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Wenceslaus Hollar - part 7

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Wenceslaus Hollar (1607 Prague – 1677 London) was one of the premier etchers and draftsmen of the 17th century, known for his landscapes, architectural and topographical views, still-lifes, and women’s fashions. A prolific artist with 2,525 prints attributed to him.

For further biographical notes on Hollar, see part 1.
For more works, see parts 1 - 6 also. 

This is part 7 of a 9-part series on the works of Wenceslaus Hollar:



1651 Dance of Death after Holbein the Younger:

(showing Holbein's original woodcuts after the etchings)
concluding from part 6 of these posts



1651 The Child and Death, after Hans Holbein the Younger
etching on ivory laid paper 7.3 x 5.2 cm ( sheet )
Art Institute of Chicago, IL

1543 The Child and Death
Hans Holbein the Younger

1651 The Gamesters and Death, after Hans Holbein the Younger
etching on ivory laid paper 7.3 x 5.3 cm ( sheet )
Art Institute of Chicago, IL

1543 The Gamesters and Death
Hans Holbein the Younger

1651 The Waggoner and Death, after Hans Holbein the Younger
etching on ivory laid paper 7.1 x 5.2 cm ( sheet )
Art Institute of Chicago, IL

1543 The Waggoner and Death
Hans Holbein the Younger 

1651 The Duke and Death, after Hans Holbein the Younger
etching on ivory laid paper 7.2 x 5.2 cm ( sheet )
Art Institute of Chicago, IL

1543 The Duke and Death
Hans Holbein the Younger
*          *          *          *          *

1652 Anna Maria, Queen of Spain
etching 22.6 x 16 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1652 Cupid with Eagle
etching 11.1 x 15.2 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1652 Cupid with Swan
etching 11.2 x 15.2 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1652 Landscape with Two Men Walking at Wood's Edge
etching 14.2 x 21.9 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1652-97 Virgils' Eclogues, Georgics and Aenead:

1652 Illustration to Virgil's Eclogues: Alexis
etching 31.1 x 19.4 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1652 Illustration to Virgil's Eclogues: Meliboeus
etching 28.8 x 19 cm ( plate ) cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1653 Illustration to Virgil's Eclogues: Daphnis
etching 29.4 x 19.2 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1653 Illustration to Virgil's Georgics: Aristaeus Seizing Proteus
etching 29.4 x 19.1 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1653 Illustration to Virgil's Georgics: Country Craftsmen
etching 29.7 x 19.8 cm ( plate )
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1654c Illustration to Virgil's Anead: Turnus before Latinus
etching 25.4 x 19.2 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1654c Illustration to Virgil's Georgics: Hiving Bees
etching 30.2 x 22 cm ( plate )
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1654c Illustration to Virgil's Georgics: The Ploughman
etching 29.2 x 19.1 cm  ( plate )
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1697 Illustration to Virgil's Eclogues, Georgics and Aenead
etching 29.1 x x 19.6 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

n.d. Illustration to Virgil's Anead
etching 29.3 x 19.7 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

n.d. Illustration to Virgil's Anead: Nisus Slaying Volscens
etching 30.2 x 19.4 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

n.d. Illustration to Virgil's Eclogues, Georgics and Aenead
etching 30.8 x 19.6 cm ( plate )
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

n.d. Illustration to Virgil's Georgics: The Swarming of the Bees
etching 29.3 x 18.6 ( plate ) cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1654 (published) Aeaneas:

n.d. Aeneas's Farewell to Andronache
etching ( state 3 ) 31 x 20 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Aeneas and Acestes
etching ( state 2 ) 31 x 20 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Aeneas and Charon
etching ( state 2 ) 31 x 20 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Aeneas and Dido in the Underworld
etching ( state 2 ) 30 x 20 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Aeneas and Diomedes
etching 30 x 20 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Aeneas Erects a Trophy of the Weapons of Mezentius
etching ( state 2 ) 30 x 20 cm
 Thomas Fisher Rare Book Library, University of Toronto

n.d. Aeneas in the Underworld
etching 30 x 20 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Aeneas Lands in Thrace
etching ( state 3 ) 31 x 20 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Aeneas Leaves Troy
etching ( state 2 ) 30 x 21 cm
 Thomas Fisher Rare Book Library, University of Toronto

n.d. Aeneas Meets Andromache
etching ( state 2  ) 31 x 20 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Aeneas' Fight with Mezentius and Lausus
etching ( state 2 ) 30 x 20 cm
Thomas Fisher Rare Book Library, University of Toronto

1654 Alphabet:

1654 Capital Letter A
etching 4.8 x 4.4 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

n.d. Capital Letter W
etching 5.1 x 5.3 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA
*

1654 Various Birds
etching 13.4 x 18.8 cm
Rijksmueum, Amsterdam

1662-63 A Leopard, Flowers, and Insects
etching 16.9 x 27.3 cm
Rijksmuseum, Amsterdam

1663 A Peony
etching ( state 3 ) 17 x 27 cm
Thomas Fisher Rare Book Library, University of Toronto

1663 A Regular Cannon of Ye Order of Premonstratum
etching 8.1 x 5.5.cm
 Dallas Museum of Art, Texas

1664 John Clenche ( Justice under Elisabeth )
etching 29.4 x 20.1 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1665 A Yacht and Three Warships in a Storm
etching 12 x 28 cm
Thomas Fisher Rare Book Library, University of Toronto

1665 Warships and a Spouting Whale
etching 13 x 28 cm
 Thomas Fisher Rare Book Library, University of Toronto

1665 Warships in a Sea Storm
etching
Rijksmuseum, Amsterdam 

1665 Islington, London
etching 8.9 x 12.4 cm
Rijksmuseum, Amsterdam


Wenceslaus Hollar - part 8

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Wenceslaus Hollar (1607 Prague – 1677 London) was one of the premier etchers and draftsmen of the 17th century, known for his landscapes, architectural and topographical views, still-lifes, and women’s fashions. A prolific artist with 2,525 prints attributed to him.

For further biographical notes on Hollar, see part 1.
For more works, see parts 1 - 7 also. 

This is part 8 of a 9-part series on the works of Wenceslaus Hollar:



1666 Bust of a Woman with Hooked Nose
etching 6.4 x 4 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

1670 The Last Supper
etching 13.3 x 8.5 cm
Rijksmuseum, Amsterdam

n.d. A Bezan Yacht
etching 10 x 18 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. A Boar, Heron, and other Game
etching 14 x 20 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. A Dead Deer and Dead Game
etching 13 x 20 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. A Dead Fallow Buck
etching ( state 1 ) 10 x 19 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. The Creation Robe of a Baron
etching ( state 1 ) 11 x 8 cm
 Thomas Fisher Rare Book Library, University of Toronto

n.d. The Habit of a Bishop
etching ( state 1 ) 11 x 8 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. The Creation Robe of a Duke
etching 12 x 8 cm
 Thomas Fisher Rare Book Library, University of Toronto

n.d. The Habit of a Judge
etching 12 x 8 cm
 Thomas Fisher Rare Book Library, University of Toronto

n.d. The Creation Robe of a Marquis
etching ( state 1 ) 12 x 8 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. The Creation Robe of a Viscount
etching ( state 1 ) 12 x 8 cm
Thomas Fisher Rare Book Library, University of Toronto


n.d. A Brooding Hen
etching 13 x 20 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. A Chalice, after Mantegna
etching 47 x 22 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. A Flute
etching ( state 2 ) 15 x 24 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. A Griffin
etching 17 x 28 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. A Horse
etching 18 x 26 cm
 Thomas Fisher Rare Book Library, University of Toronto

n.d. A Letter of Condolence
etching ( state 2 ) 30 x 20 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. A Naval Battle
etching 23 x 43 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. A Naval Battle
etching 24 x 43 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. A Sea Battle
etching ( state 1 ) 10 x 18 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. A Warship with Four Sails Set
etching 10 x 18 cm
Thomas Fisher Rare Book Library, University of Toronto


n.d. A Testudo
etching 10 x 13 cm
 Thomas Fisher Rare Book Library, University of Toronto

n.d. Adam Elsheimer
etching ( state 1 ) 11 x 16 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Admiral Martin Tromp
etching 8 x 6 cm
Thomas Fisher Rare Book Library, University of Toront
o

n.d. Adoration of the Cross
etching 11 x 6 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Adoration of the Kings
etching 7 x 5 cm
 Thomas Fisher Rare Book Library, University of Toronto

n.d. Adoration of the Lamb
etching 11 x 6 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Adrienne van Venne
etching ( state 2 ) 17 x 12 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Aesop
etching 30 x 19 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Alderman Abel
etching ( state 2 ) 9 x 7 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Anonymous Tomb at St Mary, Warwick
etching 11 x 17 cm
Thomas Fisher Rare Book Library, University of Toronto

Wenceslaus Hollar - part 9

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Wenceslaus Hollar (1607 Prague – 1677 London) was one of the premier etchers and draftsmen of the 17th century, known for his landscapes, architectural and topographical views, still-lifes, and women’s fashions. A prolific artist with 2,525 prints attributed to him.

For further biographical notes on Hollar, see part 1.
For more works, see parts 1 - 8 also. 

This is part 9 of a 9-part series on the works of Wenceslaus Hollar:



n.d. Baker ( monument )
etching ( state 2 ) 29 x 16 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Capital Letter A
etching 5 x 5 cm

n.d. Capital Letter H
etching 5 x 5 cm

n.d. Charles I of England
etching 28.9 x 16.6 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

n.d. Edward Sackville, Earl of Dorset
etching 10.8 x 8.3 cm de
Young / Legion of Honour Fine Arts Museums of San Francisco, CA

n.d. Healing of Cripples
etching ( state 2 ) 22 x 17 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Lady Catherine Howard
etching
National Gallery of Art, Washington, DC

n.d. Lincoln Cathedral from the East
etching 27.9 x 36.3 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

n.d. Lincoln Cathedral from the North
etching 26.9 x 40.5 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

n.d. Mary, Princess of Orange
etching 19.9 x 14.7 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

n.d. Mary, Princess of Orange
etching ( state 1 ) 19 x 23 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Zootomia
etching 14 x 9 cm
Thomas Fisher Rare Book Library, University of Toronto

Owls, Falcons or Hawks
etching 13.5 x 19.8 cm
Rijksmuseum, Amsterdam

n.d. Dance of Death Alphabet (after Holbein the younger):


Capital Letter A
by Holbein the Younger


n.d. Capital Letter A
The Dance of Death
after Holbein 3 x 3 cm

Capital Letter B
by Holbein the Younger

n.d. Capital Letter B
The Dance of Death 

after Holbein 3 x 3 cm

Capital Letter C
by Holbein the Younger

n.d. Capital Letter C
The Dance of Death 

after Holbein 3 x 3 cm

Capital Letter D
by Holbein the Younger

n.d. Capital Letter D
The Dance of Death 

after Holbein 3 x 3 cm

Capital Letter E
by Holbein the Younger

n.d. Capital Letter E
The Dance of Death 

after Holbein 3 x 3 cm

Capital Letter F
by Holbein the Younger

n.d. Capital Letter F
The Dance of Death 

after Holbein 3 x 3 cm

n.d. Jesus series:


n.d. Carrying the Cross
etching
National Gallery of Art, Washington, DC

n.d. Descent into Hell
etching
National Gallery of Art, Washington, DC

n.d. Ecce Homo
etching
National Gallery of Art, Washington, DC

n.d. Jesus before Caiaphas
etching
National Gallery of Art, Washington, DC

n.d. Jesus again before Caiaphas
etching
National Gallery of Art, Washington, DC

n.d. Jesus again before Pilate
etching
National Gallery of Art, Washington, DC

n.d. Jesus before Annas
etching
National Gallery of Art, Washington, DC

n.d. Jesus Confronting his Detractors
etching
National Gallery of Art, Washington, DC

n.d. Jesus on the Mount of Olives
etching
National Gallery of Art, Washington, DC

n.d. Jesus Taken
etching
National Gallery of Art, Washington, DC

n.d. The Crucifixion
etching
National Gallery of Art, Washington, DC

n.d. The Entombment
etching
National Gallery of Art, Washington, DC

n.d. The Abraham Story:


n.d. Abraham and Lot Separating
etching ( state 1 ) 7 x 10 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Abraham Fights the Kings
etching ( state 2 ) 7 x 10 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Abraham's Dream
etching ( state 2 ) 7 x 10 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Abraham Entertains the Angels
etching ( state 1 ) 7 x 10 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Abimelech Rebuking Abraham
etching ( state 1 ) 7 x 10 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Abraham's Feast
etching ( state 1 ) 7 x 10 cm
Thomas Fisher Rare Book Library, University of Toronto

n.d. Abraham's Servant at the Well of Nahor
etching ( state 1 ) 7 x 10 cm
Thomas Fisher Rare Book Library, University of Toronto

1674 Abraham and Melchisedek
etching 8 x 12 cm
Thomas Fisher Rare Book Library, University of Toronto


Louis Valtat - part 1

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1892 Self-Portrait
oil on canvas 55.2 x 45.7 cm
Private Collection

Louis Valtat (1869 – 1952) was a French painter and printmaker associated with the Fauves  ("the wild beasts," so named for their wild use of colour), who first exhibited together in 1905 at the Salon d’Automme. He is noted as a key figure in the stylistic transition in painting from Monet to Matisse. 

Valtat’s early work, generally landscapes and street scenes, used the light touch of Impressionism and the coloured dots of Pointillism along with an intense, bright palette, as in Péniches (Barges) (1892).


1892 Barges
oil on canvas 38 x 46 cm
Private Collection

Later in life, while suffering from tuberculosis, he spent several autumns and winters on the Mediterranean, where he intensified his use of colour and began to express more Fauvist tendencies, particularly in his seascapes. However, he never fully adopted the extreme boldness of colour and form that characterises the work of the Fauve group.

Born August 8, 1869 in Dieppe, France, Valtat studied at the École des Beaux-Arts in Paris and at the Académie Julian. His fellow students and contemporaries included Maurice Denis, Pierre Bonnar, and Édouard Vuillard, though Valtat remained separate from the Synthesist movement by which these three were influenced. He continued to paint until 1948, when he lost his sight due to glaucoma. Valtat died on January 2, 1952 in Paris.



This is part 1 of a 4-part post on the works of Louis Valtat:



1890-92c On the Beach
oil on canvas 57.2 x 80.7 cm
Private Collection

1890c Street in Paris in the Snow
oil on paper on cradled panel 28.5 x 45.5 cm
Private Collection

1890c The House and Garden at Bernay
oil on canvas 54 x 65 cm
Private Collection

1890c The Studio / Nude in the Studio
oil on canvas 171.5 x 221 cm
Private Collection

1892c Unloading Coal at Rouen
oil on burlap 54 x 65 cm
Private Collection

1893 House and Three Master
oil on canvas 46.3 x 55 cm
Private Collection

1893 On the Boulevard
oil on canvas 218.4 x 168.3 cm
Private Collection

1893 The Flower Garden
oil on canvas 55 x 46 cm
Private Collection

1893 The Orchard
oil on paper laid down on canvas 47.3 x 62.2 cm
Private Collection

1893 The White Mouse
oil on canvas 81.2 x 100.3 cm
Private Collection

1893c Landscape
oil on canvas 65 x 81 cm
Private Collection

1893c The Seine at Bercy
oil on canvas 50 x 65 cm
Private Collection

1894 Apple Trees
oil on cardboard 65 x 81 xm
Private Collection

1894 Nude in the Garden
tempera on canvas 44 x 55 cm
Private Collection

1894 Spanish Landscape
oil on canvas 54 x 64.8 cm
Private Collection

1894 Spanish Landscape
oil on canvas 64.8 x 81.3 cm
Private Collection

1894 Spanish Landscape
oil on panel 55 x 65 cm
Private Collection

1894 Two Children
oil on canvas 28.5 x 35.1 cm
Private Collection

1894c Bernay, la Place de l'Abbatiale
oil on canvas 54 x  65.4 cm
Private Collection

1894c Woman at a Fountain
oil on canvas 62.2 x 81.5 cm
Private Collection

1895 At the Cabaret
 pastel on paper
Haggerty Museum of Art, Milwaukee, WI

1895 At the Table
woodcut 27.5 x 20.9 cm ( woodcut ) 33.3 x 24.7 cm ( sheet )
© 2017 Louis Valtat / Artists Rights Society (ARS), New York / ADAGP, Paris

1895 Chez Maxim's
tempera on panel 80 x 60 cm
Private Collection

1895 Figures by the River
oil on paper laid down on canvas 43.2 x 49.2 cm
Private Collection

1895 On the Boat Bus, Rouen
oil on canvas 54 x 61 cm
Private Collection

1895 On the River
oil on paper laid down on canvas 51 x 69 cm
Private Collection

1895 Personnages au Bord de la Rivière
oil on canvas 53.9 x 65.7 cm

1895 Water Carriers by a Country House
oil on canvas 80 x 99.7 cm
Private Collection

1895c Monsieur Victor Valtat, the Artist's Father
oil on canvas 34.3 x 26.7 cm
Private Collection

1895c Nude on a Green Armchair
pastel on paper laid down on canvas 61.9 x 38.7 cm
Private Collection

1895c The Madeleine-Bastille Omnibus
oil on canvas 130 x 152 cm
Musée du Petit Palais, Geneva, Switzerland

1895c The Reapers
oil on canvas 65 x 81 cm
Private Collection

1895c Two Children on a Plaza
oil on canvas 81.3 x 100.3 cm
Private Collection

1895c Two Vases of Flowers
oil on canvas 81.3 x 66 cm
Private Collection

1895c Two Young Women Fixing Their Hair
oil on canvas 82 x 65 cm
 Private Collection

1895c Woman in an Armchair
oil on canvas 81.6 x 65.4 cm
Private Collection

1896 A Tree in a Garden
oil on canvas 81 x 65 cm
Private Collection

1896 Boats at Arachon
tempera on panel 46 x 65 cm
Private Collection

1896 Boulevard with a Pink Wall
oil on board on cradled panel 52 x 67.3 cm
Private Collection

1896 Brown Sails
oil on canvas 31 x 36 cm
Musée d'Orsay Paris
© ADAGP - photo musée d'Orsay / rmn

1896 The Banyuls Lighthouse
oil on canvas 27.2 x 22.2 cm
Private Collection

1896 Woman at the Cabaret
oil on canvas 136 x 191 cm
Musée 'Orsay Paris
© ADAGP - photo musée d'Orsay / rmn

Louis Valtat - part 2

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1899 Self-Portrait with Cat
oil on canvas 55 x 53 cm
 Private Collection

Louis Valtat (1869 – 1952) was a French painter and printmaker associated with the Fauves  ("the wild beasts," so named for their wild use of colour), who first exhibited together in 1905 at the Salon d’Automme. He is noted as a key figure in the stylistic transition in painting from Monet to Matisse.

For more biographical notes, and for earlier works, see part 1 also.

This is part 2 of a 4-part post on the works of Louis Valtat: 



1896 Woman Sewing with a Dog
oil on board on cradled panel 54 x 45 cm
Private Collection

1896-97 Village by the Sea
oil on burlap 47 x 53 cm
Private Collection

1896c At Court
pastel on paper 64.5 x 49.6 cm
Private Collection

1896c At the Brasserie
pastel on paper 63.8 x 50.4 cm
Private Collection

1896c In the Lobby
pastel on paper
Private Collection

1896c Oyster Fisherwomen at Arcachon
oil on canvas 46. x 55.3 cm
Private Collection

1896c Village with Pink Houses
oil on canvas 33.5 x 33 cm

1897 Madame Valtat and Her Son Jean ( aka Morher and Child )
oil on burlap 46 x 54.6 cm
Private Collection

1897 Still Life
oil on card 24.7 x 34.9 cm
Private Collection

1897 The Red Tree
oil on canvas 44.5 x 53.3 cm
Private Collection

1897 Women Carrying Water
oil on canvas 130 x 162 cm
Private Collection

1897c At the Ball
oil on canvas 65 x 81 cm
Private Collection

1897c Stylish Woman in the Woods
oil on canvas 21.6 x 16.5 cm
Private Collection

1898 ( Portrait of a Woman )
oil on canvas 40.6 x 33 cm
Private Collection

1898 A House under the Olive Trees in Aguay
oil on canvas 46 x 55 cm
Private Collection

1898 Children's Games
73 x 91.8 cm
Private Collection

1898 Figures in a Wood
oil on cardboard 54 x 65 cm
Private Collection

1898 Promenade of Stylish Women
oil on canvas 81.3 x 100.3 cm
Private Collection

1898 The Port of Marseille
oil on canvas  54.6 x 65.4 cm
Private Collection

1898 The Seamstress
oil on canvas 24 x 33 cm
Private Collection

1898 Tulips and Narcissus
oil on cardboard
46 x 58 cm Private Collection

1898c Le Rastel d'Aguay
oil on canvas 45.7 x 61 cm
Private Collection

1898c The Bompart Family on the Red Rocks of Aguay in the Sun
oil on canvas 81 x 100 cm
Private Collection

1898c Young Women in the Garden
oil on canvas 65 x 80 cm
Hermitage Museum, St Petersburg, Russia

1899 By the Sea at Aguay
oil on canvas 38 x 46.1 cm
Private Collection

1899 Flowers and Fruit
oil on canvas 60 x 73 cm
Private Collection

1899 La Maison du Douanier
oil on canvas 65.6 x 81 cm

1899 Pines at Antheor
oil on canvas 65.4 x 81.6 cm
Private Collection

1899 The Boat
oil on canvas 81 x 101 cm
Hermitage Museum, St Petersburg, Russia

1899 The Bompard Children, Aguay
oil on canvas 29 x 35.5 cm
Private Collection

1899-1900 Madame Valtat at Aguay
81 x 100 cm
Private Collection

1899c Mother and Child by the Sea
oil on canvas 25 x 33 cm
Private Collection

1899c Pines by the Sea, Antheor
oil on burlap 80 x 99 cm
Private Collection

1899c Young Woman and Her Model
oil on canvas 55 x 46.4 cm
Private Collection

1900 Houses in the Valley
oil on canvas 59.8 x 81.3 cm
Private Collection

1900 Mediterranean Landscape
oil on canvas 64.9 x 80.7 cm
Private Collection

1900 Red Rocks
oil on canvas 66 x 81.9 cm
Private Collection

1900 Violet Rocks
oil on canvas 65.5 x 81.5 cm
Hermitage Museum, St Petersburg, Russia

1900 Woman with a Cat on Her Knee
oil on canvas 60.3 x 81.3 cm
Private Collection

1900 Woman with Grapes
oil on canvas 100.3 x 81.3 cm
Private Collection

1900c Buttercups
oil on paper laid down on board 45.7 x 58.4 cm
Private Collection

1900c Grandfather
oil on canvas 54.7 x 64.7 cm
Private Collection

1900c Paysage à la Falaise
oil on canvas 65 x 81 cm

1900c Rocks
oil on canvas 54 x 65 cm
Musée des Beaux-Arts, Angers, France
© ADAGP - photo musée d'Orsay - rmn

Louis Valtat - part 3

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1900c Self-Portrait
oil on canvas 167.8 x 58.5 cm
 Private Collection

Louis Valtat (1869 – 1952) was a French painter and printmaker associated with the Fauves  ("the wild beasts," so named for their wild use of colour), who first exhibited together in 1905 at the Salon d’Automme. He is noted as a key figure in the stylistic transition in painting from Monet to Matisse.

For more biographical notes see part 1. For earlier works see parts 1 and 2 also.

This is part 3 of a 4-part post on the works of Louis Valtat:



1900c Skaters in Winter
oil on canvas 81.3 x 99.7 cm
Museo Thyssen-Bornemisza, Madrid

1900c The Port
oil on canvas 54 x 65.1 cm
Private Collection

1900c Woman at the Piano ( Suzanne Valtat and Her Nephew Edouard Doubrère )
oil on board 76 x 106 cm
Private Collection

1901 Farm in Vosges
oil on canvas 55.1 x 46.1 cm

1901 Fruit on a Stool
oil on canvas 59.7 x 45.7 cm
Private Collection

1901 Landscape in Normandy
oil on canvas 54.3 x 65.4 cm
Private Collection

1901 Madame Valtat in the Garden at Anthéor
oil on canvas 130 x 162.5 cm
Private Collection

1901 The Red Cape, Aguay
oil on canvas 65.8 x 81.4 cm
Private Collection

1901 Vase of Carnations and Minisas
oil on board on cradled panel 52 x 43 cm
Private Collection

1901 Vase of Chrysanthemums
oil on canvas 44 x 36 cm
Private Collection

1901 Woman on a Sofa
oil on board 57.8 x 75.9 cm
Private Collection

1902 Fisherwomen
oil on canvas 65 x 81 cm
Private Collection

1902 Italian Landscape
oil on panel 34 x 41.5 cm
Private Collection

1902 Italian Landscape, Cypresses
oil on panel 34 x 42 cm
Private Collection

1902 Landscape of the Midi
oil on canvas 46 x 55 cm
Private Collection

1902 Lemon and Mandarins
oil on paper laid down on board 20.4 x 26.7 cm
Private Collection

1902 Madame Valtat
oil on board 52 x 45.7 cm
Private Collection

1902 Portrait of a Young Woman
oil on burlap 59.9 x 51 cm
Private Collection

1902 Still Life with Eggplant
oil on paper laid down on board 46.3 x 61.1 cm
Private Collection

1902 Still Life with Melons
oil on panel 60 x 73 cm
Private Collection

1902 The Gondolas of Venice
oil on cardboard 33 x 41 cm
Private Collection

1902 The Red Kerchief
oil on canvas 38.1 x 46.2 cm
Private Collection

1902 The Rocks
oil on cardboard 81 x 100 cm
Private Collection

1902 Woman on the Seashore
oil on canvas 81 x 100.4 cm
Metropolitan Museum of Art, New York
© 2017 Artists Rights Society (ARS), New York

1902 Woman Wearing a Fox Stole
oil on canvas 100.4 x 80.7 cm
Private Collection

1902c By the Sea
65.5 x 81.2 cm
Private Collection

1902c Strawberries
oil on panel 27 x 35 cm
Private Collection

1902c Woman at the Moulin Rouge
oil on paper laid down on canvas 45.9 x 55.2 cm
Private Collection

1903 Woman in an Armchair
oil on canvas 71 x 93.8 cm
Private Collection

1903 Woman with a Cat
oil on canvas 94 x 73.1 cm
Metropolitan Museum of Art, New York
© 2017 Artists Rights Society (ARS), New York

1903c A Walk by the Sea
oil on canvas 54.1 x 65.2 cm

1904 La Corbeille
oil on paper laid down on canvas 60 x 45 cm

1904 Naked Woman
oil on canvas
The Israel Museum, Jerusalem
Photo © Israel Museum, Jerusalem, by Avshalom Avital

1904 Paysage du Midi
oil on canvas 60.3 x 73 cm

1905 Les Bohémiens
oil on canvas 81.2 x 101 cm

1905 Standing Woman
oil on canvas 54 x 65.1 cm

1905-06c Girls Playing with a Lion Cub
oil on canvas 81.5 x 100.5 cm
Hermitage Museum, St Petersburg, Russia

1905c Large Bouquet in a Porcelain Vase
oil on canvas 73.1 x 60.2 cm

1905c Les Trois Coupes de Fruits
oil on paperboard 38.5 x 76.5 cm

1905c The Pendulum Clock and a Bouquet
oil on canvas 40 x 47 cm

1905c Vase of Flowers
oil on paper laid down on board 33.6 x 26.1 cm

1906 Bouquet of Flowers
oil on canvas 40.4 x 27 cm

1906-07c Antheor Bay
oil on canvas 74 x 93 cm
Hermitage Museum, St Petersburg, Russia

Louis Valtat - part 4

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c1900 Renoir, Valtat and Georges d'Espaçant at Magagnosc
© Archives du Musée Renoir

Louis Valtat (1869 – 1952) was a French painter and printmaker associated with the Fauves  ("the wild beasts," so named for their wild use of colour), who first exhibited together in 1905 at the Salon d’Automme. He is noted as a key figure in the stylistic transition in painting from Monet to Matisse.

For more biographical notes see part 1. For earlier works see parts 1 - 4 also.

This is part 4 of a 4-part post on the works of Louis Valtat:



1906c Parterre de Pivoines et Tulipes
oil on burlap 81.2 x 100.3 cm

1907 Nude Female on a Blue Chair
oil on canvas 92.2 x 73.3 cm

1908 The Red Rocks at Anthéor
oil on canvas 81.6 x 100.3 cm

1908-09c Sunlight under the Trees
oil on canvas 66 x 82 cm
Hermitage Museum, St Petersburg, Russia

1908c In the South of France
oil on canvas 60 x 73.5 cm
Hermitage Museum, St Petersburg, Russia

1909 Madame Valtat and her son in the Bathroom

1909 Vase de Fleurs Mauves sur Fond Jaune
oil on canvas 77.2 x 57.7 cm

1912c Seated Child
oil on canvas 35 x 23.5 cm

1913c The Villa
oil on canvas 34.2 x 42.2 cm

1917 Wild Flowers in a Green Vase

1917c Two Sister Sitting, Madame Zette and Madame Juin
oil on canvas 128.8 x 81.2 cm

1918c Coffee Service
oil on canvas 38.4 x 55.2 cm

1918c Woman in a Pink Dress on a Divan
oil on canvas 54.1 x 65.3 cm

1920c Woman Wearing a Necklace
oil on canvas 81.6 x 65.4 cm

1921 Dahlias à la Cruche Verte
81 x 45 cm

1923c Tulips in a Vase
oil on canvas 46.5 x 55 cm

1926 Cherries
oil on canvas 27 x 35 cm

1930c Madame Zette Dupont
oil on canvas 81.3 x 65.4 cm

1930c The Hill in Choisel
oil on canvas 54.4 x 73.6 cm

1931 Tulips and Anemones
oil on canvas 55.5 x 46.3 cm

1934 Thistles in Front of a Window in Choisel

1935 Three Flower Vases, a Bowl of Apples
oil on canvas 54 x 64.7 cm

1939 Bouquet of Pavots, Zinnias and Gueules de Loup
oil on canvas 60.9 x 50 cm

1939 Cherries and Peaches
oil on canvas 33.8 x 33.8 cm

1940 Vase of Anemones
oil on canvas 38 x 46 cm

1941 Blue Vase, Anemones
oil on canvas 33.7 x 66 cm

1943 Vase of Flowers
oil on canvas 46 x 38 cm

1943 Vase of Roses
oil on board 33 x 24.8 cm

n.d. Cherries and Currants
oil on canvas 37.8 x 45.6 cm

n.d. Crowd / Street Scene
dark grey wash on buff wove paper 15.6 x 21.9 cm
Harvard Art Museums / Fogg Museum
© President and Fellows of Harvard College

n.d. Green Pot, Pink Flowers and Grapes
24.9 x 19.5 cm

n.d. Head of a Child
black crayon on darkened tracing paper 20 x 20 cm
Harvard Art Museums / Fogg Museum
© President and Fellows of Harvard College

n.d. Landscape
black ink on off-white wove paper 19.4 x 28.8 cm
Harvard Art Museums / Fogg Museum
© President and Fellows of Harvard College

n.d. Landscape
watercolour 43.2 x 30.5 cm
Harvard Art Museums / Fogg Museum
© President and Fellows of Harvard College

n.d. Mother and Child in Hats
black crayon on buff wove paper 23.7 x 21.2 cm
Harvard Art Museums / Fogg Museum
© President and Fellows of Harvard College

n.d. Portrait of a Man
watercolour on tracing paper 19.4 x 12.7 cm
Harvard Art Museums / Fogg Museum
© President and Fellows of Harvard College

n.d. Reclining Girl
etching 23.2 x 29.8 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

n.d. Red Rocks of the Estrérel
oil on canvas laid down on panel 60.6 x 73 cm

n.d. Suzanne Valtat, Le Jardin d'Aguay
oil on canvas 130.2 x 195 cm

n.d. The Flower Garden
oil on card laid down on canvas 48.5 x 63.4 cm

n.d. Woman Seated in an Armchair
Harvard Art Museums / Fogg Museum
© President and Fellows of Harvard College

n.d. Young Woman
etching 47 x 33 cm
de Young / Legion of Honour Fine Arts Museums of San Francisco, CA

Leonetto Cappiello - part 1

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1902 Cappiello in his studio at 194 Boulevard Malesherbes, Paris

Leonetto Cappiello (1875 – 1942) was an Italian/French poster artist and painter, who mainly lived and worked in Paris. He is now often called 'the father of modern advertising' because of his innovation in poster design. The early advertising poster was characterised by a painterly quality as evidenced by early poster artists Jules Chéret,Alfred Choubrac and Hugo D'Alesi. Cappiello, like other young artists, worked in way that was almost the opposite of his predecessors. He was the first poster artist to use bold figures popping out of black backgrounds, a startling contrast to the posters early norm.


Cappiello’s career as a poster artist began in earnest in 1900 when he began a contract with the printerPierre Vercasson.In this period, the printers would act as an agent for artists and commission work to them. Vercasson had a print house, and his goal was to bring vibrancy and colour to the streets of Paris, he wanted the posters that he produced to stand out from the rest and attract lucrative new advertisers to his agency.


Of course living in Paris, he was aware of the current art scene, and had seen many examples of Cappiello’s work, including a small number of posters already produced and in particular those for Le Frou-Frou. He knew that Cappiello had the potential to be exactly what he was looking for. The relationship commenced with the arrangement that Vercasson would find the clients and brief Cappiello on the product. It was then up to Cappiello to produce a sketch for the client for which he would receive the fee of 500 francs, a good amount at the time. Once the design had been approved by the client, a full size design would be produced for the poster at a size of 1x1.4m, an old French paper standard known as the Double Grand Aigle. Cappiello would also be responsible for ensuring the successful transfer of the design onto lithographic stone ready for printing.


Between 1901 and 1914, he created several hundred posters in a style that revolutionised the art of poster design. During World War I, Cappiello worked as an interpreter in Italy. After the First World War Cappiello returned to producing posters. His first meeting with Devambez in 1918 marked the start of a long discussion: three years later he signed an exclusive contract with the Paris publisher for whom he designed now famous icons: such as Kub, Campari, Paraluie Revel, Pirelli, Chocolat Klaus and Poudre de Luzy, and the famous entertainer Mistinguett at the Casino de Paris. Unlike Vercasson, Devambez did not have its own print house, and had the posters printed at a number of large printers. The agency concentrated on finding new clients from across Europe, and successfully spread Cappiello’s celebrated works across the continent. He remained with the agency until 1936..



This is part 1 of a 6-part post on the works of Leonetto Cappiello:



1898 Citronnade a L'Ananas
lithograph by Imprimerie P. Vercasson & Cie., Paris

1899 Le Frou Frou
lithograph by La Lithographie Nouvelle, Asnières ( Seine )

1900 Absinthe
lithograph 152 x 105 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1900 Amandines de Provence
lithograph by Imprimerie P. Vercasson & Cie., Paris

1900 Cachou Lajaunie
lithograph by Imprimerie P. Vercasson & Cie., Paris

1900 Folies Bergère
( proof before lettering being applied )
lithograph 130 x 90 cm by Imprimerie Chaix, Paris

1900 Folies Bergère
lithograph 130 x 90 cm by Imprimerie Chaix, Paris

1900 Hélène Chauvin
lithograph 130 x 90 cm
by Imprimerie Chaix (Atelier Chéret), Paris

1900 Juguetes
lithograph 111 x 76 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1900 Katabexine comprimés effervescents
lithograph by Imprimerie P. Vercasson & Cie., Paris

1900 La Revue Illustrée
lithograph 164 x 112 cm
by Imprimerie P. Vercasson & Cie., Paris

1900 Odette Dulac
lithograph 140 x 99 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1901 Absinthe Ducros fils
lithograph 142 x 102 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1901 El Perfume
lithograph 111 x 74 cm
by Imprimerie P. Vercasson & Cie., 43, Rue de Lancry, Paris

1901 Livorno Stagione Balneare
lithograph 154 x 103 cm
by Officine G. Ricordi & C., Milan

1902 Champagne De Rochecré
ithograph by Imprimerie P. Vercasson & Cie., Paris

1902 Corset le Furet
lithograph 140 x 100 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1902 Folies Bergère - Louise Balthy
lithograph 141 x 105 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1902 Pur Champagne Damery-Epernay
lithograph 139 x 99 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1902 Théâtre du Vaudeville la Passerelle - Rentrée de RÉJANE
ithograph 139 x 99 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1903 Charbon Chimique Rubaudo
ithograph 136 x 100 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1903 Chocolat Klaus
lithograph 161 x 119 cm
by Imprimerie P. Vercasson & Cie., Paris

1903 Huîtres Exquises
 lithograph 99 x 140 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1903 Katabexine
lithograph 143 x 103 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1903 La Damnation de Faaust, par Cappiello
lithograph 27 x 20 cm
published in "Paris Illustré"

1903 Valdespiino wine
( proof before lettering being applied )
lithograph 140 x 100 cm
by Imprimerie P. Vercasson & Cie., Paris

1903 Valdespiino wine
lithograph by Imprimerie P. Vercasson & Cie., Paris

1904 Citronnade à l'Ananas
lithograph 142 x 103 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1904 E. & A. Mele & Ci.
lithograph by Officine G. Ricordi & C., Milan

1904 La Marquisette Liquer de Dessert
lithograph 140 x 101 cm
by Imp. P. Vercasson & Cie., Paris

1904 Le Friquet ( Theatre Play )
lithograph 140 x 100 cm
by Imprimerie P. Vercasson & Cie., Paris

1904 The Golden Light by George Daring
lithograph 200 x 130 cm
by Imprimerie P. Vercasson & Cie., Paris

1905 Anis Infernal
lithograph 161 x 122 cm
by Imprimerie P. Vercasson & Cie., Paris

1905 Cafés Labrador
lithograph 141 x 101 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1905 Coñac del Caballo Verde
lithograph 140 x 102 cm
by Imprimerie P. Vercasson & Cie., Paris

1905 El Gramophone
lithograph 162 x 122 cm
by Imprimerie P. Vercasson & Cie., Paris

1905 J. Ricard Léognan
lithograph 141 x 101 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1905 Le Petit Coquin
lithograph 140 x 100 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1905 Menthe-Pastille
lithograph 200 x 129 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1905 Sodas Scarpatett
lithograph 139 x 99 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1905 TOG Quinquina
lithograph 130 x 100 cm
by Imprimerie P. Vercasson & Cie., Paris

1905 Vins Authentiques des Graves
 lithograph by Imprimerie P. Vercasson & Cie., Paris

1905 Xèrez-Quina-Ruiz Felix Ruiz y Ruiz Jerez
lithograph 140 x 100 cm
by Imprimerie P. Vercasson & Cie., Paris

1906 Automobiles Brasier
 lithograph 162 x 122 cm
by Imprimerie P. Vercasson & Cie., Paris

1906 Cachou Lajaunie
lithograph 140 x 99 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1906 Cervezas la Cruz del Campo
lithograph 162 x 122 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1906 Compania Colonial
lithograph 200 x 130 cm
by Imprimerie P. Vercasson & Cie., Paris

1906 Docteur Rasurel "Sous Vetements Hygieniques"
lithograph by Imprimerie P. Vercasson & Cie., Paris

1906 Docteur Rasurel "Sous Vetements Hygieniques" 
lithograph 158 x 119 cm
by Imprimerie P. Vercasson & Cie., Paris


Leonetto Cappiello - part 2

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1902c Self-Portrait

Leonetto Cappiello (1875 – 1942) was an Italian/French poster artist and painter, who mainly lived and worked in Paris. He is now often called 'the father of modern advertising' because of his innovation in poster design. The early advertising poster was characterised by a painterly quality as evidenced by early poster artists Jules Chéret, Alfred Choubrac and Hugo D'Alesi. Cappiello, like other young artists, worked in way that was almost the opposite of his predecessors. He was the first poster artist to use bold figures popping out of black backgrounds, a startling contrast to the posters early norm.

For more information on Cappiello, and for earlier works. see part 1 also.

This is part 2 of a 6-part post on the works of Leonetto Cappiello:



1906 La Revue Illustrée
lithograph 164 x 114 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1906 Martell Cognac, France
lithograph 162 x 122 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1906 Ofelia Perfumeria "La Giralda" Sevilla
lithograph 162 x 122 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1906 Zeste Citronnelle au Jus de Citron
lithograph 162 x 122 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1906c Maurin Quina, Le Puy, France
lithograph 159 x 114 cm
by Imprimerie P. Vercasson & Cie., Paris

1907 Angelus Liqueur
lithograph 162 x 122 cm
by Imprimerie P. Vercasson & Cie., Paris

1907 Automoto
lithograph 200 x 129 cm
by Imprimerie P. Vercasson & Cie., Paris

1907 Cognac Pellison
lithograph by Imprimerie P. Vercasson & Cie., Paris

1907 E. & A. Mele & Ci.
lithograph by Officine G. Ricordi & C., Milan

1907 Esperantine Liqueur Digestive
lithograph 140 x 100 cm
by Imprimerie P. Vercasson & Cie., Paris

1907 Fêtes du Congrès International des Étudiants
lithograph 163 x 122 cm
by Imprimerie P. Vercasson & Cie., Paris

1907 Shampoing du Dr. Roja
lithograph 162 x 122 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1907 Source Fontfort Extra Gazeuse
lithograph 163 x 122 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1908 A los Mandarines Cafés y Tés
lithograph 140 x 99 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1908 Cognac Albert Robin
lithograph 161 x 111 cm
by Imprimerie P. Vercasson & Cie., Paris

1909 Fenet Branca
lithograph 200 130cm
by Imprimerie P. Vercasson & Cie., Paris

1909 Le Thermogène
lithograph 160 x 120 cm
by Dehon & Cie., Valenciennes, Paris

1909c Cacao Suchard
lithograph

1910 Aigua de Vilajuïga ( Spanish mineral water )
lithograph by Imprimerie P. Vercasson & Cie., Paris

1910 Asti Cinzano
lithograph 138 x 98 cm
by Lit. del Cinzano, Torino, E.V.

1910 Isolabella
lithograph by Imprimerie P. Vercasson & Cie., Paris

1910 Le Charm Fatal
lithograph 120 x 80 cm
by Imprimerie P. Vercasson & Cie., Paris

1910 Toiles Fraudet
lithograph by Imprimerie P. Vercasson & Cie., Paris

1910 Uricure
lithograph by Imprimerie P. Vercasson & Cie., Paris

1910c Absinthe Gempp Pernod Lunel
lithograph 192 x 137 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1910c Vodka Relsky
lithograph by Imprimerie P. Vercasson & Cie., Paris

1911 Abadie, Paris
lithograph 195 x 127 cm
by Imprimerie P. Vercasson & Cie., Paris

1911 Agua de los Carmelitas Boyer
lithograph 110 x 75 cm
by Imprimerie P. Vercasson & Cie., Paris

1911 Asti Robba
lithograph

1911 Bénédictine
lithograph 49 x 30 cm
by P. Vercasson Imprimerie de la Bénédictine

1911 Bouillon KUB Exiger le K
lithograph 159 x 100 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1911 C. Beriot. Lille
lithograph 160 x 113 cm
by Imprimerie P. Vercasson & Cie., Paris

1911 Carnaval Vinho do Porto
lithograph 162 x 121 cm
by Imprimerie P. Vercasson & Cie., Paris

1911 Cigares Quo Vadis
lithograph by Imprimerie P. Vercasson & Cie., Paris

1911 Cognac Gautier Frères
lithograph 162 x 122 cm by Imprimerie P. Vercasson & Cie., Paris

1911 Conserves de l'Heureux Convive
lithograph 162 x 121 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1911 Craçao Galland de Vienne Isère
lithograph 161 x 121 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1911 Exiget le Chocolat Poulain-Orange
lithograph 103 x 79 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1911 Fenet Branca
colour lithograph 110 x 150 cm
by Imprimerie P. Vercasson & Cie., Paris

1911 Florio S.O.M.
lithograph 200 x 130 cm
by Imprimerie P. Vercasson & Cie., Paris

1911 Je ne Fume que Le Nil
lithograph

1911 Le Bec Renversé Mars
 lithograph 160 x 118 cm
by Imprimerie P. Vercasson & Cie., Paris

1911 Le Cacao Poulain
lithograph 105 x 80 cm
 by Imprimerie P. Vercasson & Cie., Paris

1911 Le Petit Marseillais
lithograph 200 x 130 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1911 Le Phare B.R.C.
lithograph 200 x 130 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1911 Longines
lithograph 160 x 120 cm
by Imprimerie P. Vercasson & Cie., Paris

1911 Oporto Lacrima-Christi
lithograph 200 x 125 cm
by Imprimerie P. Vercasson & Cie., Paris

1911 Persil
lithograph by Imprimerie P. Vercasson & Cie., Paris

Leonetto Cappiello - part 3

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Leonetto Cappiello (1875 – 1942) was an Italian/French poster artist and painter, who mainly lived and worked in Paris. He is now often called 'the father of modern advertising' because of his innovation in poster design. The early advertising poster was characterised by a painterly quality as evidenced by early poster artists Jules Chéret, Alfred Choubrac and Hugo D'Alesi. Cappiello, like other young artists, worked in way that was almost the opposite of his predecessors. He was the first poster artist to use bold figures popping out of black backgrounds, a startling contrast to the posters early norm.

For more information on Cappiello see part 1, and for earlier works see parts 1 - 2 also.

This is part 3 of a 6-part post on the works of Leonetto Cappiello:



1911 Petronio
lithograph 161 x 121 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1911 Pneu Vélo Lefort
lithograph 160 x 120 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1911 Porto-Quina Constantino
lithograph 200 x 130 cm
by Imprimerie P. Vercasson & Cie., Paris

1911 Verdol Dentifrice Vert Oxygéné
lithograph 162 x 121 cm
by Imprimerie P. Vercasson & Cie., Paris

1911 Vinhos do Porto de J.H. Andresen Succes, Porto
lithograph 140 x 99 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1911 Vittel Grande Source
lithograph 107 x 76 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1911 Vodka Relskys
lithograph 160 x 120 cm
by Imprimerie Vercasson E.T.I.O.P., Paris

1912 Alcool de Menthe
lithograph 160 x 120 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1912 Bière du Fort-Carré
lithograph 201 x 131 cm
by Imprimerie P. Vercasson & Cie., Paris

1912 Birra Metzger, Torino
lithograph 141 x 102 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1912 Bitter Campari
lithograph 140 x 102 cm
by Imprimerie P. Vercasson & Cie., Paris

1912 Bitter Cinzano, Torino
lithograph 107 x 71 cm

1912 Bougies a Pied Cannelé
lithograph 200 x 130 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1912 Cigarettes JOB
lithograph 161 x 121 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1912 Cocofruitine Beurre Végétal
lithograph 160 x 120 cm
by Imprimerie P. Vercasson & Cie., Paris

1912 Dehaynin Prix d'Été
lithograph
by Imprimerie P. Vercasson & Cie., Paris

1912 Eau de Récollets
lithograph 200 x 130 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1912 Eau-de-Vie Dejean
 lithograph 140 x 99 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1912 Je ne fume que Le Nil
lithograph 120 x 158 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1912 Krema
lithograph 160 x 118 cm
by Imprimerie P. Vercasson & Cie., Paris

1912 Krondorf
lithograph 110 x 74 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1912 L'Eau Montmirail Purgatif
lithograph 138 x 98 cm

1912 La Boulonnaise
lithograph 200 x 130 cm
 by Imprimerie Publicitè Vercasson & Cie., Paris

1912 Lampe O.R. Électrique
lithograph 200 x 130 cm
by Imprimerie P. Vercasson & Cie., Paris

1912 Maggi
 lithograph 160 x 120 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1912 Marie Brizard & Roger Liquers
lithograph 158 x 120 cm
by Imprimerie P. Vercasson & Cie., Paris

1912 Mugnier Apéritif
lithograph 160 x 120 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1912 Pâte Éclair en tubes pour fourmeaux
lithograph 160 x 120 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1912 Pedro Domecq
lithograph 199 x 128 cm
 by Imprimerie P. Vercasson & Cie., Paris

1912 Pineral es el Gran Aperitivo
lithograph 161 x 121 cm
by Imprimerie P. Vercasson & Cie., Paris

1912 Plume "Ideal" Waterman
lithograph 99 x 77 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1912 Pour la Cuisine -  Cocose
lithograph 160 x 120 cm
by Imprimerie P. Vercasson & Cie., Paris

1912 Vinho do Porto
lithograph 200 x 130
by Ateliers Ramos Pinto, Porto, Portugal

1912 Vittel Grande Source
lithograph 89 x 67 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1912 Zenith
lithograph 141 x 101 cm
by Imprimerie P. Vercasson & Cie., Paris

1912 ZYM Vin
lithograph 160 x 120 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1912c Buvez Tous Evian-Cachat
 lithograph 160 x 120 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1913 Lyon International Exhibition
lithograph 232 x 148 cm
 by Imprimerie Publicitè Vercasson & Cie., Paris

1916 Agua de Vilajuiga
 lithograph
by Imprimerie P. Vercasson & Cie., Paris

1916 Cadet Rousselle ( proof before lettering being applied )
lithograph 140 x 100 cm
by Imprimerie P. Vercasson & Cie., Paris

1916 Le Trait-d'Union
lithograph 140 x 100 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1917 Le Petit Parisien Judex
 lithograph 126 x 196 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1918 Le Thermo-Bloc
lithograph 141 x 101 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1919 Cognac Boutelleau
lithograph 196 x 130 cm
by Imprimerie P. Vercasson & Cie., Paris

1920 Asti Cinzano
lithograph

1920 Automobiles SCAT
lithograph 140 x 101 cm
by Imprimerie P. Vercasson & Cie., Paris

1920 Banque Nationale de Crédit
lithograph 115 x 80 cm
by Devambez., Imprimerie, Paris

1920 Cachou Lajaunie
lithograph
by Devambez., Imprimerie, Paris

1920 Champagne Joseph Perrier
lithograph
by B. Servin, Imprimerie Editions, Toulouse

1920 L'Exhausteur Alimente
lithograph 200 x 140 cm
by Devambez., Imprimerie, Paris

Leonetto Cappiello - part 4

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Leonetto Cappiello (1875 – 1942) was an Italian/French poster artist and painter, who mainly lived and worked in Paris. He is now often called 'the father of modern advertising' because of his innovation in poster design. The early advertising poster was characterised by a painterly quality as evidenced by early poster artists Jules Chéret, Alfred Choubrac and Hugo D'Alesi. Cappiello, like other young artists, worked in way that was almost the opposite of his predecessors. He was the first poster artist to use bold figures popping out of black backgrounds, a startling contrast to the posters early norm.

For more information on Cappiello see part 1, and for earlier works see parts 1 - 3 also.

This is part 4 of a 6-part post on the works of Leonetto Cappiello:



1920 Le Jaeger - Compte Juste
lithograph 200 x 140 cm
by Devambez., Imprimerie, Paris

1920 Maraliment ( Seaweed soup )
lithograph
by Imprimerie Publicitè Vercasson & Cie., Paris

1920 Mistinguett
 lithograph 161 x 120 cm
by Devambez., Imprimerie, Paris

1920 Poudre de Luzy
lithograph 150 x 100 cm
by Devambez., Imprimerie, Paris

1920 Rozan Chocolate
lithograph 162 x 122 cm
by Devambez., Imprimerie, Paris

1920 SFER - 20 Radiola
lithograph 80 x 60 cm
by Devambez., Imprimerie, Paris

1920c Cinzano Vermouth, Torino
lithograph
by Imprimerie P. Vercasson & Cie., Paris

1920c Maurin Quina
lithograph

1920s Dionis Gran Spumante
lithograph

1920s Vermouth Bellardi, Torino
 lithograph

1921 "Un Fournier"
lithograph 160 x 120 cm
by Devambez., Imprimerie, Paris

1921 Aix-les-Bains
lithograph 180 x 120
by Devambez., Imprimerie, Paris

1921 Asti Cinzano
lithograph 202 x 131 cm
by Devambez., Imprimerie, Paris

1921 Bitter Campari
lithograph 203 x 139 cm
by Atelier d’Art Devambez, Paris

1921 Café Martin
lithograph 198 x 128 cm
 by Devambez., Imprimerie, Paris

1921 Cigarettes Matossian
lithograph 49 x 30 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1921 Cirage Crême Papillon Noir
lithograph 121 x 81 cm
by Devambez., Imprimerie, Paris

1921 Cordial Campari
lithograph

1921 Cordial Campari liquor
lithograph

1921 Fleurissez vos Fenêtres
 lithograph 200 x 129 cm
by Devambez., Imprimerie, Paris

1921 Gancia
lithograph

1921 Impermeabili Pirelli
lithograph

1921 La 15HP Bellanger
lithograph 220 x 140 cm
by Devambez., Imprimerie, Paris

1921 La France au Canada Train Exposition
lithograph 121 x 82 cm
by Devambez., Imprimerie, Paris

1921 Laveuse Mignon
 lithograph 160 x 120 cm
by Devambez., Imprimerie, Paris

1921 Pâtes Baroni
lithograph 161  119 cm
by Devambez., Imprimerie, Paris

1921 Poudre de Perles Fines
lithograph 160 x 120 cm
by Devambez., Imprimerie, Paris

1921 Pourpre Antique Perfume
lithograph 148 x 99 cm
by Devambez., Imprimerie, Paris

1921 Rodde's Cognac Brandy
lithograph 160 x 120 cm
by Devambez., Imprimerie, Paris

1921 Theatre Daunou - Jane Renouardt
lithograph
by Devambez., Imprimerie, Paris

1921 Théâtre National de l'Opéra Grand Bal Masque
 lithograph 121 x 81 cm
by Devambez., Imprimerie, Paris

1921 Vini Spumant Gancia
lithograph

1921 XVIme Exposition Internationale se l'Automobile, du Cycle, des Sports
lithograph 160 x 120 cm
by Devambez., Imprimerie, Paris

1922 Berliet
lithograph 120 x 80 cm
by Atelier d’Art Devambez, Paris

1922 Champagne Castellane Epernay
lithograph

1922 Contratto
lithograph

1922 Dentifrices Bénédictins de Soulac
lithograph 160 x 120 cm
by Atelier d’Art Devambez, Paris

1922 Eau de Cologne A. Seguin
 lithograph 160 x 119 cm
by Atelier d’Art Devambez, Paris

1922 Exposition Coloniale, Marseille 1922
lithograph 120 x 75 cm
by Atelier d’Art Devambez, Paris

1922 "Gancia" Gran Spumante - Extra Dry
lithograph

1922 La "Victoria Arduino" per Caffé Espresso
lithograph

1922 Parapluie-Revel
lithograph 219 x 139 cm
by Atelier d’Art Devambez, Paris

1922 Rapildol
lithograph 152 x 102 cm
by Atelier d’Art Devambez, Paris

1922 Salon des Humoristes
lithograph 120 x 79 cm
by Atelier d’Art Devambez, Paris

1922 Veuve Amiot
lithograph 160 x 120 cm
by Atelier d’Art Devambez, Paris

1923 Cioccolato Venchi
lithograph

1923 Cirio
lithograph

Leonetto Cappiello - part 5

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Leonetto Cappiello (1875 – 1942) was an Italian/French poster artist and painter, who mainly lived and worked in Paris. He is now often called 'the father of modern advertising' because of his innovation in poster design. The early advertising poster was characterised by a painterly quality as evidenced by early poster artists Jules Chéret, Alfred Choubrac and Hugo D'Alesi. Cappiello, like other young artists, worked in way that was almost the opposite of his predecessors. He was the first poster artist to use bold figures popping out of black backgrounds, a startling contrast to the posters early norm.

For more information on Cappiello see part 1, and for earlier works see parts 1 - 4 also.

This is part 5 of a 6-part post on the works of Leonetto Cappiello:


1923 Délices
lithograph 198 x 128 cm 198 x 130 cm
by Atelier d’Art Devambez, Paris

1923 E. Lemonon Eau-de-Vie
lithograph 160 x 120 cm
by Atelier d’Art Devambez, Paris

1923 Jouets et Etrennes
lithograph 70 x 120 cm
by Atelier d’Art Devambez, Paris

1923 Journée de La "Femme et L'Enfant"
lithograph 150 x 100 cm
by Atelier d’Art Devambez, Paris

1923 Le Neptune Lavable
lithograph 160 x 118 cm
by Atelier d’Art Devambez, Paris

1923 Les Dentifrices du Docteur Pierre
lithograph 160 x 120 cm
by Atelier d’Art Devambez, Paris

1923 Pluma Fuente "Iris"
lithograph 70 x 50 cm

1923 Royat
lithogrpah 200 x 131 cm

1923 Rugby
lithograph 223 x 129 cm
by Atelier d’Art Devambez, Paris

1923 Théâtre de L'Étoile
lithograph 161 x 109 cm
by Atelier d’Art Devambez, Paris

1924 Alcool de Menthe de Riclès
lithograph 160 x 107 cm
by Atelier d’Art Devambez, Paris

1924 Alcool de Menthe de Riclès 
lithograph 160 x 107 cm 
by Atelier d’Art Devambez, Paris

1924 Fête de la Tour Eiffel
lithograph 160 x 120 cm
by Atelier d’Art Devambez, Paris

1924 Grande Fête de Bienfaisance
lithograph 80 x 60 cm
by Atelier d’Art Devambez, Paris

1924 Les Couronnes Sodas Limonades
lithograph 162 x 122 cm
by Atelier d’Art Devambez, Paris

1924 Papillion Noir
lithograph
by Atelier d’Art Devambez, Paris

1924c Bitter Campari
lithograph

1925 Biscotines Union
lithograph
by Imprimerie P. Vercasson & Cie., Paris

1925 Chocolat au lait Suchard
lithograph 111 x 73 cm
by Devambez., Imprimerie, Paris

1925 Cigarettes Araks
lithograph 160 x 118 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1925 Cinzano
lithograph 139 x 100 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1925 Contratto Canelli
lithograph

1925 Peugeot
lithograph 162 x 121 cm
by Devambez., Imprimerie, Paris

1925 Sancta
lithograph 160 x 113 cm
by Devambez., Imprimerie, Paris

1925 "Sfer-20" Radiola
lithograph

1925 Sodas Scarpatett
lithograph
by Imprimerie Publicitè Vercasson & Cie., Paris

1925 Toujours Blanc MAG l
ithograph 160 x 120 cm
by Atelier d’Art Devambez, Paris

1925 Veuve Amiot
lithograph
by Imprimerie Publicitè Vercasson & Cie., Paris

1926 Bourdou
lithograph 160 x 120 cm
by Devambez., Imprimerie, Paris

1926 Cigarettes Louis Doize
 lithograph 161 x 121 cm
by Devambez., Imprimerie, Paris

1926 Jacquin
lithograph 160 x 120 cm
by Devambez., Imprimerie, Paris

1926 La Baule les Pins
lithograph 150 x 99 cm
by Devambez., Imprimerie, Paris

1926 Papier à Cigarettes JOB
lithograph 86 x 60 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1927 Cognac Monnet
lithograph 200 x 130 cm
by Devambez., Imprimerie, Paris

1927 Le Nitrate de Chaux "Le Gaulois" C'est de l'Or!
lithograph 160 x 120 cm
by Devambez., Imprimerie, Paris

1927 Longines
lithograph 130 x 91 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1928 Anisette Marie Brizard
lithograph 201 x 131 cm
by Devambez., Imprimerie, Paris

1928 Porto Pitters
lithograph

1928 Royal Melchior Grand Mousseux
lithograph 160 x 120 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

1929 La Menthe Pastille
lithograph
by Devambez., Imprimerie, Paris

1929 Nitrolian Sec Aussitot Peintlithographby Devambez., Imprimerie, Paris

1929 O Cap
lithograph

1929 Palais de la Nouveauté Blanc
lithograph 163 x 122 cm
by Imprimerie de l'Affichage National Dufayel

1929 Remy pates Alimentaires
lithograph 160 x 120 cm
by Devambez., Imprimerie, Paris

1930 Cordial Campari
lithograph

1930 Florio et Cinzano
lithograph 200 x 130 cm
by lithograph by Devambez., Imprimerie, Paris

1930 Fonseca Costa & Ca. Lisbon
lithograph 141 x 101 cm
 by Imprimerie Publicitè Vercasson & Cie., Paris

1930 Huile Lesieur - Huile de Table
lithograph 161 x 120 cm
by Devambez., Imprimerie, Paris

1930 rien ne remplace Le Cuir
 lithograph 222 x 132 cm
by Devambez., Imprimerie, Paris

1930 Savourez la Savora
lithograph 161 x 120 cm
by Devambez., Imprimerie, Paris

Leonetto Cappiello - part 6

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Leonetto Cappiello (1875 – 1942) was an Italian/French poster artist and painter, who mainly lived and worked in Paris. He is now often called 'the father of modern advertising' because of his innovation in poster design. The early advertising poster was characterised by a painterly quality as evidenced by early poster artists Jules Chéret, Alfred Choubrac and Hugo D'Alesi. Cappiello, like other young artists, worked in way that was almost the opposite of his predecessors. He was the first poster artist to use bold figures popping out of black backgrounds, a startling contrast to the posters early norm.

For more information on Cappiello see part 1, and for earlier works see parts 1 - 5 also.

This is part 6 of a 6-part post on the works of Leonetto Cappiello:



1930 Vermouth Martini
lithograph

1931 Bouillon KUB
lithograph 131 x 201 cm
by Devambez., Imprimerie, Paris

1931 "Ca-bloc"
lithograph 119 x 80 cm
by Devambez., Imprimerie, Paris

1931 Equipneu
lithograph 202 x 132 cm
by Devambez., Imprimerie, Paris

1931 Feedine
lithograph 201 x 130 cm
by Devambez., Imprimerie, Paris

1931 Lait Gallia
lithograph 195 x 130 cm
by Devambez., Imprimerie, Paris

1931 Laver au "Soleil"
lithograph 162 x 118 cm
by Devambez., Imprimerie, Paris

1931 Margarine AXA
lithograph 161 x 122 cm
by Devambez., Imprimerie, Paris

1932 6me Bal e la Médecine Française
lithograph 86 x 59 cm
by Devambez., Imprimerie, Paris

1932 Chocolat Toblerone
lithograph 120 x 92 cm
by Devambez., Imprimerie, Paris

1932 Dubonnetlithograph 
by Devambez., Imprimerie, Paris

1932 FISSA Teint Tous Cuirs
lithograph 161 x 121 cm
by Devambez., Imprimerie, Paris

1932 La Fleur des Pois
lithograph 161 x 121 cm
by Devambez., Imprimerie, Paris

1933 Buvez du Vin et vivez joyeuxlithograph 
by Devambez., Imprimerie, Paris

1933 huile d'olive PUGET
lithograph 160 x 120 cm
by Devambez., Imprimerie, Paris

1933 La France
lithograph 162 x 122 cm
by Devambez., Imprimerie, Paris

1933 Le Petit Dauphinois
lithograph 121 x 161 cm
by Devambez., Imprimerie, Paris

1933 Pasquier Giraud
lithograph 160 x 120 cm
by Devambez., Imprimerie, Paris

1933 Persillithograph 
by Devambez., Imprimerie, Paris

1933 Rachel Berendt
lithograph 157 x 121 cm
by Devambez., Imprimerie, Paris

1934 Le Bal des Petits Lits Blancs
lithograph 162 x 121 cm
by Devambez., Imprimerie, Paris

1934 Vetements Gillet-Lafond
lithograph 162 x 121 cm
by Devambez., Imprimerie, Paris

1935 Jako
lithograph 161 x 122 cm
by Devambez., Imprimerie, Paris

1936 Le Vêtement Brummell
"Création des Editions Nouvelles Cappiello, Paris"
lithograph 120 x 81 cm
by Bedos & Cie., Paris

1936 Miroir du Monde
lithograph

1937 France
lithograph 100 x 62 cm
printed in France and published by the French Government

1937 Paris
lithograph 160 x 120 cm
printed in France and published by the French Government

1938 Mam'zelle Bécot
lithograph 157 x 120 cm
by Edimo

1938 Mossant
lithograph

1948 Le Fusil DARNE
lithograph 76 x 52 cm
by Devambez., Imprimerie, Paris

n.d. Bal de la Couture Parisienne
lithograph 80 x 52 cm
by Atelier d’Art Devambez, Paris

n.d. Campari
lithograph

n.d. E. & A. Mele & Ci.
lithograph

n.d. "El Abuelo"
lithograph

n.d. Folies Bergère "Chand d'Habits!"
lithograph

n.d. avec La Kabiline
lithograph

n.d. Montre Election
lithograph
by Imprimerie P. Vercasson & Cie., Paris

n.d. Bière du Fort-Carré
lithograph 71 x 53 cm

n.d. Champagne De Rochecré Epernay
lithograph 100 x 140 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

n.d. Théâtre du Vaudeville la Passerelle RÉJANE
lithograph 100 x 142 cm
by Imprimerie Publicitè Vercasson & Cie., Paris

n.d. Pneu Russian
lithograph

n.d. Royat Guérit
lithograph

Film Posters 1970s - part 1

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FIlm Posters 1970s part 1


This is the sixth part in an occasional series on film (or movie) posters. I have previously featured - as indexed: 

Film Posters 1913-1929 
Film Posters 1930s 
Film Posters 1940s 
Film Posters 1950s
Film Posters 1960s Saul Bass film posters

The 1970s series includes a number of film classics.

 




This is part 1 of a 2-part post on Film Posters of the 1970s:



1970 Alex in Wonderland

1970 Darling Lili

1970 Dorian Gray

1970 Kes

1970 King

1970 Last of the Mobile Hot-Shots

1970 M*A*S*H

1970 R.P.M.

1970 The Conformist

1970 The Forbin Project

1970 The Notorious Cleopatra

1970 Watermelon Man

1970 Woodstock

1971 A Clockwork Orange

1971 Billy Jack

1971 Catlow

1971 Dirty Harry

1971 Friends

1971 Get Carter

1971 Get Carter

1971 Get Carter

1971 Get Carter

1971 Johnny Got His Gun

1971 Straw Dogs

1971 The Boy Friend

1971 The Hellstrom Chronicle

1972 Cabaret

1972 Frenzy

1972 Fritz the Cat

1972 Super Fly

1972 The Assassination of Trotsky 

1972 The Discreet Charm of the Bourgeoisie

1972 The Godfather

1972 The Life and Times of Judge Roy Bean

1972 The Sorrow and the Pity

1973 Billy Jack

1973 Cahill: United States Marshall

Film Posters 1970s - part 2

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This is the sixth part in an occasional series on film (or movie) posters. I have previously featured - as indexed: 
Film Posters 1913-1929 
Film Posters 1930s 
Film Posters 1940s 
Film Posters 1950s
Film Posters 1960s Saul Bass film posters

The 1970s series includes a number of film classics.

 




This is part 2 of a 2-part post on Film Posters of the 1970s:



1973 Mean Streets

1973 The Day of the Jackal

1973 The Sting

1973 To Live And Let Die

1973 To Live And Let Die

1974  99 and 44-100% Dead

1974  99 and 44-100% Dead

1974 Alice Doesn't Live Here Anymore

1974 Blazing Saddles

1974 Chinatown

1974 Murder on the Orient Express

1974 Steppenwolf

1974 The Black Windmill

1974 The Driver's Seat

1974 The Sugarland Express

1975 Barry Lyndon

1975 David Holzman's Diary

1975 Jaws

1975 The Rocky Horror Picture Show

1975 Tommy

1976 The Outlaw Josey Wales

1976 The Shootist

1977 "1900"

1977 Eraserhead

1977 The Farmer

1978 Damien Omen II

1978 Death on the Nile

1978 Eyes of Laura Mars

1978 Fedora

1978 The Boys from Brazil

1978 The Driver

1979 Alien

1979 All That Jazz

1979 Being There

1979 Escape from Alcatraz

1979 The Human Factor

1979 The Onion Field


John Bauer - part 1

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1908 John Bauer Self-Portrait
watercolour on paper 18 x 19 cm
Jönköping Country Museum, Sweden

John Albert Bauer (1882 – 1918) was a Swedish painter and illustrator. His work is concerned with landscape and mythology, but he also composed portraits. He is best known for his illustrations of early editions of Blandtomtar och troll (Among Gnomes and Trolls), an anthology of Swedish folklore and fairy tales.
Bauer was born and raised in Jönköping. At age sixteen he moved to Stockholm to study at the Royal Swedish Academy of Arts. While there he received his first commissions to illustrate stories in books and magazines, and met the artist Ester Ellqvist, whom he married in 1906. He travelled throughout Lappland, Germany and Italy early in his career, and these cultures deeply informed his work. He painted and illustrated in a romantic nationalistic style, in part influenced by the Italian Renaissance and Sami cultures. Most of his works are watercolours or prints in monochrome or muted colours; he also produced oil paintings and frescos. His illustrations and paintings broadened the understanding and appreciation of Swedish folklore, fairy tales and landscape.

When Bauer was 36, he, Ester and their son, Bengt, drowned in a shipwreck on Lake Vättern. 



This is part 1 of a 7-part post on the works of John Bauer:


1899 The Prodigal Son
( Den förlorade sonen )

1902 Höstlandskap, Sweden
oil on panel 20 x 33 cm

1902 Life Drawing

1903 For Hasse to watch until Christmas 1903
( Till Hasse att titta på Jul 1903 )

1903 "Long, Long Ago" (Länge, länge, Sedan … Sagor) 
by Anna Wahlenberg 
published by Albert Bonniers Förlag, Stockholm:

Front Cover jacket

Front Cover

The Queen
( Drottningen )

The Queen
( Drottningen )

The Queen
( Drottningen )

Linda Gull and the Old King
( Linda-Gull och den Gamle Kungen )
 
Linda Gull and the Old King
( Linda-Gull och den Gamle Kungen )

Linda Gull and the Old King
( Linda-Gull och den Gamle Kungen )

Linda Gull and the Old King
( Linda-Gull och den Gamle Kungen )

The Four Aunts
( De fyra tanterna )

The Four Aunts
( De fyra tanterna )

The Four Aunts
( De fyra tanterna )

The Four Aunts
( De fyra tanterna )

The Elder King's Ball
( Älfkungens Bal )

The Elder King's Ball
( Älfkungens Bal )

The Elder King's Ball
( Älfkungens Bal )

The Elder King's Ball
( Älfkungens Bal )

( Trollgubben i Stoberget )

( Trollgubben i Stoberget )

( Trollgubben i Stoberget )

( Trollgubben i Stoberget )

The Best Weapons
( De bästa vapnen )

The Best Weapons
( De bästa vapnen )

The Field of Jewels
( Juvelåkern )

The Field of Jewels
( Juvelåkern )

Gossen and Näcken
( Gossen och Näcken )

Gossen and Näcken
( Gossen och Näcken )

The Enchanted Hat
( Den förtrollade hatten )

The Magpie with Salt on her Tail
( Skatan som fick salt på stjärten )

The Magpie with Salt on her Tail
( Skatan som fick salt på stjärten )

Thin Pin
( Tunntappen )

Thin Pin
( Tunntappen )

Thin Pin
( Tunntappen )

The People's King
( Folkets kung )

The People's King
( Folkets kung )

The People's King
( Folkets kung )

The Golden Hen
( Guldhönan )

The Golden Hen
( Guldhönan )

John Bauer - part 2

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John Bauer and his wife Ester in Italy in 1908

John Albert Bauer (1882 – 1918) was a Swedish painter and illustrator. His work is concerned with landscape and mythology, but he also composed portraits. He is best known for his illustrations of early editions of Bland tomtar och troll (Among Gnomes and Trolls), an anthology of Swedish folklore and fairy tales.

For more information on John Bauer, and for earlier works, see part 1 also.

This is part 2 of a 7-part post on the works of John Bauer:



1903 "Sagoprins looking into the setting sun"
( Sagoprins tittande in i den nedgående solen )
pencil, watercolour and gouache on paper 15 x 13 cm

1904 "An Old Mountain Troll"
( Ett gammalt bergstroll )

1904 "The Fairy Princess"
oil sketch
( Bauer's wife Ester Ellquist modelling )

1905 "Freya"
( Freja )
oil on canvas 80 x 155 cm

1906 "Spirit of Christmas"
( Julstämning )
India ink and wash heightened with white 32.5 x 22.5 cm

1906 Sketch

1907 "Ester in the cottage"
watercolour

1907 "Into the Wide World"
( Ut i Vida Världen )
study

1907 "Into the Wide World"
( Ut i Vida Världen )

1907 "The Trolls in Toompea await visitors"
Jönköping County Museum, Sweden

1907 '"The Trolls in Domberget expected visiting Strangers"
( Trollen i Domberget vänta främmande )

1907 '"The Trolls in Domberget expected visiting Strangers"
(Trollen i Domberget vänta främmande )
mixed media on paper 9.5 x 24 cm
1907c "Sago"
pencil, ink, watercolour and gouache on paper 7.5 x 18 cm


1907 Among Gnomes and Trolls No.1 
(Bland Tomtar Och Troll No.1):


1907 Front cover with illustration from
"Dag and Daga, and the Flying Troll of Sky Mountain"
by Harald Östenson

1907 Bland Tomtar och Troll No.1Title Page
1907 "He could ride in any weather"
( Han som kunde rida i alla väder ) by Helena Nyblom

1907 "He could ride in any weather" 
( Han som kunde rida i alla väder ) by Helena Nyblom

1907 "He could ride in any weather" 
( Han som kunde rida i alla väder ) by Helena Nyblom

1907 "He could ride in any weather" 
( Han som kunde rida i alla väder ) by Helena Nyblom

1907 " The boy who grasped the troll for the toboggan"
( Pojken som spände trollet för kälken ) by Harald Östenson

1907 "The Enchanted Forest"
( Den förtrollade skogen ) by Anna Wahlenberg
pencil watercolour heightened with white on paper 3.5 x 13 cm


1907 Among Gnomes and Trolls No.1
"Dag and Daga, and the Flying Troll of Sky Mountain" by Harald Östenson


"Dag and Daga, and the Flying Troll of Sky Mountain"
by Harald Östenson

"Dag and Daga, and the Flying Troll of Sky Mountain"
by Harald Östenson

"Dag and Daga, and the Flying Troll of Sky Mountain"
by Harald Östenson
"I have the crown"

"Dag and Daga, and the Flying Troll of Sky Mountain"
by Harald Östenson
"Princess Daga was followed in the forest"

"Dag and Daga, and the Flying Troll of Sky Mountain"
by Harald Östenson

1907 "Dag and Daga, and the Flying Troll of Sky Mountain"
by Harald Östenson

1907 "Dag and Daga, and the Flying Troll of Sky Mountain"
by Harald Östenson
"Lord of the Day" Princess Daga watched by Trolls

1908 Among Gnomes and Trolls No.2 
(Bland Tomtar Och Troll No.2):


1908 Among Gnomes and Trolls 2
( Bland Tomtar Och Troll 2 )

1908 "The Leather Bag"
( Skinnpåsen ) by Anna Wahlenberg

1908 "The Leather Bag"
( Skinnpåsen ) 
by Anna Wahlenberg
pencil, ink, watercolour and gouache on paper 20.5 x 18.5 cm

1908 Among Gnomes and Trolls No.2 
"The story of the fisherman Sikur and the troll network" 
(Sagan om fiskaren Sikur och trollnätet) by Cyrus Granér



1908 "The Swan Maiden"
( Svanhamnen ) by Anna Wahlenberg

1908 "The Swan Maiden" 
( Svanhamnen ) by Anna Wahlenberg

1908 "The Swan Maiden" 
( Svanhamnen ) by Anna Wahlenberg

1908 "The Swan Maiden" 
( Svanhamnen ) by Anna Wahlenberg

1908 "The Swan Maiden" 
( Svanhamnen ) by Anna Wahlenberg

1908 "Lappland - The Great Swedish Future Land" (paintings of the Sami People):


1908 Lappland - The Great Swedish Future Land

1908 Lappland - The Great Swedish Future Land

1908 Lappland - The Great Swedish Future Land

1908 Lappland - The Great Swedish Future Land

1908 Lappland - The Great Swedish Future Land

1908 Lappland - The Great Swedish Future Land

1908 Lappland - The Great Swedish Future Land

1908 Lappland - The Great Swedish Future Land

1908 Lappland - The Great Swedish Future Land

1908 Lappland - The Great Swedish Future Land

John Bauer - part 3

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John Albert Bauer (1882 – 1918) was a Swedish painter and illustrator. His work is concerned with landscape and mythology, but he also composed portraits. He is best known for his illustrations of early editions of Bland tomtar och troll (Among Gnomes and Trolls), an anthology of Swedish folklore and fairy tales.

For more information on John Bauer see part 1, and for earlier works, see parts 1 and 2 also.

This is part 3 of a 7-part post on the works of John Bauer:



1908 Sitting "Same"
( Lapp Woman )

1909 "Christmas Goat"
( Julbocken )

1909 "Spirit of Christmas"
( Julstämning )
Åhlèn & Åkerlunds publishers, Gothenberg, Sweden

1909 "The Crofters and the Gnomes" by Anna Wahlenberg:


1909 "The Crofters and the Gnomes" by Anna Wahlenberg

1909 "The Crofters and the Gnomes" by Anna Wahlenberg

1909 "The Crofters and the Gnomes" by Anna Wahlenberg

1909 Among Gnomes and Trolls 3 
( Bland Tomtar och Troll 3 ):


Front Cover

1909c Sketch for cover image ( not used )

Bland Tomtar och Troll 3
"Cinderella"


Bland Tomtar och Troll 3
"Cinderella"

1909 Bland Tomtar och Troll 3
" Mr Birre and the Trolls" 
(Herr birre och Trollen) by Vilhälm Nordin:


1909 " Mr Birre and the Trolls"
( Herr birre och Trollen ) by Vilhälm Nordin

1909 " Mr Birre and the Trolls"
(Herr birre och Trollen) by Vilhälm Nordin
"Trollkäringar used to work with Tinka-Lillfot-Gold hair"

1909 " Mr Birre and the Trolls" 
(Herr birre och Trollen) by Vilhälm Nordin 
"Trollkäringar used to work with Tinka-Lillfot-Gold hair"

1909 " Mr Birre and the Trolls" 
(Herr birre och Trollen) by Vilhälm Nordin 
"Trollkäringar used to work with Tinka-Lillfot-Gold hair"

1909 " Mr Birre and the Trolls"
( Herr birre och Trollen ) by Vilhälm Nordin
watercolour and pencil on paper 26.5 x 25 cm

1909 Bland Tomtar och Troll 3
"Lord of the Four Big Trolls and Little Peter Pastureman" ( Sagan om de fyra stortrollen och lille Vill-Vallareman ) by Cyrus Granér:


1909 "The Four Big Trolls and Little Peter Pastureman"
( Sagan om de fyra stortrollen och lille Vill-Vallareman ) by Cyrus Granér

1909 "The Four Big Trolls and Little Peter Pastureman" 
( Sagan om de fyra stortrollen och lille Vill-Vallareman ) by Cyrus Granér

1909 "The Four Big Trolls and Little Peter Pastureman" 
( Sagan om de fyra stortrollen och lille Vill-Vallareman ) by Cyrus Granér

1909 "The Four Big Trolls and Little Peter Pastureman" 
( Sagan om de fyra stortrollen och lille Vill-Vallareman ) by Cyrus Granér
"He blew upon a birchbark horn"
version 1

1909 "The Four Big Trolls and Little Peter Pastureman" 
( Sagan om de fyra stortrollen och lille Vill-Vallareman ) by Cyrus Granér
"He blew upon a birchbark horn"
version 2

1909 "The Four Big Trolls and Little Peter Pastureman" 
( Sagan om de fyra stortrollen och lille Vill-Vallareman ) by Cyrus Granér
"He blew upon a birchbark horn"
version 3

1909 "The Four Big Trolls and Little Peter Pastureman" 
( Sagan om de fyra stortrollen och lille Vill-Vallareman ) by Cyrus Granér
"He blew upon a birchbark horn"
version 4

1909 "The Four Big Trolls and Little Peter Pastureman" 
( Sagan om de fyra stortrollen och lille Vill-Vallareman ) by Cyrus Granér

1909 Bland Tomtar och Troll 3
"The Trolls and the Youngest Tomte" by Alfred Smedberg:


1909 "The Trolls and the Youngest Tomte"
( Trollen och tomtepojken ) by Alfred Smedberg
version 1

1909 "The Trolls and the Youngest Tomte" 
( Trollen och tomtepojken ) by Alfred Smedberg
Version 2

1909 "The Trolls and the Youngest Tomte"
( Trollen och tomtepojken ) by Alfred Smedberg
"But how do I get into the mountain? the gnome boy asked"

1909 "The Trolls and the Youngest Tomte"
( Trollen och tomtepojken ) by Alfred Smedberg
"On the middle of the floor there was an open treasure chest and with two horrible trolls sitting"
 

*          *          *          *          *

1909 Study of Bauer's wife Ester

1910 "Flower of Happiness at Solberga cliff"
( Lyckoblomman på Solberga klint ) by Alfred Smedberg

1910 "The Boy and the Raven"
( Pojken och  korpen )

1910 "The Boy and the Raven"
( Pojken och  korpen )

1910 "She Kissed the Bear on the Nose"


John Bauer - part 4

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John and Ester Bauer

John Albert Bauer (1882 – 1918) was a Swedish painter and illustrator. His work is concerned with landscape and mythology, but he also composed portraits. He is best known for his illustrations of early editions of Bland tomtar och troll (Among Gnomes and Trolls), an anthology of Swedish folklore and fairy tales.

For more information on John Bauer see part 1, and for earlier works, see parts 1 - 3 also.

This is part 4 of a 7-part post on the works of John Bauer:

1911 "Our Father's God Saga" 
(Fädernas Gudsaga) by Viktor Tydberg:


Colour plate from the front cover
( Odin speaks with Mimir's head for the last time )

1911 "Awake Groa, Awake Mother"

Freya by Svipdag on Singastein

Freya greets Svipdag

Loki lures Idun from Asgard

Loki swallows Gullveig's heart

Mountain Troll

Odin rides out to test Sleipner

Odin speaks with Mimir's head for the last time

Svipdag speaks with Thökk

Thor and Thjalfi's battle with Hrungnir and Mökkurkalfi

Tyr and Fenrir

1911 "The King's Choice" by Anna Wahlenberg:


1911 "The King's Choice" by Anna Wahlenberg

1911 "The King's Choice" by Anna Wahlenberg


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1911 "The Maiden in the Castle of Rosy Clouds"
by Harald Östenson

1911 "The Maiden in the Castle of Rosy Clouds"
by Harald Östenson
"He Gave the Dragon a Mighty Blow"

1911 Front cover of "Jul-tomten"
( The Christmas Gnome )

1911 Monas Lisa and Santa Claus

1912 "Christmas Gift"
( Julklappen )

1912 "Julebocken" Yule Goat
pencil, watercolour heightened with white on paper 34.5 x 29 cm

1913 "Two Trolls"
woodcut 18.5 x 15.5 cm ( image )

1913 A Forest Troll

1913 Trolls by Starlight

1912 Among Gnomes and Trolls 6 
(Bland Tomtar Och Troll 6):



1912 Among Gnomes and Trolls 6
"Innocence Hiking" 
( Oskuldens vandring ) by Helena Nyblom:

1912 "Innocence Hiking"
( Oskuldens vandring )
by Helena Nyblom

1912 "Innocence Hiking" 
( Oskuldens vandring ) 
by Helena Nyblom variant
1912 "Innocence Hiking"
( Oskuldens vandring ) by Helena Nyblom

1912 "Innocence Hiking" 
( Oskuldens vandring ) by Helena Nyblom

1912 "Innocence Hiking"
( Oskuldens vandring ) by Helena Nyblom
"She Kissed the Bear on the Nose"
pencil. ink, watercolour and gouache on paper 25 x 25 cm

1912 Among Gnomes and Trolls 6
 "The Boy Who Was Never Afraid" 
(Pojken som aldrig var rädd) by Alfred Smedberg:

1912 "The Boy Who Was Never Afraid"
( Pojken som aldrig var rädd ) by Alfred Smedberg

1912 "The Boy Who Was Never Afraid"
(Pojken som aldrig var rädd) by Alfred Smedberg
"Here is a piece of a troll herb which nobody else but me can find"

1912 "The Boy Who Was Never Afraid"
(Pojken som aldrig var rädd) by Alfred Smedberg
"Oh my, What a little runt! exclaimed the Troll"
 *

1912 "The Wizard's Coat"
(Trollkarlens kappa) by Anna Wahlenberg

1912 Among Gnomes and Trolls 6
 "Trollsonen som hade solögon och vart skogsman" 
by Vilhälm Nordin:

1912 Trollsonen som hade solögon och vart skogsman
by Vilhälm Nordin
"He drank at the lake"

1912 Trollsonen som hade solögon och vart skogsman
by Vilhälm Nordin
"Humpe climbed up on his lap"

1912 Trollsonen som hade solögon och vart skogsman
by Vilhälm Nordin
"Humpe"
He saw her hiding in the tree

1912 Trollsonen som hade solögon och vart skogsman
by Vilhälm Nordin "Humpe"

1912 Trollsonen som hade solögon och vart skogsman
by Vilhälm Nordin
"Meeting on the Forest Path"

1913 illustration: Trollsonen som hade solögon och vart skogsman 
by Vilhälm Nordin 
"Humpe in the Woods" 
pencil, watercolour and gouache on canvas 45 x 45 cm

John Bauer - part 5

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John Albert Bauer (1882 – 1918) was a Swedish painter and illustrator. His work is concerned with landscape and mythology, but he also composed portraits. He is best known for his illustrations of early editions of Bland tomtar och troll (Among Gnomes and Trolls), an anthology of Swedish folklore and fairy tales.

For more information on John Bauer see part 1, and for earlier works, see parts 1 - 4 also.

This is part 5 of a 7-part post on the works of John Bauer:

1913 Among Gnomes and Trolls 7 
(Bland Tomtar Och Troll 7):


Among Gnomes and Trolls 7
( Bland Tomtar och Troll )

Among Gnomes and Trolls 7
( Bland Tomtar och Troll )
Title page

1913 Among Gnomes and Trolls 7
"The Changelings" by Helena Nyblom:


1913  "The Changelings"
( Bortbytingarna ) by Helena Nyblom

1913  "The Changelings" 
( Bortbytingarna ) by Helena Nyblom

1913  "The Changelings"
( Bortbytingarna ) by Helena Nyblom
"Bianca Maria och Trollen"
watercolour 31.5 x 33.5 cm

1913  "The Changelings"
( Bortbytingarna ) by Helena Nyblom
"One evening around midsummer, they went with Bianca Maria deep into the forest"
watercolour 25 x 25 cm
Nationalmuseum, Stockholm, Sweden

1913  "The Changelings" 
( Bortbytingarna ) by Helena Nyblom

1913 Among Gnomes and Trolls 7
"Brother Martin" by Emil Eliason:


1913 "Brother Martin"
( Broder Martin ) by Emil Eliason

1913 "Brother Martin" 
( Broder Martin ) by Emil Eliason

1913 "Brother Martin" 
( Broder Martin ) by Emil Eliason

1913 "Brother Martin" 
( Broder Martin ) by Emil Eliason

1913 "Brother Martin"
( Broder Martin ) by Emil Eliason
pencil, watercolour and gouache 25.4 x 25.4 cm

1913 Sketch for "Brother Martin"
( Broder Martin ) by Emil Eliason

1913 Among Gnomes and Trolls 7
"The Tale of the Moose Hop and the Little Princess Cotton Grass" 
(Sagan om älgtjuren Skutt och lilla Prinsessan Tuvstarr) 
by Helge Kjellin:


1913 The Tale of the Moose Hop and the Little Princess Cotton Grass 

( Sagan om äldtjuren Skutt och lilla prinsessan Tuvstarr ) by Helge Kjellin

1913 The Tale of the Moose Hop and the Little Princess Cotton Grass 

( Sagan om äldtjuren Skutt och lilla prinsessan Tuvstarr ) by Helge Kjellin

1913 The Tale of the Moose Hop and the Little Princess Cotton Grass 

( Sagan om äldtjuren Skutt och lilla prinsessan Tuvstarr ) by Helge Kjellin

1913 The Tale of the Moose Hop and the Little Princess Cotton Grass 

( Sagan om äldtjuren Skutt och lilla prinsessan Tuvstarr ) by Helge Kjellin

1913 The Tale of the Moose Hop and the Little Princess Cotton Grass 

( Sagan om äldtjuren Skutt och lilla prinsessan Tuvstarr ) by Helge Kjellin

1913 The Tale of the Moose Hop and the Little Princess Cotton Grass 
( Sagan om äldtjuren Skutt och lilla prinsessan Tuvstarr ) by Helge Kjellin
"Leap Kept Guard as she Slept"

1913 The Tale of the Moose Hop and the Little Princess Cotton Grass 
( Sagan om äldtjuren Skutt och lilla prinsessan Tuvstarr ) by Helge Kjellin
"Princess Tuvstarr in the Field"

1913 The Tale of the Moose Hop and the Little Princess Cotton Grass 
( Sagan om äldtjuren Skutt och lilla prinsessan Tuvstarr ) by Helge Kjellin
"Still, Tuvstarr sits and gazes down into the water" 
pencil, watercolour and gouache on paper 25 x 25 cm 
Malmö konstmuseum, Sweden

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1913 School book by John Bauer and Cyrus Granér:











































































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1913 In the Christmas Night

1913 Lucia

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