset lithograph

1968 Time Magazine Cover
"Bobby Kennedy"
offset lithograph

1968 Yellow Abstraction
oil and magna on canvas with brass and wood 121.9 x 335.3 cm

1969 Cathedral Series:

A series of prints based on Claude Monet's famous series of paintings of Rouen Cathedral, seen in different lighting conditions and times of day:


Claude Monet's Rouen Cathedral series


Rouen Cathedral by Claude Monet 1894


1969 Cathedral #1
colour lithograph and silkscreen in yellow and white 123.2 x 82.6 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1969 Cathedral #2
colour lithograph in red and blue 122.7 x 82.2
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1969 Cathedral #3
colour lithograph in blue 123.2 x 82.6 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1969 Cathedral #4
colour lithograph in red and blue 122.9 x 82.2 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1969 Cathedral #5
colour lithograph in yellow and black 123.5 x 82.6 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1969 Cathedral #6
colour lithograph in blue and black 122.7 x 82.1 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1969 Haystacks:

Another series of prints and a painting based on a Claude Monet theme - Haystacks:


Claude Monet Haystacks 1890-91
oil on canvas
Art Institute of Chicago, IL


1968 Haystacks
oil and magna on canvas 45.7 x 61 cm

1969 Haystack
screenprint on paper 48.3 x 66 cm

1969 Haystacks #1
lithograph and screenprint on paper 34 x 59.7 cm
Tate, London

1969 Haystacks #2
lithograph and screenprint on paper 34 x 59.7 cm

1969 Haystacks #3
lithograph and screenprint on paper 34.2 x 60 cm
Tate, Liverpool

1969 Haystacks #4
lithograph and screenprint on paper 34.2 x 59.7 cm
Tate, London

1969 Haystacks #5
lithograph and screenprint on paper 34.2 x 60 cm
Tate, London

1969 Haystacks #6
lithograph and screenprint on paper 34.2 x 60 cm
Tate, Liverpool

1969 Haystacks #7
lithograph and screenprint on paper 34.5 x 60 cm
Tate, Liverpool
1969 Red Barn I
oil and magna on canvas 76.2 x 11.8 cm

1969 Red Barn II
oil and magna on canvas 111.8 x 142.2 cm

1968-70 Modular Paintings:


1968 Modular Painting with Nine Panels
oil and magna on canvas 320 x 320 cm

1969 Modular Painting with Four Panels #1
oil and magna on canvas 274.3 x 274.3 cm

1969 Modular Painting with Four Panels #2
oil and magna on canvas 243.8 x 243.8 cm

1969 Modular Painting with Four Panels #4
oil and magna on canvas 274.3 x 274.3 cm

1969 Modular Painting with Four Panels #5
oil and magna on canvas 274.3 x 274.3 cm

1969 Modular Painting with Four Panels #13
oil and magna on canvas 274.3 x 274.3 cm

1970 Modular Banner
felt and vinyl 243.8 x 243.8 cm

1970 Modular Painting with Four Panels #6
oil and magna on canvas 274.3 x 274.3 cm

1970 Modular Painting with Four Panels #7
oil and magna on canvas 274.3 x 274.3 cm

1970 Modular Painting with Four Panels #8
oil and magna on canvas 274.3 x 365.8 cm

1970 Modular Painting with Four Panels #9
oil and magna on canvas 228.6 x 304.8 cm

Roy Lichtenstein - part 8

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Roy Lichtenstein ( October 27, 1923 – September 29, 1997 ) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.

For a more detailed biography see part 1, and for earlier works see parts 1 - 7 also.

This is part 8 of a 20-part series on the works of Roy Lichtenstein (works 1969-1972):


1969-72 Mirror series:



1970 Mirror #1
oil and magna on canvas 121.9 x 91.3 cm

1970 Mirror #2
oil and magna on canvas 121.9 x 91.3 cm

1971 Mirror #8
oil and magna on canvas 91.8 cm diameter

1971 Mirror #17
oil and magna on canvas 61 cm diameter

1972 Mirror #4

1972 Mirror #6
lithograph on ivory wove paper 110.8 x 74.8 cm
Art Institute of Chicago, IL

1972 Mirror #9
oil and magna on canvas 91.4 cm diameter

1972? Mirror #2
lithograph and screenprint on paper 84.4 x 84.4 cm

1977 Mirror #2
painted patinated bronze 151.8 x 76.2 x 30.5 cm



 Oval Mirrors 152.4 x 121.9 cm:


1969 Mirror #1
oil and magna on canvas 152.4 x 121.9 cm

1971 Mirror #2
oil and magna on canvas 152.4 x 121.9

1971 Mirror #3
oil and magna on canvas 152.4 x 121.9

Oval Mirrors (Mirror Ellipse) 182.9 x 121.9 cm:


1970 Mirror Ellipse #1
oil and magna on canvas 182.9 x 121.9 cm

1970 Mirror Ellipse #2
oil and magna on canvas 182.9 x 121.9 cm


Round Mirrors 61 cm diameter:



1970 Mirror #1
oil and magna on canvas 61 cm diameter

1970 Mirror #2 
oil and magna on canvas 61 cm diameter

1970 Mirror #3 
oil and magna on canvas 61 cm diameter

1970 Mirror #4 
oil and magna on canvas 61 cm diameter

1970 Mirror #6 
oil and magna on canvas 61 cm diameter

1970 Mirror #7 
oil and magna on canvas 61 cm diameter

1970 Mirror #8 
oil and magna on canvas 61 cm diameter

1970 Mirror #9 
oil and magna on canvas 61 cm diameter

1970 Mirror #10 
oil and magna on canvas 61 cm diameter

1970 Mirror #11 
oil and magna on canvas 61 cm diameter

1970 Mirror #12 
oil and magna on canvas 61 cm diameter

1970 Mirror #13 
oil and magna on canvas 61 cm diameter

1970 Mirror #14 
oil and magna on canvas 61 cm diameter

1970 Mirror #15 
oil and magna on canvas 61 cm diameter

1970 Mirror #16 
oil and magna on canvas 61 cm diameter

1970 Mirror #17 
oil and magna on canvas 61 cm diameter

Round Mirrors 91.4 cm diameter:


1970 Mirror #1 
oil and magna on canvas 91.4 cm diameter



1970 Mirror #2
oil and magna on canvas 91.4 cm diameter

1970 Mirror #3 
oil and magna on canvas 91.4 cm diameter

1970 Mirror #4 
oil and magna on canvas 91.4 cm diameter

1970 Mirror #5 
oil and magna on canvas 91.4 cm diameter

1970 Mirror #6 
oil and magna on canvas 91.4 cm diameter

1970 Mirror #7 
oil and magna on canvas 91.4 cm diameter

1970 Mirror #8 
oil and magna on canvas 91.4 cm diameter

1970 Mirror #9 
oil and magna on canvas 91.4 cm diameter

1970 Mirror #10 
oil and magna on canvas 91.4 cm diameter

Round Mirror 121.9 cm:


1970 Mirror #1
oil and magna on canvas 121.9 diameter

1969-70 Modern Head series:


974 Modern Head
brushed steel 9.45m x 3.96m x 20.3cm

1970 Modern Head
black chromed aluminium 65.1 x 26 1 cm


1969-70 Modern Head Relief
solid brass 61 x 45.1 x 1.9 cm

1970 Modern Head #1
colour woodcut on Japan Hoshi paper 61 x 48.3 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1970 Modern Head #2
2-colour embossed lithograph and line-cut on handmade Waterleaf paper
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1970 Modern Head #3
line-cut with embossing 61 x 46.4 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1970 Modern Head #4
4-colour lithograph on engraved and anodised aluminium 52 x 43.8 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1970 Modern Head #5
embossed graphite with Strathmore die-cut paper overlay 71.1 x 49.5 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1970-71 Peace through Chemistry:


1970 Peace Through Chemistry III
lithograph on Arjomani paper 95.9 x 161.4 cm

1970 Peace Through Chemistry
oil and magna on canvas 254 x 457.2 cm

1971 Peace through Chemistry ( Gemini 222 )
bronze multible 69.2 x 117.5 x 3.3. cm

Roy Lichtenstein - part 9

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Roy Lichtenstein ( October 27, 1923 – September 29, 1997 ) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.

For a more detailed biography see part 1, and for earlier works see parts 1 - 8 also.

This is part 9 of a 20-part series on the works of Roy Lichtenstein (works 1971-1976):


1971-76 Entablatures:



1971 Entablature #5
graphite on paper 71.1 x 104.5 cm

1971 Entablature
graphite on paper 71.1 x 104.1 cm

1974 Entablature
magna and sand on canvas 101.6 x 137.2 cm

1974 Entablature
magna and sand on canvas 152.4 x 228.6 cm

1974 Entablature
oil and magna on canvas 101.6 x 137.2 cm

1974 Entablature
oil and magna on canvas 152.4 x 228.6 cm

1974 Entablature
oil, magna, sand , magna medium and aluminium powder on canvas 152.4 x 228.6 cm
National Gallery of Art, Washington, DC

1974 Entablature
oil, magna, sand , magna medium and aluminium powder on canvas 152.4 x 228.6 cm
National Gallery of Art, Washington, DC

1975 Entablature
magna and sand on canvas 91.4 x 121.9 cm

1975 Entablature
magna and sand on canvas 167.6 x 284.5 cm

1975 Entablature
magna, sand, magna medium, and aluminium powder on canvas 167.6 x 284.5 cm
National Gallery of Art, Washington, DC

1975 Entablature
oil, magna, sand , magna medium and aluminium powder on canvas 152.4 x 228.6 cm

1975 Entablature
oil, magna, sand , magna medium and aluminium powder on canvas 152.4 x 228.6 cm

1975 Entablature
oil, magna and sand on canvas 137.2 x 548.6 cm

1975 Entablature
oil, magna, sand, magna medium, and aluminium powder on canvas 137.2 x 548.6 cm

1975 Entablature
pencil and coloured pencil on tracing paper, magna, sand, magna medium, and aluminium powder on canvas 177.8 x 309.9 cm

1975 Entablature
oil and magna on canvas 243.8 x 152.4 cm

1976 Entablature I
screenprint and collage with embossing on Rives paper 74.1 x 114 cm

1976 Entablature II
screenprint, lithograph and collage on Rives paper 73.8 x 114 cm

1976 Entablature III
screenprint and collage with embossing on Rives paper 74.1 x 114 cm

1976 Entablature IV
screenprint and foil on paper 51.4 x 96.6 cm
Tate, London

1976 Entablature
screenprint, lithograph and collage on Rives paper 54.5 x 96.5 cm

1976 Entablature IX
screenprint, lithograph and metallic strips on paper 54.5 x 96.6 cm
Tate, London

1976 Entablature
oil and magna on canvas 140.3 x 365.8 cm
The Eli and Edyth L. Broad Collection

1976 Entablature
oil, magna, sand , magna medium and aluminium powder on canvas 139.7 x 355.8 cm

1976 Entablature
tape, cut and painted paper with sand, and cut painted and printed paper on board 55.9 x 96.5 cm

1976 Entablature V
screenprint, lithograph and collage on Rives paper 74.1 x 114 cm

1976 Entablature VI
screenprint and collage on Rives paper 74.3 x 114 cm

1976 Entablature VI
screenprint and gold foils on paper 59.3 x 96.3 cm
 Tate, London

1976 Entablature VII
screenprint and collage on Rives paper 74.1 x 114 cm

1976 Entablature VIII
screenprint and collage on Rives paper 55.4 x 96.5 cm


1976 Entablature X
screenprint, lithograph and collage on Rives paper 74.1 x 114 cm

1976 Entablature X variant
screenprint, lithograph and collage on Rives paper 74.1 x 114 cm

1972-74 Still Lifes:


1972 Bananas and Grapefruit I
oil and magna on canvas 50.8 x 71.1 cm

1972 Bananas and Grapefruit II
oil and magna on canvas 71.7 x 101.6 cm

1972 Bananas and Grapefruit III
oil and magna on canvas 71.7 x 101.6 cm

1972 Cape Cod Still Life
oil and magna on canvas 152.4 x 243.8 cm

1972 Still Life in Yellow and Black
oil and magna on canvas 142.2 x 101.6 cm

1972 Still Life
oil and magna on canvas 91.4 x 101.6 cm

1972 Still Life
oil and magna on canvas 177.8 x 106.7 cm

1972 Still Life with Blue Pitcher
oil and magna on canvas 132.1 x 106.7 cm

1972 Still Life with Candy Jar
oil and magna on canvas 127 x 152.4 cm

1972 Still Life with Cow's Skull
oil and magna on canvas 106.7 x 132.1 cm

1972 Still Life with Crystal Goblet and Lemons
oil and magna on canvas 91.4 x 101.6 cm

1972 Still Life with Goldfish Bowl and Painting of a Golf Ball
oil and magna on canvas 132.1 x 106.7 cm

1972 Still Life with Green Vase
oil and magna on canvas 142.2 x 101.6 cm

1972 Still Life with Lobster
oil and magna on canvas 137.2 x 243.8 cm

1972 Still Life with Palette
oil and magna on canvas 152.4 x 243.8 cm

1972 Still Life with Peeled Lemon
oil and magna on canvas 106.7 x 121.9 cm

1972 Still Life with Pitcher and Apple
oil and magna on canvas 152.4 x 114.3 cm

1972 Still Life with Scalloped Bowl
oil and magna on canvas 196.7 x 121.9 cm

1972 Still Life with Silver Pitcher
oil and magna on canvas 127 x 152.4 cm

1973 Blue Fish
oil and magna on canvas 91.4 x 116.8 cm

1973 Cape Cod Still Life II
oil and magna on canvas 152.4 x 188 cm

1973 Still Life with Bamboo Sticks
oil and magna on canvas 63.5 x 114.3 cm

1973 Still Life with Cabbage
oil and magna on canvas 132.1 x 106.7 cm

1973 Still Life with Crystal Bowl
oil and magna on canvas 132.1 x 106.7 cm

1973 Still Life with Figurine
oil and magna on canvas 179.1 x 108 cm

1973 Still Life with Half Grapefruit
oil and magna on canvas 101.6 x 137.2 cm

1973 Still Life with Oysters
oil and magna on canvas 132.1 x 106.7 cm

1973 Still Life with Pearls
oil and magna on canvas 76.2 x 91.4 cm

1973 Still Life with Picasso
screenprint on Arches paper 72.2 x 53.2 cm

1973 Still Life with Swiss Cheese
oil and magna on canvas 76.2 x 01.4 cm

1973 Still Life with Yellow Grapes and Apple
oil and magna on canvas 132.1 x 88.9 cm

1973 Still Life Wool Aubusson Tapestry
196.9 x 147.3 cm

1974 Still Life with Coffee Pot and Flower Pot l
ithograph and screenprint on Rives paper 93.8 x 132 cm

Roy Lichtenstein - part 10

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Roy Lichtenstein 1968
© Getty Images

Roy Lichtenstein ( October 27, 1923 – September 29, 1997 ) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.

For a more detailed biography see part 1, and for earlier works see parts 1 - 9 also.

This is part 10 of a 20-part series on the works of Roy Lichtenstein (works 1973-1975):


1973-74 Artist's Studio series:


1973 Artist's Studio "Look Mickey"
oil, magna, sand with aluminium powder and magna medium on canvas 243.8 x 325.1 cm

1973 Artist's Studio
oil and magna on canvas 152.4 x 188 cm


1974 Artist's Studio "Foot Medication"
oil and magna on canvas 243.8 x 325.1 cm

1974 Artist's Studio "The Dance"
oil and magna on canvas 243.8 x 325.1 cm
Museum of Modern Art, New York

1974 Artist's Studio with Model
oil and magna on canvas 243.8 x 325.1 cm

1973 Bull Head Series:


1973 Bull Head I
Bull Head Series
colour lithograph and line-cut 54.1 x 74.9 cm

1973 Bull Head II
Bull Head Series l
ithograph and screenprint with linocut on paper 53.7 x 71.3 cm

1973 Bull Head III
Bull Head Series
lithograph and screenprint with linocut on paper 63.5 x 83.8 cm

1973 Bull Series:


1973 Bull I
linocut on paper 68.5 x 89 cm
Tate, London

1973 Bull II
lithograph and line-cut on paper 68.5 x 89 cm
Tate, London

1973 Bull III
lithograph, screenprint and line-cut on paper 68.5 x 89 cm
Tate, London

1973 Bull IV
lithograph, screenprint and line-cut on paper 68.5 x 89 cm
Tate, London

1973 Bull V
lithograph, screenprint and line-cut on paper 68.5 x 89 cm
Tate, London

1973 Bull VI
lithograph, screenprint and line-cut on paper 68.5 x 89 cm
Tate, London

1973-74 Sailboats series:


1973 Sailboats
oil and magna on canvas 91.4 x 76.2 cm

1973 Sailboats
oil and magna on canvas 152.4 x 188 cm

1974 Sailboats
oil and magna on canvas 152.4 x 228.6 cm

1974 Sailboats
oil and magna on canvas 177.8 x 203.2 cm


1973 Cubist Still Life
oil and magna on canvas 228.6 x 152.4 cm

1973 Flowers
screenprint white wove paper 40.6 x 25.3 cm

1973 Stretcher Frame Revealed Beneath Painting of a Stretcher Frame
oil and magna on canvas 91.8 x 117.2 cm

1973 Studio Wall with Hanging Pencil and Three Sketches
oil and magna on canvas 137.2 x 101.6 cm

1973 Studio Wall with Hanging String
oil and magna on canvas 91.4 x 76.2 cm

1973 Studio Wall with Pocketwatch, Fly, and Sketch of Lemons
oil and magna on canvas 76.2 x 61 cm

1973 Things on a Wall ( aka Studio Wall )
oil and magna on canvas 152.4 x 188 cm

1973 Trompe L'oeil with Leger Head and Paintbrush
magna on canvas 116.8 x 91.4 cm

1973 Unfurled ( after Morris Louis ) see below
oil and magna on canvas 76.2 x 91.4 cm

Unfurled Alpha-Phi by Morris Louis 1961
acrylic on canvas 259.1 x 459.7 cm
Tate, London
© The estate of Morris Louis

1974 Guitar
oil and magna on canvas 91.4 x 121.9 cm

1974 Landscape
oil and magna on canvas 76.2 x 91.4 cm

1974 Portrait Triptych
oil and magna on canvas on 3 panels 132.1 x 106.7 cm each

1974 The Red Horseman
oil and magna on canvas 213.4 x 284.5 cm

1974 Six Still Lifes series: 


1974 Still Life with Lobster
lithograph and screenprint on paper 98.1 x 94.9 cm

1974 Still Life with Figurine
lithograph and screenprint on paper 95.2 x 46.6 cm

1974 Still Life with Pitcher and Flowers
lithograph and screenprint on paper 36.9 x 51.9 cm

1974 Still Life with Portrait
lithograph and screenprint on paper 97 x 72.4 cm
Tate, London

1974 Still Life with Windmill
lithograph and screenprint on paper 91. x 113.8 cm

1974 Yellow Still Life
lithograph and screenprint on paper 83.8 cm x 111.8 cm

1974-75 Cubist Still Lifes series:


1974 Cubist Still Life
magna on canvas 137.2 x 101.6 cm

1974 Cubist Still Life
oil and magma on canvas 228.6 x 173.2 cm
National Gallery of Art, Washington, DC

1974 Cubist Still Life
oil and magna and sand on canvas76.2 x 91.4 cm

1974 Cubist Still Life
oil and magna on canvas  90 x 172.7 cm
National Gallery of Art, Washington, DC

1974 Cubist Still Life
oil and magna on canvas 91.4 x 121.9 cm

1974 Cubist Still Life with Apple
oil and magna on canvas 50.8 x 61 cm

1974 Cubist Still Life with Cello
oil and magna on canvas 137.2 x 101.6 cm

1974 Cubist Still Life with Playing Cards
oil and magna on canvas 243.8 x 152.4 cm

1975 Cubist Still Life with Lemons
oil and magna on canvas 228.6 x 172.7 cm

1975 Abstraction series:


1975 Abstraction
oil and magna on canvas 121.9 x 152.4 cm

1975 Abstraction
oil and magna on canvas 121.9 x 177.8 cm

1975 Abstraction with Guitar
oil and magna on canvas 172.7 x 228.6 cm

1975 Abstraction
wool Aubusson tapestry 162.6 x 203.2 cm

1975 Purist Painting series:


1975 Purist Painting in Green
oil and magna on canvas 91.4 x 76.2 cm

1975 Purist Painting in Yellows
oil and magna on canvas 76.2 x 61 cm
 

1975 Purist Painting with Bottles
oil and magna on canvas 188 x 137.2 cm

1975 Purist Painting with Bottles
oil and magna on canvas 203.2 x 137.2 cm

1975 Purist Painting with Dice
oil and magna on canvas 50.8 x 40.6 cm

1975 Purist Painting with Guitar, Glass and Bottle
oil and magna on canvas 137.2 x 177.8 cm

1975 Purist Painting with Pitcher, Glass and Classical Column
oil and magna on on canvas 152.4 x 101.6 cm

1975 Purist Still Life
oil and magna on canvas 76.2 x 91.4 cm

1975 Purist Still Life
oil and magna on canvas 177.8 x 203.2 cm
The Eli and Edyth L. Broad Collection

1975 Purist Still Life With Pitcher
oil and magna on canvas 177.8 x 101.6 cm


*          *          *          *          *


1975 Eclipse of the Sun I
oil and magna on canvas 101.6 x 177.8 cm

1975 Eclipse of the Sun II
oil and magna on canvas 177.8 x 137.2 cm

1975 Homage to Max Ernst
screenprint on Arches paper 65.9 x 50.8 cm

1975 Le Journal
painted and printed paper on board 70.5 x 78.1 cm

1975 Ohhh...
oil and magna on canvas 177.8 x 121.9 cm

Roy Lichtenstein - part 11

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0


Roy Lichtenstein ( October 27, 1923 – September 29, 1997 ) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.

For a more detailed biography see part 1, and for earlier works see parts 1 - 10 also.

This is part 11 of a 20-part series on the works of Roy Lichtenstein (works 1975-1978):



1975 Still Life with Cherry Pie
oil and magna on canvas 152.4 x 137.2 cm

1975 Still Life with Clock and Roses
oil and magna on canvas 152.4 x 121.9 cm

1976 . . . HUH?
screenprint on Arches paper 105.6 x 75.4 cm

1976 Horse and Rider
oil and magna on canvas 137.2 x 188 cm

1976 Interior with Account Books
oil and magna on canvas 127 x 177.8 cm

1976 Still Life with Lamp
oil and magna on canvas 137.2 x 188 cm

1976-79 3D Objects series:


1976 Cup and Saucer I
painted and patinated bronze 74.9 x 46.4 x 16.8 cm

1976 Cup and Saucer II
painted and patinated bronze

1976 Mirror I
painted and patinated bronze 113 x 63.5 x 29.5 cm

1977 Mirror II
painted and patinated bronze 151.8 x 76.2 x 30.5 cm


1977 Glass I
painted and patinated bronze 56.2 x 32.4 x 18.1 cm
1977 Glass II
painted and patinated bronze 96.2 x 55.9 x 34.9 cm

1977 Glass III
painted and patinated bronze 83.8 x 49.5 x 31.8 cm

1977 Glass IV
painted and patinated bronze 124.8 x 75.6 x 37.5 cm cm

1977 Glass V
painted and patinated bronze 177.2 x 95.9 x 45.1 cm

1977 Lamp I
painted and patinated bronze 72.4 x 44.1 x 21.3 cm

1977 Lamp II
painted and patinated bronze 219.1 x 70.2 x 44.8 cm

1977 Lamp on Table
painted and patinated bronze 188 x 88.3 x 45.7 cm

1978 Goldfish Bowl II
painted and patinated bronze 99.1 x 64.1 x 28.6 cm

1979 Double Glass
painted bronze 142.2 x 106.7 x 43.2 cm

1977-78 Surrealist series:


1977 Female Figure
oil and magna on canvas 152.4 x 101.6 cm

1977 Female Figure
oil and magna on canvas 152.4 x 137.2 cm

1977 Female Figure on Beach
oil and magna on canvas 121.9 x 196.7 cm

1977 Female Head
oil and magna on canvas 152.4 x 127 cm

1977 Female with Comet
graphite and coloured pencil on paper 59.7 x 50.5 cm cm

1977 Figure in Landscape
oil and magna on canvas 116 x 101.6 cm

1977 Figure with Trylon and Perisphere
oil and magna on canvas 106.7 x 127 cm

1977 Figures in a Landscape
oil and magna on canvas 121.9 x 101.6 cm

1977 Figures in Landscape
oil and magna on canvas 177.8 x 203.2 cm

1977 Figures in Landscape
oil and magna on canvas 271.8 x 425.5 cm

1977 Figures
oil and magna on canvas 111.8 x 254 cm

1977 Frolic
oil and magna on canvas 203.2 x 167.6 cm

1977 Girl with Beach Ball II
oil and magna on canvas 162.4 x 127 cm

1977 Girl with Beach Ball III
oil and magna on canvas 203.2 x 167.6 cm

1977 Girl with Snail
oil and magna on canvas 106.7 x 116.8 cm

1977 Girl with Tear I
oil and magna on canvas 177.8 x 127 cm
Solomon R. Guggenheim Museum, New York

1977 Girl with Tear II
oil and magna on canvas 127 x 106.7 cm

1977 Girl with Tear III
oil and magna on canvas

1977 Interior
oil and magna on canvas 228.6 x 152.4 cm

1977 La La La!
 oil and magna on canvas 190.5 x 111.8 cm

1977 Landscape
oil and magna on canvas 101.6 x 152.4 cm

1977 Landscape with Figures
oil and magna on canvas 162.6 x 254 cm

1977 Portrait
oil and magna on canvas 121.9 x 106.7 cm

1977 Portrait
oil and magna on canvas 152.4 x 127 cm

1977 Reclining Bather
oil and magna on canvas 152.4 x 228.6 cm

1977 Reclining Nude
oil and magna on canvas 213.4 x 304.8 cm

1977 Swimming Figure with Mirror
oil and magna on canvas 152.4 x 177.8 cm

1977 The Conversation
magna on canvas 91.4 x 12.7 cm

1977 Two Figures
oil and magna on canvas 91.4 x 121.9 cm

1977 Woman with Lollipop
oil and magna on canvas 127 x 101.6 cm

1978 A Bright Night
lithograph on Arches paper 67.3 x 73.7 cm

1978 At the Beach
lithograph on Arches paper 66 x 106.7 cm

1978 Blonde
colour lithograph 75.6 x 68.6 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1978 Cosmology
oil and magna on canvas 271.8 x 425.5 cm

1978 Figure with Banner
oil and magna on canvas 254 x 152.4 cm

1978 Figures
lithograph on Arches paper 79.9 x 59.7 cm

1978 Figures with Rope
lithograph 55.9 x 76.2 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1978 Figures with Sunset
oil and magna on canvas 271.8 x 242.2 cm

1978 IX by XII ( Study )
tape, painted and printed paper on board 80.6 x 60.3 cm

1978 Nerts
oil and magna on canvas 190.5 x 118.8 cm

1978 Nude on Beach
lithograph on Arches paper 65.4 x 62.2 cm

1978 Profile
oil and magna on canvas 91.4 x 127 cm

1978 Puzzle Portrait
oil and magna on canvas 182.9 x 152.4 cm

1978 Razzmatazz
oil and magna on canvas 243.8 x 304.8 cm

1978 Sitting Pretty
oil and magna on canvas 177.8 x 127 cm

1978 Stepping Out
oil and magna on canvas 218.4 x 177.8 cm

1978 Surrealist Quilt
fabric on canvas 175.3 x 261.6 cm

1978 Those Two
oil and magna on canvas 127 x 193 cm

1978 Untitled Composition
oil and magna on canvas 213.4 x 304.8 cm

1978 Woman with Neck Ribbon
oil and magna on canvas 152.4 x 127 cm

Roy Lichtenstein - part 12

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0



Roy Lichtenstein ( October 27, 1923 – September 29, 1997 ) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.

For a more detailed biography see part 1, and for earlier works see parts 1 - 11 also.

This is part 12 of a 20-part series on the works of Roy Lichtenstein (works 1978-81):



1978 Airplane
magna and tape on foam-core mounted on wood 200 x 480.1 cm

1978 Cosmology
oil and magna on canvas 271.8 x 425.5 cm

1978 Interior with Cactus
oil and magna on canvas 182.9 x 152.4 cm

1978 Self-Portrait
oil and magna on canvas 177.8 x 137.2 cm

1978 This Figure is Pursued by that Figure
oil and magna on canvas 101.6 x 91.4 cm

1978 Two Figures
oil and magna on canvas 162.6 x 177.8 cm

1979 Composition with Two Figures
oil and magna on linen 203.2 x 177.8 cm

1979 Face and Feather
oil and magna on linen 91.4 x 91.4 cm

1979 Female Figure
oil and magna on canvas 177.8 x 127 cm
The Eli and Edyth L. Broad Collection

1979 Go For Baroque
oil and magna on canvas 271.8 x 424.7 cm


1980 Forest Scene
oil and magna on canvas 243.8 x 325.1 cm

1980 Jar and Apple
oil and magna on canvas 91.4 x 101.6 cm

1980 Landscape with Figures and Rainbow
oil and magna on canvas 213.4 x 304.8 cm

1980 Landscape with Figures and Sun
oil and magna on canvas 243.8 x 304.8 cm

1980 Morton A. Mort
woodcut with embossing on Arches Cover paper 74.3 x 99.1 cm

1980 Nude in the Woods
woodcut with embossing on Arches Cover paper 101 x 90.5 cm

1980 Reclining Nude
oil and magna on canvas 152.4 x 254 cm

1980 Reclining Nude
woodcut with embossing on Arches Cover paper 88.9 x 102.1 cm

1980 The White Tree
oil and magna on canvas 266.7 x 518.2 cm

1980 Woman Reading
oil and magna on canvas 137.2 x 177.8 cm

1979-80 Expressionist Heads series:


1979 Dr. Waldman
oil and magna on linen 152.4 x 127 cm

1979 Green Head
oil and magna on canvas 127 x 101.6 cm

1980 Deep In Thought
oil and magna on canvas 127 x 152.4 cm

1980 Dr, Waldmann
woodcut with embossing on Arches Cover paper 105.7 x 87 cm

1980 Expressionist Head
oil and magna on canvas 177.8 x 152.4 cm

1980 Expressionist Head
oil and magna on canvas 177.8 x 157.5 cm

1980 Expressionist Head
oil and magna on canvas 182.9 x 152.4 cm

1980 Expressionist Head
painted and patinated bronze 192.7 x 102.6 x 57.2 cm including base

1980 Head
oil and magna on canvas 121.9 x 91.4 cm

1980 Head
oil and magna on canvas 127 x 91.4 cm

1980 Head with Black Hair
oil and magna on canvas 116.8 x 106.7 cm

1980 Head with Monocle
oil and magna on canvas 91.4 x 76.2 cm

1980 Head
woodcut with embossing on Arches Cover paper 101.3 x 85.4 cm

1980 Male Head
oil and magna on canvas 116.8 x 101.6 cm

1980 The Couple
woodcut with embossing on Arches Cover paper 101.9 x 91.3 cm

1980 The Student
woodcut with embossing on Arches Cover paper 97.5 x 86 cm

1980 Woman Drying Her Hair
oil and magna on canvas 116.8 x 106.7 cm
The Roy Lichtenstein Foundation Collection

1980 Woman in Hat and Fox Fur
oil and magna on canvas 190.5 x 118.8 cm

1980 Woman in Landscape
oil and magna on canvas 190.5 x 111.8 cm

1979-81 Amerind series:


1979 Amerind Composition II
oil and magna on linen 162.6 x 254 cm

1979 Amerind Composition
oil and magna on canvas 116.8 x 106.7 cm

1979 Amerind Landscape
wool ( hand-knotted rug ) 274.3 x 370.8 cm

1979 Head with Braid and Feathers
oil and magna on canvas 177.8 x 127 cm

1979 Head with Braids
oil and magna on linen 127 x 101.6 cm

1979 Head with Two Feathers
oil and magna on canvas  121.9 x 91.4 cm

1979 Indian Composition
oil and magna on linen 213.4 x 304.8 cm

1979 Little Landscape
oil and magna on canvas 91.4 x 121.9 cm

1979 Mythological Meeting
oil and magna on linen 91.4 x 127 cm

1979 Pow Wow
oil and magna on canvas 243.8 x 304.8 cm

1979 Two Figures with Teepee
oil and magna on canvas 177.8 x 152.4 cm

1979 Two Figures, Indian
oil and magna on canvas 177.8 x 218.4 cm

1980 American Indian Theme I
woodcut on handmade Suzuki paper 83.2 x 81.3 cm

1980 American Indian Theme II
woodcut on handmade Suzuki paper 82.6 x 95.3 cm

1980 American Indian Theme III
woodcut on handmade Suzuki paper 88.9 x 68.6 cm

1980 American Indian Theme IV
woodcut and lithograph on paper 72.4 x 71.2 cm
Tate, London

1980 American Indian Theme V
woodcut on handmade Suzuki paper 80.6 x 105.4 cm

1980 American Indian Theme VI
woodcut on handmade Suzuki paper 95.9 x 127.7 cm

1980 Dancing Figures
soft-ground etching, aquatint, and engraving on Lana paper 64 x 56.7 cm

1981 Amerind Figure
patinated bronze 166.4 x 52.1 x 34.3 cm


Roy Lichtenstein - part 13

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0


Roy Lichtenstein ( October 27, 1923 – September 29, 1997 ) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.

For a more detailed biography see part 1, and for earlier works see parts 1 - 12 also.

This is part 13 of a 20-part series on the works of Roy Lichtenstein (works 1980-84):


1980-83 Brushstroke / Apple series:


1981 Apple Poster
screenprint on white wove paper 89 x 64.9 cm

1980 Apple and Grapefruit
magna on canvas 50.8 x 61 cm

1980 Red Apple
magna on canvas 50.8 x 40.6 cm

1980 Two Green Apples
magna on canvas 61 x 76.2 cm
The Roy Lichtenstein Foundation Collection

1981 Brushstroke Sculpture
painted and patinated bronze 79.7 x 34.9 x 16.5 cm

1981 Flowers
 magna on canvas 101.6 x 127 cm

1981 Green and Yellow Apple
magna on canvas 61 x 61 cm

1981 Green Apple
magna on canvas 76.2 x 76.2 cm

1981 Landscape Through the Trees
magna on canvas 177.8 x 127 cm

1981 Landscape Through the Trees 
magna on canvas 177.8 x 127 cm

1981 Lemon and Apple
magna on canvas 50.8 x 61 cm

1981 Portrait
 magna on canvas 91.4 x 76.2 cm

1981 Portrait II
magna on canvas 127 x 91.4 cm

1981 Red Apple
magna on canvas 50.8 x 50.8 cm

1981 Sailboat
magna on canvas 127 x 177.8 cm

1981 Sailboats
magna on canvas 101.6 x 152.4 cm

1981 Seascape with Sunset
magna on canvas 101.6 x 152.4 cm

1981 Two Apples
magna on canvas 61 x 61 cm

1981 Two Apples 
magna on canvas 61 x 61 cm

1981 Two Red and Yellow Apples
oil and magna on canvas 61 x 71.1 cm

1981 Two More Red and Yellow Apples
magna on canvas 45.7 x 61 cm

1981 Two Yellow Apples
magna on canvas 61 x 76.2 cm

1981 Woman
magna on canvas 177.8 x 127 cm

1981 Yellow Apple and Red Apples
magna on canvas 61 x 91.4 cm

1981 Yellow Apple
magna on canvas 61 x 61 cm

1982 Apple
oil and magna on canvas 76.2 x 91.4 cm

1982 Apple on Plate
oil and magna on canvas 91.4 x 121.9 cm

1982 Apple with Black and Blue Background
oil and magna on canvas 61 x 91.4 cm

1982 Flowers in Vase
magna on canvas 127 x 101.6 cm

1982 Flowers
magna on canvas 127 x 91.4 cm

1982 Sunrise Over Water
oil and magna on canvas 167.6 x 284.5 cm

1982 Two Apples
magna on canvas 76.2 x 91.4 cm

1982 Woman II
oil and magna on canvas 203.2 x 142.2 cm

1982 Woman III
oil and magna on canvas 203.2 x 142.2 cm

1982 Woman IV
oil and magna on linen 177.8 x 127 cm

1983 Apple and Lemon
woodcut on handmade Iwano Kizuki Hosho paper 79.4 x 106 cm

1983 Apple with Grey Background
woodcut on handmade Iwano Kizuki Hosho paper 76 x 83.9 cm

1983 Vertical Apple
woodcut on handmade Iwano Kizuki Hosho paper 94.3 x 82.6 cm

1983 Red and Yellow Apple
woodcut on handmade Iwano Kizuki Hosho paper 73 x 95.5 cm

1983 Red Apple and Yellow Apple
woodcut on handmade Iwano Kizuki Hosho paper 70.8 x 95 cm

1983 Red Apple
woodcut on handmade Iwano Kizuki Hosho paper 77.2 x 93 cm

1983 Two Apples
woodcut on handmade Iwano Kizuki Hosho paper 75.9 x 99.7 cm


1982-84 "Paintings" series:


1982 Abstraction with Frame I
oil and magna on canvas 61 x 45.7 cm

1982 Abstraction with Frame II
oil and magna on canvas 61 x 45.7 cm

1982 Abstraction with Picture Frame
magna on canvas 76.2 x 61 cm

1982 Painting
oil and magna on canvas 127 x 91.4 cm

1982 Paintings
oil and magna on canvas 101.6 x 91.4 cm

1982 Paintings with Roses
oil and magna on canvas 94 x 149.9 cm

1982 Paintings: Mirror and Lamp
oil and magna on canvas 101.6 x 152.4 cm

1982 Paintings: Still Life and Stretcher Frame
oil and magna on canvas 162.6 x 228.6 cm

1982 Paintings: Tomato and Abstraction
oil and magna on canvas 101.6 x 152.4 cm

1982 Still Life with Expressionist Painting
oil and magna on canvas 127 x 91.4 cm

1982 Two Paintings ( Pitcher and Flowers )
oil and magna on canvas 61 x 91.4 cm

1983 Abstract Painting
oil and magna on canvas 177.8 x 137.2 cm
The Roy Lichtenstein Foundation Collection

1983 Painting near Window
oil and magna on canvas 127 x 152.4 cm

1984 Two Paintings: Sleeping Muse
woodcut, lithograph and screenprint on Arches paper 96.2 x 124.3 cm

Note: "Paintings" series continues in Part 14 of this series.

Roy Lichtenstein - part 14

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0


Roy Lichtenstein ( October 27, 1923 – September 29, 1997 ) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.

For a more detailed biography see part 1, and for earlier works see parts 1 - 13 also.

This is part 14 of a 20-part series on the works of Roy Lichtenstein (works 1983-84):


1983-84 "Paintings" series continued from Part 13:


1983 Painting with Statue of Liberty
oil and magna on canvas 271.8 x 424.2 cm
National Gallery of Art, Washington, DC

1983 Painting: Blue and Yellow Wood Grain
oil and magna on canvas 91.4 x 61 cm

1983 Painting: Blue Wood Frame
oil and magna on canvas 61 x 61 cm
The Roy Lichtenstein Foundation Collection

1983 Painting: Elaborate Frame
oil and magna on canvas 76.2 x 77.5 cm

1983 Painting: Light Yellow Brushstroke
oil and magna on canvas 61 x 76.2 cm

1983 Painting: Red and Blue Brushstrokes
oil and magna on canvas 61 x 45.7 cm

1983 Painting: Silver Frame
oil and magna on canvas 61 x 61 cm

1983 Painting: Square
oil and magna on canvas 76.2 x 76.2 cm

1983 Painting: Yellow Frame
oil and magna on canvas 61 x 45.7 cm

1983 Paintings with Sleeping Muse
oil and magna on canvas 111.8 x 190.5 cm

1983 Sleeping Muse
patinated bronze 64.8 x 87 x 10.2 cm

1983 Still Life with Red Cord
oil and magna on canvas 121.9 x 101.6 cm

1983 Two Paintings ( Alien )
oil and magna on canvas 127 x 177.8 cm

1983 Two Paintings ( Apple )
oil and magna on canvas 91.4 x 127 cm

1983 Two Paintings ( Flag )
oil and magna on canvas 61 x 71.1 cm

1983 Two Paintings ( Folded Sheets )
oil and magna on canvas 127 x 177.8 cm

1983 Two Paintings with Dado
oil and magna on canvas 127 x 106.7 cm

1983 Two Paintings: Craig...
oil and magna on canvas 121.9 x 91.4 cm
( see source reference below )

1983 Two Paintings: Craig...
Source reference

1983 Two Paintings: Dagwood
oil and magna on canvas 228.6 x 162.6 cm

1983 Two Paintings: Radiator and Folded Sheets
oil and magna on canvas  177.8 x 162.6 cm
The Eli and Edyth L. Broad Collection

1983-84 Painting in Gold Frame
lithograph, woodcut, screenprint and paper on paper 109.8 x 83.7 cm
Tate, London

1984 Painting in Landscape
oil and magna on canvas 127 x 152.4 cm

1984 Painting on Blue and Yellow Wall
woodcut and lithograph on Arches paper 119.8 x 80.2 cm

1984 Painting on canvas
woodcut, lithograph, screenprint, and collage on Arches paper 86.2 x 73.5 cm

1984 Painting with Scattered Brushstrokes
magna on canvas 127 x 177.8 cm

1984 Painting with Silver and Bamboo Frame
magna on canvas 106.7 x 127 cm

1984 Painting with Silver Wood Grain Frame
magna on canvas 157.5 x 177.8 cm

1984 Painting: Bamboo Frame
oil on magna 91.4 x 101.6 cm

1984 Painting: Green Brushstrokes
oil and magna on canvas 167.6 x 182.9 cm
The Roy Lichtenstein Foundation Collection

1984 Painting: Light Yellow Frame
oil and magna on canvas 81.3 x 91.4 cm

1984 Painting: Monolith
oil and magna on canvas 101.6 x 17 cm

1984 Painting: Silver Brushstroke
oil on magna 152.4 x 182.9 cm

1984 Painting: Silver Frame
magna on canvas 137.2 x 152.4 cm

1984 Painting: Silver Frame
oil and magna on canvas 177.8 x 203.2 cm

1984 Painting: Silver Wood Grain
oil and magna on canvas 91.4 x 101.6 cm

1984 Painting: Yellow Road
oil and magna on canvas 101.6 x 121.9 cm

1984 Paintings: Abstraction
oil and magna on canvas 177.8 x 203.2 cm

1984 Paintings: Alizarin Brushstroke
oil and magna on canvas 76.2 x 91.4 cm

1984 Paintings: Expressionist Head
oil and magna on canvas 167.6 x 182.9 cm

1984 Paintings: Map
oil and magna on canvas 152.4 x 254 cm

1984 Paintings: Mirror
oil and magna on canvas 177.8 x 218.4 cm

1984 Paintings: Oriental Still Life
oil and magna on canvas 101.6 x 152.4 cm

1984 Paintings: Picasso Head
oil and magna on canvas 162.6 x 177.8 cm

1984 Paintings: Water Glass and Lemon
oil and magna on canvas 91.4 x 142.2 cm

1984 Paintings: White Flowers
 oil and magna on canvas 177.8 x 137.2 cm

1984 Two Paintings: Beach Ball
woodcut, lithograph and screenprint on Arches paper 101.7 x 99.2 cm

1984 Two Paintings: Dagwood
woodcut and lithograph on Arches paper 136.8 x 98.9 cm

1984 Two Paintings: Green Lamp
woodcut, lithograph, screenprint, and collage on Arches paper 98.3 x 134.8 cm

Roy Lichtenstein - part 15

0
0


Roy Lichtenstein ( October 27, 1923 – September 29, 1997 ) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.

For a more detailed biography see part 1, and for earlier works see parts 1 - 14 also.

This is part 15 of a 20-part series on the works of Roy Lichtenstein (works 1985-88):


1985-87 Landscape series:


1985 Figures in a Landscape
oil on magna 244 x 279 cm

1985 Figures in Landscape
oil an magna on canvas 274.3 x 365.8 cm

1985 Landscape with Red Roof
magna on canvas 274 x 196 cm

1985 Landscape with Red Sky
magna on canvas 274 x 196 cm

1985 Moonscape
lithograph, woodcut and screenprint 94.6 x 140.3 cm

1985 Mountain Village
oil and magna on canvas 274.3 x 426.7cm

1985 Reflections
oil and magna on canvas 274.3 x 426.7 cm

1985 River Valley
magna on canvas 196 x 274 cm

1985 River Valley
magna on canvas 196 x 274 cm

1985 Road before the Forest
lithograph, woodcut and screenprint 101.9 x 140.7 cm

1985 Seascape
colour lithograph, woodcut and screenprint 94.5 x 133 cm

1985 Sky and Water
oil and magna on canvas 167.6 x 243.8 cm

1985 Sunshine through the Clouds lithograph
woodcut and screenprint on Arches paper 141 x 101.6 cm

1985 The River
colour lithograph, woodcut and screenprint 101.9 x 141 cm
 de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1985 The River
lithograph, woodcut and screenprint 101.9 x 140.7 cm

1985 The Sower lithograph
woodcut and screenprint on Arches paper 104.6 x 141 cm

1987 Artemis and Acteon
oil and magna on canvas 213.4 x 304.8 cm

1987 Coast Village
oil and magna on canvas 213.4 x 304.8 cm

1987 Fishing Village
oil and magna on canvas 198.1 x 304.8 cm

1987 Forest Scene with Figures
oil and magna on canvas 304.8 x 457.2 cm

1987 River Scene
oil and magna on canvas 198.1 x 304.8 cm


1985-88 Perfect / Imperfect Paintings series:


1985 Perfect Painting #1
oil and magna on canvas 274.3 c 426.7 cm

1986 Collage for Luna Luna Project ( Andre Heller )
oil, spray paint, coloured pencil and paper collage on board 64.8 x 85.1 cm

1986 Imperfect Painting
oil and magna on canvas 118.1 x 254 cm

1986 Imperfect Painting
oil and magna on canvas 152.4 x 259.7 cm

1986 Imperfect Painting
 oil and magna on canvas 159.4 x 203.2 cm

1986 Imperfect Painting
oil and magna on canvas 167.6 x 188.6 cm

1986 Imperfect Painting
oil and magna on canvas 167.6 x 215.9 cm

1986 Imperfect Painting
oil and magna on canvas 177.8 x 217.2 cm

1986 Imperfect Painting
oil and magna on canvas 189.2 x 243.8 cm

1986 Imperfect Painting
oil and magna on canvas 210 x 200.7 cm

1986 Imperfect Painting
oil and magna on canvas 228.6 x 157.5 cm

1986 Imperfect Painting
oil and magna on canvas 283.2 x 259.1 cm

1986 Imperfect Painting
oil and magna on canvas 284.5 x 426.7 cm
The Eli and Edyth L. Broad Collection

1986 Imperfect Painting
oil and magna on canvas 284.5 x 437.5 cm

1986 Imperfect Painting
 oil and magna on canvas 285.8 x 278.1 cm
The Eli and Edyth L. Broad Collection 285.8 x 278.1 cm

1986 Luna Luna Pavilion ( Study )
tape, painted and printed paper on board 27.5 x 47.8 cm

1986 Luna Luna Pavilion ( Study )
tape, printed and painted paper, and foil on board 27.5 x 47.8 cm

1986 Perfect Painting
oil and magna on canvas 178.8 x 254.3 cm
The Eli and Edyth L. Broad Collection

1987 Imperfect Diptych
oil and magna on canvas ( two panels ) 152.4 x 289.6 cm overall

1987 Imperfect Painting ( Gold )
oil and magna on canvas 161.6 x 275 cm

1987 Imperfect Painting
oil and magna on canvas 76.2 x 68.6 cm

1987 Imperfect Painting
oil and magna on canvas 76.2 x 79.7 cm

1987 Imperfect Painting
oil and magna on canvas 82.9 x 68.8 cm

1987 Imperfect Painting
oil and magna on canvas 85.7 x 61 cm

1988 Imperfect 18" x 92 3-8"
woodcut, screenprint and collage on museum board 147.3 x 235 cm

1988 Imperfect 44 3/4" x 103"
woodcut, screenprint and collage on museum board 113 x 261.6 cm

1988 Imperfect 63 3/8" x 88 7/8"
woodcut and screenprint on paper 160.8 x 225.7 cm

1988 Imperfect 67 5/8" x 91 1/2"
woodcut, screenprint and collage on paper 171.8 x 232.4 cm

1988 Imperfect 67" x 79 7/9
woodcut, screenprint and collage on paper 170.2 x 202.9 cm

1988 Imperfect Diptych 46 1/4" x 91 3/8"
woodcut, screenprint and collage on Museum Board 117.4 x 232 cm

1988 Imperfect Diptych 57 7/8" x 93 3/4"
woodcut, screenprint and collage on Museum Board 142,2 x 238.1 cm

1988 Imperfect Painting
oil and magna on canvas 127 x 98.7 cm

1988 Imperfect Painting
 oil and magna on canvas 133.4 x 106.7 cm

1988 Imperfect Painting
oil and magna on canvas 304.8 x 213.4 cm

1988 Imperfect Painting
oil and magna on canvas 171.5 x 275 cm

Roy Lichtenstein - part 16

0
0


Roy Lichtenstein ( October 27, 1923 – September 29, 1997 ) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.

For a more detailed biography see part 1, and for earlier works see parts 1 - 15 also.

This is part 16 of a 20-part series on the works of Roy Lichtenstein (works 1986-91):



1986 Forest Scene with Temple
oil and magna on canvas 304.8 x 457.2 cm

1986 Reclining Nude in Brushstroke Landscape ( study )
graphite and watercolour on paper 27.6 x 35.6 cm

1987 Untitled ( Brushstroke Face )
graphite, ink and magna on paper 69.9 x 78.1 cm

1988 Laocoön
oil and magna on canvas 304.8 x 259.1 cm
( see original below )

1988 Laocoön and his Sons excavated in Rome 1506
Vatican Museums, Rome

1988 New York City Ballet; American Music Festival 1988 Poster
offset lithograph on white wove paper 64.2 x 85.1 cm

1988 Reflections II
oil and magna on canvas 177.8 x 218.4 cm

1988-89 Bauhaus Stairway
oil and magna on canvas 238.8 x 167.6 cm
Museum of Modern Art, New York

1986-89 Brushstroke Figures series:


1986 Blonde
oil and magna on canvas 91.4 x 81.3 cm

1986 Blonde
oil and magna on canvas 152.4 x 81.3 cm

1986 Drowning Muse
oil and magna on canvas 106.7 x 127 cm

1986 Face ( Green Nose )
oil and magna on canvas 127 x 91.4 cm

1986 Face ( Red )
oil and magna on canvas 142.2 x 76.2 cm

1986 Face in Forest
oil and magna on canvas 177.8 x 127 cm

1986 Face
oil and magna on canvas 121.9 x 91.4 cm

1986 Fashionable Lady
oil and magna on canvas 152.4 x 78.7 cm

1986 Green Head
oil and magna on canvas 132.1 x 96.5 cm

1986 Grey Head
oil and magna on canvas 142.2 x 76.2 cm

1986 Head
oil and magna on canvas 228.6 x 152.4 cm

1986 Portrait I
oil and magna on canvas 142.2 x 91.4 cm

1986 Portrait II
oil and magna on canvas 132.1 x 96.5 cm

1986 Portrait III
oil and magna on canvas 152.4 x 81.3 c
m

1986 Untitled ( Brushstroke Head )
painted and printed paper on board 65.4 x 42.5 cm

1986 Untitled ( Brushstroke Head )
 painted and printed paper on board 90.8 x 65.4 cm


1986 Untitled ( Brushstroke Head )
painted and printed paper on board 115.9 x 69.9 cm

1986 Untitled ( Brushstroke Woman )
graphite and watercolour on paper 21.9 x 13.3 cm

1986 Untitled ( Woman with Hat )
graphite and watercolour on paper 19.4 x 12.7 cm

1986 Untitled #3 ( Brushstroke Head )
painted and printed paper on board 104.8 x 54.3 cm

1986 Untitled #4 ( Brushstroke Head )
painted and printed paper on board 96.5 x 53.3 cm

1986 Untitled #5 ( Brushstroke Head )
painted and printed paper on board 95.6 x 48.3 cm

1986 Untitled #8 ( Brushstroke Head )
painted and printed paper on board 88.9 x 43.8 cm

1986 Untitled #9 ( Brushstroke Head )
painted and printed paper on board 83.8 x 45.1 cm

1986 Untitled #10 ( Brushstroke Head )
tape, painted and printed paper on board 73.7 x 65.4 cm

1986 Untitled #11 ( Brushstroke Head )
painted and printed paper on board 74.3 x 45.1 cm

1986 Untitled #12 ( Brushstroke Head )
 tape, painted and printed paper on board 70.5 x 53.3 cm

1986 Untitled #14 ( Brushstroke Head )
painted and printed paper on board 62.2 x 42.5 cm

1986-87 Brushstoke Chair and Ottoman
cast and welded patinated bronze with enamel paint175.3 x 78.7 x 44.4 cm

1986-88 Brushstroke Chair, Wood and Brushstroke Ottoman, Wood
white birch veneer, paint and varnish chair 179.5 x 45.7 x 69.2 cm

1986-88 Brushstroke Chair, Wood and Brushstroke Ottoman, Wood
white birch veneer, paint and varnish ottoman 52.7 x 45.1 x 61 cm

1989 Brushstroke Figures 1989 Blonde
lithograph, waxtype, woodcut and screenprint on paper 141.6 x 94.6 cm

1989 Brushstroke Figures 1989 Grandpa
mixed media on paper 144 x 104 cm

1989 Brushstroke Figures 1989 Green Face
serigraphy 144.6 x 93 cm

1989 Brushstroke Figures 1989 Nude
lithograph, waxtype, woodcut and screenprint on paper 142.3 x 82.3 cm

1989 Blonde
lithograph, waxtype, woodcut and screenprint on paper 146.9 x 94.9 cm

1989 Blue Face
lithograph, waxtype, woodcut and screenprint on paper 137.2 x 85.1 cm

1989 Grandpa
lithograph, waxtype, woodcut and screenprint on paper 144.3 x 104.1 cm

1989 Portrait
lithograph, waxtype, woodcut and screenprint on paper 133.5 x 87 cm

1989 Roads Collar
lithograph, waxtype, woodcut and screenprint on paper 133 x 73.3 cm

1989 The Mask
lithograph, waxtype, woodcut and screenprint on paper 117 x 79.4 cm

1990-91 Mobile series:


1990 Mobile I
painted and patinated bronze 45.7 x 50.8 x 22.9 cm

1990 Mobile II
painted and patinated bronze 144.8 x 132.1 x 33 cm

1990 Mobile III
painted and patinated bronze 144.8 x 132.1 x 33 cm

1990 Mobile IV
painted and patinated bronze 41 x 87.9 x 13 cm

1990 Suspended Mobile
screenprint on polyester monofilament fabric, stretched over a rectangular frame 128.9 x 192.4 x 10.2 cm

1990-91 Landscape Mobile, Limoges
French porcelain, and cast resin 56 x 64 x 14 cm

Mobile c1990-91
( details not found )

Roy Lichtenstein - part 17

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0


Roy Lichtenstein ( October 27, 1923 – September 29, 1997 ) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.

For a more detailed biography see part 1, and for earlier works see parts 1 - 16 also.

This is part 17 of a 20-part series on the works of Roy Lichtenstein (works 1988-91):


1988-91 Reflections series:


1898 Reflections; Yoo Hoo
oil and magna on canvas 91.4 x 218.4 cm

1988 Reflections; ART
oil paint and acrylic paint on canvas 112.4 x 193.7 cm
Tate, London

1988 Reflections; Half Face With Collar
oil and magna on canvas 153 x 153 cm

1988 Reflections; Handshake
oil and magna on canvas 93.3 x 134 cm

1988 Reflections; Nurse
oil and magna on canvas 145.4 x 145.4 cm

1988 Reflections; Spray II
oil and magna on canvas 108 x 122.6 cm

1988 Reflections; Untitled
oil and magna on canvas 197.3 x 127.3 cm

1988 Reflections; Wimpy I
oil and magna on canvas 81.3 x 101.6 cm

1988 Reflections; Wimpy III
oil and magna on canvas 81.3 x 101.6 cm

1989 Reflections on Blonde
oil and magna on canvas 76.2 x 101.6 cm

1989 Reflections on Nancy
oil and magna on canvas 123.2 x 138.7 cm
"Reflections on Nancy" (above) references a 1961 piece by Andy Warhol:


1961 Nancy by Andy Warhol


1989 Reflections On the Artist's Studio
oil and magna on canvas 231.1 x 365.8 cm

1989 Reflections; Mystical Painting
oil and magna 142.2 x 190.5 cm

1989 Reflections; Portrait of a Duck
oil and magna on canvas 127.3 x 152.7 cm

1989 Reflections; Sunday Morning
oil and magna on canvas 162.6 x 307.3 cm

1989 Reflections; VIP! VIP!
oil and magna on canvas 173.4 x 223.5 cm

1989 Reflections; Wonder Woman
oil and magna on canvas 121.9 x 170.2 cm

1989 Untitled Reflection
oil and magna on canvas 43.2 x 61 cm

1989 Untitled Reflection
oil and magna on canvas 43.2 x 61 cm

1989 Untitled Reflection
oil and magna on canvas 61 x 43.2 cm

1989 Untitled Reflection
oil and magna on canvas 68.6 x 76.2 cm

1989 Untitled Reflection
oil and magna on canvas 76.2 x 61 cm

1989 Untitled Reflection
oil and magna on canvas 76.2 x 61 cm

1989 Untitled Reflection
oil and magna on canvas 101.6 x 76.2 cm

1990 Reflections on "Interior with Girl Drawing"
oil and magna on canvas 191.1 x 274.3 cm

1990 Reflections on Brushstrokes
lithograph, screenprint and woodcut on paper 128.7 x 165 cm
Tate, London

1990 Reflections on Brushstrokes
oil and magna on canvas 87 x 60 cm

1990 Reflections on Brushstrokes
oil and magna on canvas 148.6 x 222.3 cm

1990 Reflections on Brushstrokes
oil and magna on canvas 198.1 x 135.9 cm

1990 Reflections on Conversation
lithograph, screenprint, woodcut on paper and metalised PVC on paper 136.5 x 169.9 cm
Tate, London

1990 Reflections on Crash
lithograph, screenprint on paper and metalised PVC on paper 150.2 x 190.5 cm
Tate, London

1990 Reflections on Girl
lithograph, screenprint on paper and metalised PVC on paper 114.6 x 139.1 cm
Tate, London
( See original reference material below )

Falling in Love comic 1961

1990 Reflections on Hair
lithograph, screenprint, woodcut and metalised PVC collage with embossing on paper 142.6 x 114.3 cm

1990 Reflections on Jessica Helms
oil and magna on canvas 160 x 124.5 cm

1990 Reflections on Minerva
lithograph, screenprint on paper and metalised PVC on paper 106.7 x 131.4 cm
Tate, London
( See original reference material below )

Wonder Woman comic 1948

1990 Reflections on Painter and Model
oil and magna on canvas 198.1 x 243.8 cm

1990 Reflections on Profile
oil and magna on canvas 106.7 x 91.4 cm

1990 Reflections on Red Flowers
oil and magna on canvas 127 x 167.6 cm

1990 Reflections on Senorita
oil and magna on canvas 167.6 x 167.6 cm
Original reference material for "Reflections on Sok!" see below
Green Lantern comic 1965

1990 Reflections on Sok!
oil and magna on canvas 215.9 x 142.2 cm
( See original reference material below )

1990 Reflections on Sure!?
oil and magna on canvas 101.6 x 91.4 cm

1990 Reflections on the Gift
oil and magna on canvas 167.6 x 185.4 cm
( see original reference material below )

 Wonder Woman comic 1981

Original reference material for "Reflections on The Prom" see belowThe Prom Heart Throbs No.88 comic 1964

1990 Reflections on The Prom
oil and magma on canvas 188 x 228.6 cm
 

1990 Reflections on The Scream
lithograph, screenprint, woodcut on paper and metalised PVC on paper 123.8 x 166.1 cm
Tate, London

1990 Reflections on Thud!
oil and magna on canvas 139.7 x 243.8 cm

1990 Reflections; Red Frame
oil and magna on canvas 91.4 x 91.4 cm

1990 Reflections; Whaaam!
oil and magna on canvas 178.4 x 194.6 cm

1991 Reflections on Soda Fountain
creenprint on paper 93.4 x 97.8 cm

Roy Lichtenstein - part 18

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0


Roy Lichtenstein ( October 27, 1923 – September 29, 1997 ) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.

For a more detailed biography see part 1, and for earlier works see parts 1 - 17 also.


This is part 18 of a 20-part series on the works of Roy Lichtenstein (works 1990-96):


1990-96 Interiors series:


1990 Bedroom
woodcut and screenprint on Museum Board 144.2 x 199.4 cm

1990 Blue Floor
lithograph, woodcut and screenprint on Museum Board 147.2 x 212.2 cm

1990 Modern Room
 lithograph, woodcut and screenprint on museum board 128.7 x 189.7 cm

1990 Red Lamps
lithograph, woodcut and screenprint on Museum Board 145.9 x 200 cm

1990 The Living Room
 woodcut and screenprint on Museum Board 147.6 x 182.9 cm

1991 Interior with African Mask
oil and magna on canvas 289.6 x 370.8 cm

1991 Interior with Bonsai Tree
oil and magna on canvas 299.7 x 355.6 cm

1991 Interior with Built-In Bar
oil and magna on canvas 289.6 x 416.6 cm

1991 Interior with Exterior ( Still Waters )
oil and magna on canvas 259.1 x 439.4 cm

1991 Interior with Exterior ( Still Waters )
oil and magna on canvas 299.7 x 365.8 cm

1991 Interior with Mirrored Wall
oil and magna on canvas 320.4 x 406.4 cm
Solomon R. Guggenheim Museum, New York

1991 Interior with Red Wall
oil and magna on canvas 299.7 x 340.4 cm

1991 Interior with Restful Paintings
oil and magna on canvas 299.7 x 292.1 cm

1991 Interior with Water Lilies
oil and magna on canvas 320 x 455.3 cm

1991 Interior with Yves Klein Sculpture
oil and magna on canvas 304.8 x 432.4 cm

1991 La Sortie
woodcut on 4-ply paper technologies 148.9 x 205.7 cm

1992 Interior with Bathroom Painting
oil and magna on canvas 152 x 2003.2 cm

1992 Interior with Mobile
oil and magna on canvas 330.2 x 434.3 cm
Museum of Modern Art, New York

1992 Interior with Mobile Painting
 oil and magna on canvas 274.3 x 365.8 cm

1992 Interior with Motel Room Painting
oil and magna on canvas 195.6 x 243.8 cm

1992 Interior with Skyline
oil and magna on canvas 208.3 x 304.8 cm

1992 Interior with Swimming Pool Painting
oil and magna on canvas 182.9 x 152.4 cm

1992 The Den
woodcut and screenprint on 4-ply Paper Technologies 129.5 x 166.4 cm

1992 The Oval Office
screenprint on paper 90.4 x 115.3 cm

1992 Wallpaper with Blue Floor Interior
screenprint 259.1 x 77.3 cm

1992 Yellow Vase
screenprint on Museum Board 127 x 182.9 cm

1993 Interior with Shadow
oil and magna on canvas 208.3 x 162.6 cm

1993 Interior with Yellow Chair
oil and magna on canvas 203.2 x 203.2 cm

1993 Interior with T'aime
oil and magna on canvas 274.3 x 426.7 cm

1993 Post Visual
oil and magna on canvas 243.8 x 203.2 cm

1994 Interior: Perfect Pitcher
oil and magna on canvas 304.8 x 492.1 cm

1996 Bedroom - Unique State
woodcut, lithography and painted paper 148.9 x 205.7 cm

1992-93 Water Lilies series:


1992 Water Lilies with Cloud
screenprinted enamel on stainless steel, painted aluminium frame 166.4 x 113.7 cm

1992 Water Lilies with Japanese Bridge
screenprint on enamel on stainless steel 211.5 x 147.3 cm
Tate, London

1992 Water Lilies with Willows
screenprinted enamel on processed and swirled stainless steel, with painted wood frame 147.3 x 246.6 cm

1992 Water Lily Pond with Reflections
screenprint on enamel on stainless steel 147.3 x 214.6 cm
Tate, London

1993 Les Nymphas
linocut, woodcut, lithograph, and screenprint on  paper 78.7 x 102.4 cm

19923 Water Lily
screenprint on paper 47 x 58.4 cm

1993 Large Reflections series:


1993 Large Interior with Three Reflections
oil and magna on canvas  348 x 934.2 cm

1993 Reflections of "Large Interior" I
magna on canvas 282.6 x 202.6 cm

1993 Reflections of "Large Interior" II
 oil and magna on canvas 282.6 x 225.4 cm

1993 Reflections of "Large Interior" III
 oil and magna on canvas 282.6 x 202.6 cm

1993-94 Still Life series:


1993 Still Life - Apples and Bananas
oil and magna on canvas 40.6 x 50.8 cm

1993 Still Life - Blue Bottle
oil and magna on canvas 40.6 x 50.8 cm

1993 Still Life - Open Window
oil and magna on canvas 43.2 x 50.8 cm

1993 Still Life - Red Apples
oil and magna on canvas 45.7 x 50.8 cm

1994 Still Life with Green Apple
oil and magna on canvas 61 x 76.2 cm

1994 Still Life with Red Jar
screenprint on paper 54.3 x 48.9 cm

1994 Still Life with Red Pitcher
oil and magna on canvas 63.5 x 51.4 cm

1994 Still Life with Two Grapefruits
oil and magna on canvas 76.2 x 61 cm

*          *          *          *          *
1991 Best Buddies
screenprint on paper 91 x 81 cm

1992 Barcelona Head
concrete and ceramic 19.56 x 6.64 x 4.65m
City of Barcelona, Spain

1992 Bedroom at Arles
oil and magna on canvas 320 x 420 cm
Fitzhugh Farm, Robert and Jane Meyerhoff Collection
( based on the painting by Vincent Van Gogh below )


1889 Bedroom in Arles by Vincent van Gogh
oil on canvas 72 x 90 cm
Art Institute of Chicago, IL

1993 Chair, Table and Flower Pot
cast and patinated bronze 160 x 388.6 x 88.9 cm

1994 Roommates
relief print on paper 162.9 x 129.9 cm
Tate, London

Roy Lichtenstein - part 19

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Roy Lichtenstein ( October 27, 1923 – September 29, 1997 ) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.

For a more detailed biography see part 1, and for earlier works see parts 1 - 18 also.


This is part 19 of a 20-part series on the works of Roy Lichtenstein (works 1994-96):



1995 Untitled Head ( Cal Arts Print )
screenprint on Lanaquarelle watercolour paper 47.6 x 54.8 cm

1995 Virtual Interior: Portrait of a Duck
screenprint on Somerset paper 90.6 x 90.3 cm

1995 Woman Contemplating a Yellow Cup
machined aluminium, paint and wax 182.2 x 213.4 x 3.8 cm

1996 Art Critic
silkscreen on Somerset paper 66 x 48.6 cm


1994-96 Composition series:


1994 Unchained Melody
oil and magna on canvas 177.8 x 157.5 cm

1996 Compostion I
screenprint on paper 121.1 x 88.1 cm
Tate, London

1996 Composition II
screenprint on paper 90.2 x 114 cm
Tate, Liverpool

1996 Compostion III
screenprint on paper 129.4 x 90.2 cm
Tate, London

1995 Composition IV
screenprint on Rives paper 56.9 x 69.6 cm


 1994-96 Nude series:


1994 Nude at Vanity
oil and magna on canvas 144.8 x 111.8 cm
( see original reference material below )

Reference material for the above painting
Girl's Romance No.98 1964

1994 Nude Reading
relief print on paper 77.8 x 92.2 cm
Tate, London
( see original reference material below )

Reference material for the above printGirl's Romance No.96 1963

1994 Nude with Abstract Painting
oil and magna on canvas 152.4 x 208.3 cm
( see original reference material below )

Reference material for the above paintingFalling in Love No.85 1966

1994 Nude with Beach Ball
oil and magna on canvas 167.6 x 139.7 cm

1994 Nudes with Beach Ball
oil and magna on canvas 301 x 272.4 cm
( see original reference material below )


Reference material for the above paintingsGirl's Romance No.97 1963


1994 Nude with Blue Hair
relief print on Rives paper 147 x 95.6 cm
( see original reference material below )

Reference material for the above print
Girl's Romance No.97 1963

1994 Nude with Joyous Painting
oil and magna on canvas 177.8 x 134.6 cm
( see original reference material below )

Reference material for the above paintingGirl's Romance No.94 1963

1994 Nude with Pyramid
oil and magna on canvas 213.4 x 177.8 cm
( see original reference material below )

Reference material for the above paintingGirl's Romance No.97 1963

1994 Nude with Yellow Flower
oil and magna on canvas 233.7 x 182.9 cm
( see original reference material below )

Reference material for the above paintingGirl's Love Stories No.97 1963

1994 Nude with Yellow Pillow
colour relief print 133.7 x 109.2 cm
( see original reference material below )

Reference material for the above paintingPillow Girl's Love Stories No.103 1964

1994 Nude, Reclining
oil and magna on canvas 154.9 x 213.4 cm
( see original reference material below )

Reference material for the above paintingLove Stories No.103 1964

11994 Nudes in Mirror
oil and magna on canvas 254 x 213.4 cm
( see original reference material below )
Reference material for the above paintingSecret Hearts No.95 1964


1994 Thinking Nude
colour relief 106.7 x 157.5 cm
( see original reference material below )

Reference material for the above print( unknown comic )

1994 Two Nudes
relief print on paper 122.4 x 104.6 cm
Tate, London
( see original reference material below )

Reference material for the above paintingGirl's Romance No.94 1963

1995 Beach Scene with Starfish
oil and magna on canvas 299.7 x 603.3 cm
( see original reference material below )

Reference material for the above painting
 
Romance No.107 1965

Reference material for the above paintingRomance No.107 1965

Reference material for the above paintingRomance No.107 1965

Reference material for the above paintingRomance No.107 1965
1995 Blue Nude
oil and magna on canvas 205.7 x 152.4 cm
( see original reference material below )

Reference material for the above paintingHeart Throbs No.78 1962

1995 Nude in Kitchen
oil and magna on canvas 299.7 x 388.6 cm
( see original reference material below )

Reference material for the above paintingHeart Throbs No.87 1963-64

1995 Nude Sunbathing
oil and magna on canvas 147.3 x 152.4 cm
( see original reference material below )

Reference material for the above paintingHeart Throbs No.88 1964

1995 Nude with Bust
oil and magna on canvas 274.3 x 228.6 cm
( see original reference material below )

Reference material for the above painting
Secret Hearts No.95 1964

1995 Nude with Red Shirt
oil and magna on canvas 19.1 x 167.6 cm
( see original reference material below )

Reference material for the above paintingSecret Hearts No.124 1967

1995 Nude with Street Scene Painting
oil and magna on canvas 121.9 x 171.5 cm
( see original reference material below )

Reference material for the above paintingHeart Throbs No.78 1962

1995 Nude with Yellow Beach Bag
oil and magna on canvas 119.4 x 182.9 cm
( see original reference material below )

Reference material for the above paintingGirl's Romance No.107 1965

1995 Two Nudes
oil and magna on canvas 205.7 x 302.3 cm
( see original reference material below )

Reference material for the above paintingSecret Hearts No.85 1963

1996 Nude in Apartment
oil and magna on canvas 167 x 142.6 cm
( see original reference material below )

Reference material for the above paintingGirl's Romance No.94 1963

1996 Seductive Girl
oil and magna on canvas 127 x 182.9 cm
( see original reference material below )

Reference material for the above paintingHeart Throbs No.88 1964


Roy Lichtenstein - part 20

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1994 Photograph by Robert McKeever
© Estate of Roy Lichtenstein


Roy Lichtenstein ( October 27, 1923 – September 29, 1997 ) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.

For a more detailed biography see part 1, and for earlier works see parts 1 - 19 also.


This is part 20 of a 20-part series on the works of Roy Lichtenstein (works 1996-97):



1996 Coup de Chapeau ( Self-Portrait )
oil and magna on canvas 127 x 101.6 cm

1996 Coup de Chapeau I
painted and patinated bronze 67.3 x 67.6 x 2.9 cm

1996 Coup de Chapeau II
painted and patinated bronze 231.1 x 76.2 x 33.7 cm

1996 Modern Art I
screenprint on paper 130.2 x 96.2 cm
Tate, London

1996 Modern Art II
screenprint on paper 122.9 x 97.3 cm
Tate, London

1997 Bellagio Hotel Mural: Still Life with Reclining Nude ( Study )
cut-and-pasted printed and painted paper on board 101.9 x 153 cm


1996 Chinese Landscapes series:


1996 Landscape in Fog
oil and magna on canvas 180.3 x 207.6 cm

1996 Landscape with Boat
oil and magna on canvas 149.2 x 244.5 cm

1996 Landscape with Boats
lithograph and screenprint on Lanaquarelle watercolour paper 89.9 x 165.1 cm

1996 Landscape with Boats
oil and magna on canvas 175.5 x 432.4 cm

1996 Landscape with Bridge
oil and magna on canvas 261.6 x 127 cm

1996 Landscape with Philosopher
oil and magna on canvas 264.2 x 121.3 cm

1996 Landscape with River
oil and magna on canvas 121.9 x 213.7 cm

1996 Landscape with River
oil and magna on canvas 139.1 x 293.4 cm

1996 Landscape with Seated Figure
oil and magna on canvas 177.8 x 266.7 cm

1996 Landscape with Silver River
oil and magna on canvas 210.8 x 168.9 cm

1996 Landscape with Tall Tree
oil and magna on canvas 279.4 x 133.4 cm

1996 Seascape
oil and magna on canvas 124.5 x 259.1 cm


1996 Small Landscape
oil and magna on canvas 76.2 x 76.2 cm


1996 Treetops Through the Fog
oil and magna on canvas 177.8 x 391.2 cm

1996 Vista with Bridge
oil and magna on canvas 190.5 x 452.1 cm

1996 Yellow Cliffs
oil and magna on canvas 276.2 x 123.8 cm

1996-97 Brushstroke Abstraction series:


1996 Brushstroke Abstraction I
oil and magna on canvas 66 x 81.3 cm

1996 Brushstroke Abstraction II
oil and magna on canvas 76.2 x 68.6 cm

1996 Brushstroke with Still Life I
oil and magna on canvas 61 x 76.2 cm

1996 Brushstroke with Still Life II
oil and magna on canvas 71.1 x 86.4 cm

1996 Brushstroke with Still Life III
oil and magna on canvas 81.3 x 66 cm

1996 Brushstroke with Still Life IV
oil and magna on canvas 86.4 x 71.1 cm

1996 Brushstroke with Still Life V
oil and magna on canvas 71.1 x 86.4 cm

1996 Brushstroke with Still Life VI
oil and magna on canvas 81.3 x 66 cm

1996 Brushstroke with Still Life VII
oil and magna on canvas 76.2 x 76.2 cm

1996 Brushstroke with Still Life VIII
oil and magna on canvas 76.2 x 76.2 cm

1997 Brushstroke Still Life with Box
screenprint on aluminium panel 137.2  x  184.2 cm

1997 Brushstroke Still Life with Coffee Pot
screenprint on aluminium panel 132.7 x 165.1 cm

1997 Brushstroke Still Life with Lamp
screenprint on aluminium 137.2 x 184.2 cm

1997 House series:


1997 House I
fabricated and painted aluminium 292.1 x 447 x 132.1 cm
National Gallery of Art, Washington, DC

1997 House I 
fabricated and painted aluminium 292.1 x 447 x 132.1 cm 
National Gallery of Art, Washington, DC

1997 House II
painted fibreglass 312 x 423 x 154 cm

1997 House III
painted and fabricated aluminium 401.3 x 533.4 x 152.4 cm

1997 House III ( fabricated 2002 )
painted and fabricated aluminium 398.8 x 533.4 x 152.4 cm
Roy Lichtenstein Foundation Collection

1997 Small House
painted cast aluminium 45.4 x 67.2 x 21.6 cm

1997 Interior series:


1995 Interior with Painting of Trees
oil and mineral spirits acrylic on canvas 203.2 x 177.8 cm

1997 Interior with Ajax
oil and magna on canvas 128 x 118.1 cm

1997 Interior with Box of Yellow Apples
oil and mineral spirits acrylic on canvas 177.8 x 190.5 cm

1997 Interior with Chair
screenprint on white wove paper 93.7 x 68.5 cm Art Institute of Chicago, IL

1997 Interior with Diana
oil and magna on canvas 129.4 x 104.1 cm

1997 Interior with Female Bust
oil and mineral spirits acrylic on canvas 219.7 x 180.3 cm

1997 Interior with Nude Leaving
oil and mineral spirits acrylic on canvas 177.8 x 180.3 cm

1997 Interior with Painting and Still Life
oil and mineral spirits acrylic on canvas 161.3 x 142.2 cm

1997 Interior with Painting of Bather
oil and mineral spirits acrylic on canvas 177.8 x 174 cm

1997 Interior with Painting of Nude ( Study )
painted and printed paper on board 153 x 101.9 cm

1997 Interior with Painting of Reclining Nude ( Study )
magna and cut painted and printed paper on board 101.9 x 153 cm

1997 Interior with Painting of Trees
oil and mineral spirits acrylic on canvas 203.2 x 177.8 cm

1997 Interior with Woman
oil and mineral spirits acrylic on canvas 213.4 x 152.4 cm

1997 Table with Two Vases of Flowers (Study)
painted and printed paper on board 88.6 x 79.4 cm

Children’s Books 1850–1881 part 1

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This series features illustrated children's books mainly from the Victorian era, more specifically from between 1850 and 1904. I found so many interesting books that I decided to split the series. 

This first series features books from between the 1850s to 1881.
Books from between 1881 to 1904 will appear here later in the year.


Until the mid-18th century, children's books mainly consisted of moralistic or enlightening stories propagating the religious and ethical view that hard work and diligence determines a person's life. Little consideration was given to children's reading pleasure.

Amid this trend, John Newbery (1713-1767), a London-based bookseller, took up full-fledged publication of books that were both "entertaining and useful" for children. A Little Pretty Pocket-book, published by Newbery in 1744, is said to be the first book that provided children with not only moral lessons but also entertainment. Newbery went on to publish numerous books for middle-class children in urban areas, whose number continued to increase. Newbery became well known in the United States as well; the most prestigious American award for children's literature is named after him - the John Newbery Medal, inaugurated in 1922.


The focus in children's books gradually shifted from simple moral lessons to entertainment, with techniques of expression employed specifically for that purpose. Books carrying witty illustrations or exploring children's inner life also began to appear. The mid-19th century saw the development of girls' novels and narratives of family life.


This is part 1 of an 11-part series on children's books 1850s - 1881:


1850s The Three Bears
published by McLoughlin Bros., New York:


McLoughlin Bros., Inc. was a New York publishing firm that pioneered the systematic use of colour printing technologies in children's books, particularly between 1858 and 1920. The firm's publications served to popularise illustrators including Thomas Nast, William Momberger, Justin H. Howard, Palmer Cox, and Ida Waugh. 
The artistic and commercial roots of the McLoughlin firm were first developed by John McLoughlin, Jr. (1827-1905), who, as a teenager learned wood engraving and printing while working for Elton & Co. - a New York firm formed by his father John McLoughlin, Sr. and engraver/printer Robert H. Elton.






























1855 Remarkable History of Five Little Pigs
published by Willis P. Hazard, Philadelphia, PA:


















1855 Truant Bunny
published by McLoughlin Bros., New York:














1858 The Frog Who Would A Wooing Go
published by Brown, Taggard & Chase, Boston, MA:





























1865 Merry Conceits by Charles H. Ross
published by George Routledge & Sons, London:

Charles Henry Ross ( 1835 – 12 October 1897 ) was an English writer and cartoonist. He contributed a series of engravings, entitled "A Happy Day in a Varlet's Life. In a Series of Hard Lines," to the Ninth Season in 1868 of “Beeton’s Christmas Annual.”  He died in London.


George Routledge (23 September 1812 – 13 December 1888) was a British publisher, the founder of the publishing house Routledge.

Routledge gained his early experience of business with Thurnam & Sons, booksellers, at Carlisle. Moving to London in 1833, he started in business for himself as a bookseller in 1836, and as a publisher in 1843. He made his first serious success by reprinting the Biblical commentaries of an American writer, Albert Barnes.

Routledge's fame as a publisher, however, rests mainly on popular books. A series of “Shilling” volumes, the "Railway Library",was an immense success, including as it did Harriet Beecher Stowe’s “Uncle Tom’s Cabin,” and he also published in cheap form some of the writings of Washington Irving, James Fenimore Cooper, Bulwer-Lytton, and Benjamin Disraeli. He also brought out a number of shilling books in "Routledge's Universal Library" (also known as "Morley's Universal Library.”

Once styled Routledge, Warne & Routledge,  his firm changed its name to that of George Routledge & Sons in 1858. A branch of the business was established in New York in 1854.





























































































Children’s Books 1850–1881 part 2

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0
This series features illustrated children's books mainly from the Victorian era, more specifically from between 1850 and 1904. I found so many interesting books that I decided to split the series. 

This first series features books from between the 1850s to 1881.
Books from between 1881 to 1904 will appear here later in the year.

Until the mid-18th century, children's books mainly consisted of moralistic or enlightening stories propagating the religious and ethical view that hard work and diligence determines a person's life. Little consideration was given to children's reading pleasure.
The focus in children's books gradually shifted from simple moral lessons to entertainment, with techniques of expression employed specifically for that purpose. Books carrying witty illustrations or exploring children's inner life also began to appear. The mid-19th century saw the development of girls' novels and narratives of family life.


This is part 2 of an 11-part series on children's books 1850s - 1881:


1866 Good Boys
published by Routledge, Warne, and Routledge, London:



























1867 Bright Thoughts Joyful Tales
published by McLoughlin Brothers, New York:




















































1868 Upside Down
published by Griffith and Farran, London:

The idea of the illustrations in this book was to turn the book upside down and see a different interpretation of the illustrations done by William McConnell.
William McConnell ( 1833–1867 ) was an English illustrator and cartoonist. He became known as a young man as an illustration draughtsman on wood. Suffering from poor health, he was supported in his last days by brother artists, and died of consumption in London on 14 May 1867.


Early works were the illustrations to Oliver Oldfellow's Our School ( 1857 ), George Frederick Pardon’sThe Months 
( 1858 ), and George Augustus Sala’s popular Twice Round the ClockUpside Down, or Turnover Traits, with verses by Thomas Hood the younger, which was published after his death from his initial illustrations.


I have shown each version of the illustrations here in sequence:








AS GENTLE AS


A DEER.


OUR VOLUNTEER, AS BRAVE AS


A LION.


AS GREEDY AS


A PIG.


AS MARKED AS


A ZEBRA.


AS CONCEITED AS


AN APE.


A KNOWING OLD


"HOSS."

A SLY OLD


FOX.


YOUR "MOTHER-IN-LAW," AS SAVAGE AS


A TIGRESS.


AN IRISH

BULL.


A SURLY OLD


DOG.

AN ODD


FISH.

A STUPID OLD


DONKEY.


AS SPITEFUL AS


A CAT.


AS QUIET AS


A LAMB.


MAKING BLACK


WHITE.

Children’s Books 1850–1881 part 3

0
0
This series features illustrated children's books mainly from the Victorian era, more specifically from between 1850 and 1904. I found so many interesting books that I decided to split the series. 

This first series features books from between the 1850s to 1881.

Books from between 1881 to 1904 will appear here later in the year.

Until the mid-18th century, children's books mainly consisted of moralistic or enlightening stories propagating the religious and ethical view that hard work and diligence determines a person's life. Little consideration was given to children's reading pleasure.

The focus in children's books gradually shifted from simple moral lessons to entertainment, with techniques of expression employed specifically for that purpose. Books carrying witty illustrations or exploring children's inner life also began to appear. The mid-19th century saw the development of girls' novels and narratives of family life.


This is part 3 of an 11-part series on children's books 1850s - 1881:



1869 A Treasury of Pleasure for Young People:




Little Bo-Peep:












Henny-Penny:







1869 Annie and Jack in London
published by George Routledge & Sons, London:



























1869 Jingles & Jokes For Little Folks
published by Mc.Loughlin Bros., New York:






















1870 Our Father's Care
published by Jarrold & Sons, London:

Jarrold & Sons Ltd is a Norwich, Norfolk, UK, based company that was founded in 1770 in Woodbridge, Suffolk.  It moved to Norwich in 1823. It is privately owned, with members of the Jarrold family still having a significant involvement in running it.It is principally known as a retail business, with a flagship award-winning department store in the centre of Norwich. The non-retail divisions of the Jarrold group of companies are Jarrold Properties, Jarrold Training and St. James Facility Management. Its activities previously included Jarrold Publishing and Jarrold Printing.

















c1870 Red Riding Hood
published by Frederick Warne & Co., London:






















1870s The Nursery Playbook
published by Mc.Loughlin Bros., New York:
















1870s The Robinson Crusoe Picture Book:





Robinson Crusoe


Robinson Crusoe


Robinson Crusoe


Robinson Crusoe


Robinson Crusoe


Robinson Crusoe


How Cock Sparrow Kept his Christmas


How Cock Sparrow Kept his Christmas


How Cock Sparrow Kept his Christmas


How Cock Sparrow Kept his Christmas


How Cock Sparrow Kept his Christmas


How Cock Sparrow Kept his Christmas


Queer Characters "Dobbin the Blacksmith"

"Tabby the Piper"

"Doctor Donkey's Academy"

"The Artful Fox"

"Towser's Trial"

"The Mischievous Monkeys"

Children’s Books 1850–1881 part 4

0
0
This series features illustrated children's books mainly from the Victorian era, more specifically from between 1850 and 1904. I found so many interesting books that I decided to split the series. 

This first series features books from between the 1850s to 1881.

Books from between 1881 to 1904 will appear here later in the year.

Until the mid-18th century, children's books mainly consisted of moralistic or enlightening stories propagating the religious and ethical view that hard work and diligence determines a person's life. Little consideration was given to children's reading pleasure.

The focus in children's books gradually shifted from simple moral lessons to entertainment, with techniques of expression employed specifically for that purpose. Books carrying witty illustrations or exploring children's inner life also began to appear. The mid-19th century saw the development of girls' novels and narratives of family life.


This is part 4 of an 11-part series on children's books 1850s - 1881:



1872 Aunt Friendly's Nursery Keepsake:





Frontispiece
Hop O' My Thumb Saves his Parents


Four and Twenty Blackbirds
The Opening of the Pie



The King Counting his Money



The Queen in her Parlour



The Maid in the Garden



The Jackdaw's Wickedness



The Maid and the Doctor


The Frog Who Would a Wooing Go



Froggy Meets the Rat



Mrs Mouse Spinning



The Merry-Making



Froggy Frightened



Death of Poor Froggy


The Three Little Pigs
Going to Seek their Fortunes



The House of Furze



Early Rising



Little Pig Escaping



The Wolf, The Pig, and the Churn



The Fate of the Wolf


The Ugly Duckling
In the Farm-Yard



The Duckling Driven Away



The Cat, The Hen, and The Duckling



Cutting the Duckling Out of The Ice



The Beautiful Birds



The Duckling Finds he is a Swan


Puss in Boots
Puss Consoling the Miller's Son



Puss Makes a Present to the King



Puss Calls on the Ogre



Puss Asks Help for His Master



Puss Threatens the Reapers



The King and Princess Visit the Marquis


Dame Trot Buys the Cat



 Puss Making Tea


 Puss in Full Dress



 The End of the Ride


The Old Woman Finds Sixpence



"Water, Water, Quench Fire."



"Butcher, Butcher, Kill Ox."



"Cat! Cat! Kill Rat."


The Old Woman and Her Pig


Tom Thumb's Arrival



Tom Thumb and the Pudding



Tom Thumb and the Tinker


Tom Thumb and the Cow



Tom Thumb and the Eagle


Tom Thumb at Arthur's Court


The Three Bears
The Morning Walk


Little Golden Hair


Eating Baby Bear's Breakfast


"Somebody has been here."


Golden Hair in Danger


Golden Hair Escapes


Jack and the Beanstalk
Jack Sells the Cow


The Beanstalk


The Golden Eggs


Jack Takes the Money-Bags


Jack Seizes the Harp


The Giant's Fall


Diamonds and Toads
The Poor Girl


Rose's Kindness


Pearls and Diamonds


The Rude Girl


Toads and Vipers


The Fairy's Visit


Hop o' My Thumb
Hop o' My Thumb Strewing Pebbles


The Giant's Seven Daughters


The Giant in Seven-League Boots


Hop o' My Thumb Taking Off the Boots


Hop o' My Thumb Reaching the Camp

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